Panasonic AK-UCX100 4K Studio Camera with superior flexibility and futureproof IP
Panasonic AK-UCX100 4K Studio Camera with superior flexibility and futureproof IP is backordered and will ship as soon as it is back in stock.
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Panasonic AK-UCX100 4K Studio Camera with superior flexibility and ...
Product Overview
The Panasonic AK-UCX100 is a 4K IP studio camera built for live production in the IP era, including studio work, sports broadcasting, and stage productions. It delivers superior image quality with 2,000 TV lines of 4K resolution, wide dynamic range, and a wide color gamut via HDR (including HLG) based on the BT.2020 standard. Broadcast engineers choose the AK-UCX100 when a production needs native IP transport, 4K acquisition, and the flexibility to run with or without a camera control unit.
Product Description
The AK-UCX100 uses a 19.29-megapixel MOS sensor and a 2/3-type bayonet lens mount, and can operate as a standalone camera head without a CCU. It supports a broad set of IP standards including SMPTE ST 2110, NDI High Bandwidth, and SRT, alongside dual 12G-SDI outputs, and ST 2110 enables network redundancy with JPEG XS for low-latency, visually lossless transmission. For traditional studio workflows, it pairs with Panasonic's AK-UCU700/UCU710 Series Camera Control Unit, which adds Dante, ST 2022-7 redundancy, and parallel baseband and IP operation. The camera integrates cleanly with other Panasonic sources, including the AW-UE160 PTZ camera, for consistent multi-camera color. Compare Panasonic's system cameras such as the AK-UC4000, AK-UC3300, and AK-PLV100.
Key Features
- 4K Image Quality — 2,000 TV lines of 4K resolution with wide dynamic range and wide color gamut.
- HDR (HLG) / BT.2020 — High Dynamic Range based on BT.2020 for lifelike contrast and color.
- Native IP Transport — SMPTE ST 2110, NDI High Bandwidth, and SRT for flexible IP production.
- JPEG XS Low Latency — ST 2110 with JPEG XS delivers visually lossless, low-latency video and network redundancy.
- Dual 12G-SDI — Two 12G-SDI outputs for 4K baseband connectivity.
- Standalone or CCU — Operates as a standalone head or pairs with the AK-UCU700/UCU710 CCU for traditional studio workflows.
- 2/3-Type Bayonet Mount — Accepts standard 2/3-inch broadcast lenses.
- Dual SFP28 + Fiber — SFP28 cages and an optical composite connector support flexible IP and fiber links.
Typical Applications
- Broadcast Studio — IP-era studio and sports production needing 4K and ST 2110.
- House of Worship — Multi-camera worship production with IP transport and HDR.
- Auditorium — Large-venue live events and stage productions.
- All-Hands Room — Corporate live production and streamed all-hands events.
- Government Space — Legislative and briefing production requiring broadcast-grade cameras.
Technical Specifications
| Camera type | 4K IP studio camera (standalone or CCU) |
|---|---|
| Pickup device | 19.29-megapixel MOS sensor |
| Lens mount | 2/3-type bayonet |
| Resolution | 4K: 2,000 TV lines (center); HD: 1,000 TV lines |
| Video formats | 3840x2160 and 1920x1080 at 59.94p/50p/29.97p/25p/23.98p |
| HDR | HDR (HLG), BT.2020 wide color gamut |
| Sensitivity | F10 (59.94 Hz) low light / F6 (59.94 Hz) normal, 2000 lx |
| S/N ratio | 62 dB or above |
| IP standards | SMPTE ST 2110 (JPEG XS), NDI High Bandwidth, SRT |
| SDI | 2x 12G/3G/1.5G-SDI BNC out |
| Network | 2x SFP28, RJ-45 LAN, optical composite (fiber) |
| Audio/intercom | 3x XLR mic, 2x 5-pin intercom, earphone |
| Power | DC 12 V (standalone) / AC 240 V via CCU; 119 W standalone, 360 W with CCU |
| Dimensions (W x H x D) | 157 x 267 x 371.5 mm |
| Weight | Approx. 4.55 kg (9.9 lbs), body only |
| Operating temperature | –10 °C to 45 °C (14 °F to 113 °F) |
Specifications sourced from Panasonic. CCU and accessory configurations require manual review against the current Panasonic AK-UCX100 spec sheet.
Competitor Comparison
| Criterion | Panasonic AK-UCX100 | Sony HDC-3500 | Grass Valley LDX 100 |
|---|---|---|---|
| Acquisition | 4K, 19.29 MP MOS, 2/3-type, HDR/BT.2020. | 4K-capable 2/3-type system camera. | 4K/UHD native imager system camera. |
| IP transport | ST 2110 (JPEG XS), NDI HB, SRT native. | IP via SMPTE ST 2110 with adapters/CNA. | IP via ST 2110 with IP modules. |
| Standalone use | Runs without a CCU; dual 12G-SDI on head. | Typically requires CCU/BPU. | Typically requires base station. |
| Redundancy | ST 2110 network redundancy; ST 2022-7 via CCU. | Redundancy via system infrastructure. | Redundancy via system infrastructure. |
| Best fit | IP-first 4K productions wanting flexible standalone or CCU operation. | Sony-standardized broadcast facilities. | Grass Valley-standardized facilities. |
Frequently Asked Questions
Can the AK-UCX100 run without a camera control unit? Yes. It operates as a standalone camera head with dual 12G-SDI outputs and native IP, and can also pair with the AK-UCU700/UCU710 CCU for traditional studio workflows.
What IP standards does it support? SMPTE ST 2110 (with JPEG XS for low-latency, visually lossless transport), NDI High Bandwidth, and SRT, plus network redundancy over ST 2110.
What lenses does it use? It has a 2/3-type bayonet mount that accepts standard 2/3-inch broadcast lenses.
Does it match other Panasonic cameras? Yes. It is designed to pair with Panasonic cameras such as the AW-UE160 PTZ for consistent, cohesive multi-camera color.
What about warranty and support? The AK-UCX100 carries Panasonic's professional warranty and ProVideo service support. Creation Networks can advise on CCU pairing, IP infrastructure, and system design.
At Creartion Networks, we do everything we can to create an excellent customer experience. This includes fast shipping and easy returns.
- Most in-stock orders placed Monday-Friday ship within 24-48 hours. General restrictions apply; please see our full shipping policy here.
- We offer a 30-day return policy from the delivery date on many products. Product restrictions apply. Restocking fees for the return of open-box items. Please see our full return policy here for more information.
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