Today, Blackmagic Design announced the Pocket Cinema Camera 6K G2, a next generation model of the Pocket Cinema Camera 6K. The Pocket Cinema Camera 6K G2 includes an adjustable touchscreen screen for easier framing of shots, a larger batteryfor longer shooting without needing to charge or change batteries, as well as support for an optional electronic viewfinder!

The Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at customers’ fingertips!

Featuring a larger 6144 x 3456 Super 35 sensor and EF lens mount, the Pocket Cinema Camera 6K G2 lets customers use largerEF photographic lenses to create cinematic images with shallower depth of field, allowing creative defocussed backgroundsand gorgeous bokeh effects!

With the advanced Blackmagic OS, customers get an intuitive and user friendly camera operating system based on the latest technology. Customers also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, and more.

Whether users are shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions!

Featuring the same generation 5 color science as the high end URSA Mini Pro 12K, the new Pocket Cinema Camera 6K G2 deliversan even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. Customers geta new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images!

Check out the Pocket Cinema Camera Line

Q: What does a nationwide AV integrator actually manage?

A nationwide AV integrator manages the full lifecycle across every site: technology standards, site surveys, engineering documentation, procurement, installation, commissioning, and ongoing support — not just equipment sales.

Q: How is a nationwide rollout different from a single-site AV project?

A single-site project designs for one room's conditions. A nationwide rollout defines approved room archetypes (huddle, conference, boardroom, training, etc.) that get applied consistently, with documented exceptions for site-specific constraints like room size or network policy.

Q: Do all rooms need identical equipment?

No. Standardization applies at the archetype level — a small huddle room and a large boardroom should follow different technology packages, but each package should be repeatable across every site that fits that archetype.

Q: Why does network readiness matter for AV projects?

AV-over-IP video, conferencing appliances, control processors, and digital signage all run as networked devices. Without early planning for VLANs, PoE budgets, and security policy, a well-specified system can still underperform once it's installed.

Q: What happens after installation?

Commissioning tests the system under real conditions — video routing, mic pickup, DSP tuning, and conferencing workflows — before handoff. After that, ongoing support (monitoring, maintenance, escalation) keeps performance consistent as firmware, platforms, and room use evolve.