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Blackmagic Design ATEM Microphone Converter – XLR to MADI

Regular price $439.00
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Blackmagic Design  |  SKU: SWATEMTVSTDMC

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Product Overview

The Blackmagic Design ATEM Microphone Converter expands audio input for ATEM Television Studio switchers by converting four analog XLR inputs to MADI. With two BNC MADI I/O ports it plugs straight into the ATEM Television Studio MADI port with no complex setup, and units can be daisy-chained for more sources. The four XLR/quarter-inch combo inputs are mic/line selectable with 48V phantom power.

Product Description

The ATEM Microphone Converter uses 32-bit float digital preamps with eight ADCs per input to capture clip-free 24-bit / 48 kHz audio with a very low noise floor, wide dynamic range, and low distortion. Rather than an analog preamp, microphone levels are set by a stable digital gain stage processed in full 32-bit float, so you can compensate for different microphone brands with high precision and a clean, noise-free result before finessing levels on the ATEM audio mixer.

Each input combines eight high-dynamic-range ADCs that function as one ultra-high-dynamic-range converter, delivering 131 dBA of dynamic range per channel at just 0.002% distortion, with a fixed -129 dBV noise floor regardless of digital gain. The multi-ADC design closely matches all four channels for uniform performance across inputs and between units. The MADI output embeds the four analog inputs as MADI channels 1–4, and the MADI input loops additional converters to stack more channels on a single link. An HDMI monitoring output shows four scrolling 60-second waveforms, level meters, custom channel labels, and mic/line and phantom-power status, while USB and Ethernet allow remote admin and updates via ATEM Software Control.

Key Features

  • 4× XLR to MADI — Combo XLR/quarter-inch inputs, mic/line selectable, 48V phantom.
  • 32-bit float digital preamps — Clip-free 24-bit / 48 kHz capture.
  • 8 ADCs per input — 131 dBA dynamic range, 0.002% distortion.
  • -129 dBV noise floor — Fixed regardless of digital gain.
  • Matched channels — Uniform performance across inputs and units.
  • Daisy-chain via MADI — Stack more channels on one link.
  • HDMI monitoring — Scrolling waveforms, meters, and status display.
  • Remote admin — USB and Ethernet via ATEM Software Control.

Technical Specifications

Model SWATEMTVSTDMC
Analog Inputs 4× XLR/quarter-inch combo, mic/line, 48V phantom
Digital I/O 2× BNC MADI (in/out)
Conversion 32-bit float preamps; 8 ADCs per input
Sample Rate 24-bit / 48 kHz
Dynamic Range 131 dBA per channel
Distortion 0.002%
Noise Floor -129 dBV (fixed)
Monitoring HDMI (waveforms, meters, status)
Other I/O USB, Ethernet (ATEM Software Control)

FAQ

What does it connect to? The MADI port on ATEM Television Studio switchers, adding four analog XLR microphone/line inputs.

Can I add more than four channels? Yes — daisy-chain multiple converters over MADI to stack additional channels on one link.

Why use digital preamps? The 32-bit float gain stage and eight-ADC inputs deliver a fixed -129 dBV noise floor and 131 dBA dynamic range, so gain can be applied cleanly on the switcher.

Is there monitoring? Yes — an HDMI output shows scrolling waveforms, level meters, channel labels, and input status.

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