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Announcing the all ATEM Television Studio Pro 4K, a professional all in one Ultra HD live production switcher with integrated hardware control panel. ATEM Television Studio Pro 4K features 8 independent 12G-SDI inputs, built in Fairlight audio mixer, ATEM Advanced Chroma Keyer, multiview, auxiliary and program outputs, analog audio inputs, built in talkback, two flash based media players, professional creative transitions, a DVE for effects and more.
ATEM Television Studio Pro 4K combines a professional broadcast hardware control panel with a powerful 8 input 12G-SDI switcher for working with all HD and Ultra HD formats up to 2160p59.94. All of the 12G-SDI inputs feature full re-sync and independent format and frame rate conversions. That means customers can connect a total of up to 8 different sources with various different frame sizes and frame rates, and cleanly switch between them. The switcher automatically converts everything to the program’s output format and frame rate.
Professional Fairlight audio mixing is built in to the ATEM Television Studio Pro 4K. Fairlight has been used for extremely high end feature film and television audio post production for years and now, for the first time ever, Blackmagic Design has integrated these incredible Fairlight audio tools into a live production switcher. ATEM Television Studio Pro 4K gives customers independent 6 band parametric equalizers on every single input. In addition, it also includes expander/gate, compressor and limiter dynamics on each input.
ATEM Television Studio Pro 4K features the all new next generation ATEM Advanced Chroma Keyer. This new keyer gives customers adjustable on screen controls for selecting and sampling a region of color, adjustment controls for foreground, background and edges, and chroma correction tools for spill and flare suppression. That means ATEM Television Studio Pro 4K can pull extremely clean keys to replace a blue or green screen for professional broadcast quality composites.
In addition to 12G-SDI, ATEM Television Studio Pro 4K also includes two channels of analog audio in, RS-422, Ethernet and a built in IEC power supply, along with program and auxiliary outputs. Customers also get both SDI and HDMI multiview outputs so they can monitor all sources, preview and program outputs, along with labels, audio meters and more, all on a single big screen television or broadcast monitor.
Featuring a portable design, ATEM Television Studio Pro 4K is packed with high end broadcast features that make it possible to create an entire live switched program, complete with effects and transitions. The hardware panel features large illuminated buttons for switching between sources, along with corresponding audio buttons, one touch transition buttons, downstream keyers, fade to black, media player, cut buttons and more. There’s also a built in LCD screen for previewing source and program video, a spin knob and additional buttons for menus and to adjust settings. Customers simply press the button for the source that they want to see next in the program, then hit the cut or auto button to switch sources, add effects, or even key in graphics.
ATEM Television Studio Pro 4K gives customers true broadcast quality transitions, effects and graphics. Transitions such as mixes, wipes and dips are done by simply pressing a button on the control panel. There are 37 included transitions, giving customers massive creative options because they can customize things such as border, border color and width, position, direction and more. In addition, there’s a built in 2D DVE for adding digital video effects that can position, resize and scale live video, all in real time. That means customers can create professional picture-in-picture effects, use DVE powered transitions like squeeze and slide between sources, or create graphic wipe transitions with their own graphics.
When used with Blackmagic Studio, URSA Mini, URSA Broadcast and Micro Studio cameras, customers get a complete remote control solution that includes talkback, tally, color correction, camera control and more, without having to add any additional cables or proprietary control boxes. These cameras feature a built in color corrector that can be remote controlled, making it possible to balance camera color and create unique looks, all from the control panel. In addition, customers can adjust focus and iris on compatible lenses, change camera settings, and even remote control PTZ heads.
ATEM Television Studio Pro 4K has a built in media pool that can store 90 frames of Ultra HD, 360 frames of 1080HD or 1440 frames of 720HD video that can be used with the two built in media players. The media pool uses flash memory, so images are saved even after the power is turned off. That means customers can create completely custom graphics to use in their own programs. In addition, there is an upstream keyer with full chroma keying for green screen shots so customers can add weather maps, graphics, or even virtual sets. The upstream keyer works with chroma, patterns, shapes and linear keys.
ATEM Television Studio Pro 4K also features 2 downstream keyers for adding graphics, logos and bugs to video. Customers can use a HyperDeck Studio Mini with ATEM Television Studio Pro 4K as a source for ProRes 4:4:4:4 motion graphics files with alpha channels. That means customers can get fill and key graphics composited over live video, or they can use motion graphics with alpha as transitions between sources, all in real time.
