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Allen & Heath AH-QU-7 – Qu-7 Digital Mixer, 32+1 Faders

Regular price $4,999.99 Sale price $3,999.99
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Allen & Heath  |  SKU: AH-QU-7

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What is the Allen & Heath AH-QU-7 digital mixer?

The Allen & Heath AH-QU-7 is the largest model in the Qu-5/6/7 range, a 96kHz digital mixer with 32 onboard mic preamps, 20 XLR line outputs and 32+1 motorised faders. It mixes 38 inputs into 12 mixes, 4 matrices and main LR, with a 7-inch capacitive touchscreen. The Qu-7 digital mixer is built for houses of worship, auditoriums and event spaces that want every source on its own fader and enough local inputs to skip a stagebox.

How does the Allen & Heath AH-QU-7 work?

All 32 combi XLR/jack preamps feed fully processed channels, and the engine runs at 96kHz with under 0.7ms latency from local mic input to main LR. The 32+1 fader surface, spread across 4 layers, lets a volunteer or staff operator see the whole mix at once. Six RackExtra FX engines with dedicated stereo returns and a 32-channel Automatic Mic Mixer cover worship music, presentations and panel discussions.

The 128x128 SLink port adds remote I/O in dSnake, DX or gigaACE modes. USB-C provides a 32x32 audio interface for recording and streaming, the SD slot captures up to 16 tracks at 96kHz or 32 at 48kHz, and USB-A records stereo. Free apps for Windows, macOS, iOS and Android allow remote mixing and personal monitor control.

What are the key features of the Allen & Heath AH-QU-7?

  • 32 local mic preamps — the most onboard inputs in the Qu range.
  • 32+1 faders over 4 layers — a full channel-per-fader workflow for busy events.
  • 20 XLR line outputs — feeds mains, fills, monitors and recording without expansion.
  • 96kHz, sub-0.7ms latency — transparent, responsive processing.
  • 6 stereo FX engines — RackExtra FX from dLive with dedicated returns.
  • 32-channel Automatic Mic Mixer — automatic balancing of speech microphones.
  • 128x128 SLink port — remote stageboxes and Everything I/O over Cat cable.
  • 32x32 USB-C and SD recording — multitrack capture for streaming and archive.

Where is the Allen & Heath AH-QU-7 typically used?

  • House of worship
  • Auditorium
  • Multi-purpose room
  • All-hands room
  • Government space

Technical Specifications

Mic preamps 32 combi XLR/jack, 0 to +60dB in 1dB steps
Outputs 20 XLR line outputs, Outputs A/B (TRS), 1 AES output
Faders 32+1, 4 layers
Mix architecture 38 inputs to mix; 12 mixes, 4 matrices, main LR
FX 6 FX engines with dedicated stereo returns
Sample rate / latency 96kHz / <0.7ms mic in to main LR
Touchscreen 7 in capacitive, 800 x 480
USB audio / SD recording 32 x 32 USB-C; SD 16 ch at 96kHz, 32 ch at 48kHz
SLink 128 x 128 (gigaACE/GX); DX 32x32; dSnake 40 in
Dynamic range / max output 110dB / +22dBu
Power 100-240V AC, 50/60Hz; 105W max
Dimensions (W x D x H) 800 x 476 x 213 mm (31.5 x 18.7 x 8.4 in)
Weight 16.7 kg (36.8 lbs)

Frequently Asked Questions

What is the difference between the Qu-7 and Qu-7D?

The Qu-7D adds a built-in 16x16 Dante interface on a dedicated EtherCON port. Everything else is the same.

Do I still need a stagebox?

Often not, thanks to 32 local inputs. When sources are on a distant stage, add a remote rack such as the AR2412 stage rack over SLink.

Can it feed personal monitors?

Yes. In dSnake mode SLink carries ME outputs for the AH-ME-1 personal monitor mixer.

Can it be rack mounted?

No. Allen & Heath's optional rack kit is for the Qu-5 and Qu-5D only.

When should I choose SQ instead?

For a 48-channel engine and larger bus count, consider the Allen & Heath SQ-7 or browse the full Allen & Heath collection.

Can Creation Networks install and train our team?

Yes. We install and commission Qu systems nationwide, and Allen & Heath factory training is available for AHM, SQ and Qu systems.

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