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Midas DM16 16-Input Analog Live and Studio Mixer

Regular price $361.62
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Midas  |  SKU: DM16

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Great for live sound and studio recording applications, the Midas DM16 is a compact 16-input analog mixer that delivers incredible sonic performance and amazing versatility.

The DM16 provides studio-quality sound and features 12 award-winning Midas microphone preamplifiers with true +48V phantom power, widely loved by audio engineers all over the world for their transparency and nuanced, low-noise, high-headroom design. The mixer includes XLR and 1/4" line inputs with inserts and a 3-band EQ on mono channels, while the two 1/4" stereo features a 2-band EQ. Additionally, there's two aux sends, a stereo RCA 2-track input/output, and balanced XLR main outputs. A power cord is included.

At a Glance
  • Live performance and studio recording analog mixer with 16 input channels
  • Twelve mono input channels with award-winning MIDAS microphone preamplifiers
  • Two electronically balanced stereo line input channels on 1/4" TRS connectors
  • 3-band EQ on mono channels with swept mid band
  • Two aux sends with pre/post fader switching
  • 60mm precision long-life faders
  • Rugged chassis construction for durability in portable applications
  • Auto-ranging universal switch-mode power supply
Live Performance and Studio Recording
With 16 channels, the DM16 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare—both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances.

Dedicated Stereo Inputs
Line channels 13/14 and 15/16 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards, and they can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment.
Musical British EQ
  • The British consoles of the 1960s and ‘70s changed the sound of rock and roll. Without them, the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. 
  • The 3-band channel EQ on the DM16 mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. The sweepable mid-frequency band provides a broad tonal palette with which to finetune the ideal signal. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.
Dual Aux Sends
The DM16 is also equipped with 2 aux sends with pre/post fader switching for added versatility. Users can select to use them for external effects processing, custom monitor mixes, or a combination of the two. Additional monitoring outputs are provided of the main mix for stage or studio monitor applications.

Classic Precision
All of DM16 mixer's 60mm faders have been carefully designed to provide a long life of highly precise level setting, ensuring repeatable and flawless performance for many years to come.

Specs
Number of Analog Input Channels
16 (12 Mono / 2 Stereo)
Number of Mic Preamps
12
Analog Output Channels
1x Stereo Master Output
Mix Routing
1x Stereo Main Mix
2x Mono Aux Send per Mono Input Channel, Stereo Input Channel
EQ
3-Band EQ (Mono Channels)
2-Band EQ (Stereo Channels)
Built-In Effects
No
Wireless
No
Rack Mountable
No
Mixer
Number of Analog Input Channels
16 (12 Mono / 2 Stereo)
Number of Mic Preamps
12
Analog Output Channels
1x Stereo Master Output
Mix Routing
1x Stereo Main Mix
2x Mono Aux Send per Mono Input Channel, Stereo Input Channel
Faders & Level Adjustment
14x 2.4" / 60 mm Channel Fader
2x 2.4" / 60 mm Master Fader
Meters
Main Meter:
2x 10-Segment LED
Signal Processing
Gain/Trim Range
+10 dB to +60 dB
Dynamic Processing
No
EQ
3-Band EQ (Mono Channels)
2-Band EQ (Stereo Channels)
EQ Parameters
Mono Channels:
High: ±15 dB at 12 kHz (Shelving)
Mid: ±15 dB at 150 Hz to 3.5 kHz (Semi-Parametric)
Low: ±15 dB at 80 Hz (Shelving)
Graphic EQ
No
Solo/Mute
Mute, PFL per Input Channel
Built-In Effects
No
Performance
Frequency Response
20 Hz to 20 kHz -1 dB
20 Hz to 70 kHz -3 dB
Max Input Level
XLR Mic Input:
+11 dBu at +10 dB Gain (Balanced, Mono)
1/4" Line Input:
+30 dBu (Balanced, Mono)
1/4" Line/Insert:
+21 dBu (Balanced, Stereo)
I/O Impedance
XLR Mic Input:
2 Kilohms (Balanced, Mono)
1/4" Line Input:
20 Kilohms (Balanced/Unbalanced, Mono and Stereo)
1/4" TRS Aux Send:
240 Ohms (Balanced)
120 Ohms (Unbalanced)
1/4" TRS Monitor Output:
240 Ohms (Balanced)
120 Ohms (Unbalanced)
XLR Main Output:
100 Ohms (Balanced)
50 Ohms (Unbalanced)
1/4" TRS Headphone Output:
25 Ohms (Unbalanced)
Stereo RCA Tape Output:
1 Kilohms (Unbalanced)
Noise Floor
Main Output:
-104 dBu Unweighted (Master Level at -∞, Channel Levels at -∞)
-91 dBu Unweighted (Master Level at Unity, Channel Levels at -∞)
-84 dBu Unweighted (Master Level at Unity, Channel Levels at Unity)
THD+N
Mic Input to Main Output:
0.005% at Unity Gain (1 kHz)
Connectivity
Analog Inputs
12x XLR 3-Pin Balanced Mic Input
12x 1/4" TRS Balanced/Unbalanced Line Input
14x 1/4" TRS Unbalanced Insert Insert
4x 1/4" TRS Balanced/Unbalanced Line Input (2 Stereo Pairs)
1x Stereo RCA Coaxial Unbalanced Stereo Line Input (1 Stereo Pair)
Analog Outputs
2x XLR 3-Pin Balanced Stereo Main Output (1 Stereo Pair)
2x 1/4" TRS Balanced/Unbalanced Stereo Monitor Output
2x 1/4" TRS Balanced/Unbalanced Mono Aux Send
1x Stereo RCA Coaxial Unbalanced Stereo 2-Track Output (1 Stereo Pair)
1x 1/4" TRS Unbalanced Stereo Headphone Output
Phantom Power
+48 V
Digital I/O
No
Wireless
No
Power
Input Power
100 to 240 VAC, 50 / 60 Hz
AC Input Power
100 to 240 VAC, 50 / 60 Hz (T 1.6 A H 250 V)
Physical
Rack Mountable
No
Dimensions
17.2 x 14.6 x 3.7" / 43.7 x 37.1 x 9.4 cm
Weight
5 lb / 2.3 kg
Packaging Info
Package Weight
13.22 lb
Box Dimensions (LxWxH)
20 x 17.5 x 5.75"
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