ATEM Television Studio Pro 4K also includes a built in talkback converter for SDI cameras. The talkback information is sent back to the camera via the SDI program return feed on the rarely used SDI audio channels 15 and 16. When working live with a reporter in the field, there can be a slight delay that causes them to hear themselves as an echo in their headset. ATEM Television Studio Pro 4K includes mix minus which sends back all of the program audio to the camera but removes the reporter’s own voice, so they don’t hear a distracting echo of themselves while reporting.
For maximum speed and flexibility in live productions, ATEM Television Studio Pro 4K includes a free software control panel for Mac and Windows that allows multiple users to be connected at the same time. That means customers can have one person switching the program while another mixes the audio and another uploads or changes graphics, while another person remotely color balances and controls the cameras.
“ATEM Television Studio Pro 4K packs our most advanced broadcast switcher technology into a compact, elegant design that you can take anywhere,” said Grant Petty, Blackmagic Design CEO. “The exciting thing about it is that it has all of the same professional features as larger and more expensive switchers, but it fits into a standard equipment rack or fly away kit. Customers get the speed of a full size 1 M/E hardware control panel so they can work on complex, fast paced live events!”
- Eight 12G-SDI inputs, each with re-sync and low-latency conversion
- Supports HD video signals up to UHD 4K 2160p60
- 12-input, 2-channel Fairlight audio mixer
- UHD 4K multiviewer with up to 10 windows
- CCU functions for compatible cameras
- ATEM advanced chroma keyer
- Integrated talkback feature for compatible cameras
- Powerful DVE processor, 2-clip media pool with fill and key
- Mac and PC compatible
Blackmagic Design ATEM SpecsI/O
|Inputs||12G/HD/SD-SDI: 8 x BNC
Audio: 2 x 3-Pin XLR
Reference: 1 x BNC
|Outputs||12G/HD/SD-SDI: 8 x BNC
Auxiliary: 1 x BNC
Program: 1 x BNC
Multiview: 1 x BNC
Multiview: 1 x HDMI
|Other||1 x RS-422
1 x Ethernet
1 x USB 2.0
1 x AC Power In
1 x 4-pin XLR Power In
|Format Support||UHD Video:
Input Resolutions for Computers
|SDI Compliance||292M, 424M
|Video Sampling||4:2:2, 10-Bit|
|Color Precision||4:2:2, 10-Bit|
|Color Space||4:2:2 YUV|
|Color Space Conversion||None|
|Processing Delay||6 Lines|
|Audio Mixer||12-Input x 2-Channel Mixer|
|Keyers||Upstream: 1 with Chroma/Linear/Luma Key
Transition (Stinger/DVE): 1
|Layers||Up to 5|
|DVE||Border and Drop Shadow: 1|
|Number of Windows||Multiview: 1 x 10
Fixed, Program, and Preview: 2
|Media Player||Players: 2 (Non-Volatile Flash Memory)
Media Pool Still Image Capacity: 20 (with Fill and Key)
Media Pool Still Image Format: PNG, TGA, BMP, GIF, JPEG, TIFF
Channels: Fill and Key for Each Media Player
Media Pool Clip Capacity: 2 (with Fill and Key / Shared Pool)
Media Pool Clip File Format: TGA Sequence
Media Player Clip Length:
UHD 4K: 90 Frames
1080 HD: 360 Frames
720 HD: 1440 Frames
Media Pool Audio File Format: WAV, MPE, AIFF
|Compatible Operating Systems||MacOS 10.12 Sierra
MacOS High Sierra 10.13 or Higher
Windows 8.1 or 10
|Power Supply||AC: 110-240 VAC Internal
DC: 1 x 4-Pin XLR
|Power Draw||70 W|
|Environmental||Operating: 41 to 104°F / 5 to 40°C
Storage: -4 to 140°F / -20 to 60°C
Relative Humidity: 0 to 90% Non-Condensing
|Dimensions||16.65 x 11.89" / 42.29 x 30.2 cm|
|Weight||Not Specified by Manufacturer|
|Package Weight||14.5 lb|
|Box Dimensions (LxWxH)||21.1 x 16.8 x 9.1"|
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