{"title":"Audio-Technica Microphones","description":"\u003cp\u003eAudio-Technica wired microphones for installed sound, conferencing, performance and recording — boundary and gooseneck models for tables and lecterns, hanging and choir microphones, handheld vocal and instrument microphones, and studio condensers.\u003c\/p\u003e\n\n\u003ch2\u003eMatch the element to the job\u003c\/h2\u003e\u003cp\u003eBoundary microphones sit flush on a table or lectern and suit conference rooms where the table has to stay clear. Gooseneck models put the capsule closer to the talker, which raises gain before feedback in reverberant rooms. Hanging microphones cover choirs and stages where nothing can be visible at seat level. Handheld dynamics handle vocals and close instrument work; large-diaphragm condensers are for controlled recording environments rather than live rooms.\u003c\/p\u003e\n\u003cp\u003eThe decision that matters most is polar pattern against room acoustics. A cardioid in a live room with speakers nearby will feed back at a lower gain than a hypercardioid aimed correctly, and in a reverberant space element placement will beat element price every time.\u003c\/p\u003e\n\n\u003ch2\u003eInstalled versus portable\u003c\/h2\u003e\u003cp\u003eFor permanent conferencing installs, look first at the boundary and gooseneck range and pair it with a DSP that can handle automatic mixing. For performance and portable use, the handheld and instrument range is the starting point.\u003c\/p\u003e\n\n\u003cp\u003eCreation Networks specifies microphones against the actual room — acoustics, talker positions and loudspeaker placement — rather than from a datasheet. Call 888-230-3661 or email sales@creationnetworks.net.\u003c\/p\u003e","products":[{"product_id":"audio-technica-ath-ad700x-open-back-headphones","title":"Audio-Technica Consumer ATH-AD900X Audiophile Open-Air Headphones (Discontinued)","description":"\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cb\u003eAudio Technica ATH-AD900X Audiophile Open-Air Headphones\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003efeature an open back design and 53mm drivers with rare-earth magnets that were designed by Audio Technica solely for the headphones. They have copper-clad aluminum-wire voice coils and a 5Hz to 35kHz frequency response for accurate audio reproduction. They also feature cushioned earpads with honeycomb aluminum casing and Audio Technica's 3D Wing Support Housing for adjustable wear. The ATH-AD900Xs have a three-meter cable that terminates with a gold-plated 1\/8\" mini-stereo connector. A detachable 1\/4\" adapter is included.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"title_OMS5rN7R1Z\"\u003e\n\u003ch5 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle4_TAw0W35QK_ weightBold_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"sellingPointsTitle\"\u003eFeatures\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eOpen-Back Design\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e53mm Drivers with Rare Earth Magnets\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e5Hz to 35kHz Frequency Response\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eCushioned Earpads\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eAdjustable Housing\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e3m Cable\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eIncluded 1\/4\" Adapter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\u003c\/ul\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":42962392776940,"sku":"ATH-AD900X","price":170.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-consumer-ath-ad900x-audiophile-open-air-headphones-discontinued-creation-networks-59416.png?v=1757891981"},{"product_id":"audio-technica-ae2300-cardioid-dynamic-instrument-microphone","title":"Audio-Technica AE2300 Cardioid Dynamic Instrument microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AE2300 is a cardioid dynamic instrument microphone built for high-SPL sources such as guitar amps, brass, woodwinds, drums, and percussion. Its proprietary double-dome diaphragm delivers high-frequency and transient response beyond typical dynamics, and its low-profile body suits tight placements. A switchable low-pass filter tames harsh high-frequency content.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AE2300 captures loud instruments cleanly with a rugged, low-profile design that fits around drum kits, amps, and brass sections. Its double-dome diaphragm construction gives it detail and transient response that exceed many dynamics.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-ae2300-cardioid-dynamic-instrument-microphone-creation-networks-91574.png?v=1757903218\" alt=\"Audio-Technica AE2300 cardioid dynamic instrument microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eA switchable low-pass filter cuts harsh, high-frequency noise to tailor the sound to the source and room. As a dynamic microphone, it needs no phantom power and connects on standard XLR.\u003c\/p\u003e\u003cp\u003eFor a dual-element condenser\/dynamic kick option, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-ae2500-cardioid-condenser-and-dynamic-dual-element-instrument-microphone\"\u003eAE2500\u003c\/a\u003e pairs two capsules, and the condenser \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-ae3000-large-diaphragm-side-address-cardioid-condenser-instrument-microphone\"\u003eAE3000\u003c\/a\u003e is a companion instrument microphone.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDouble-dome diaphragm\u003c\/strong\u003e — Proprietary construction delivers high-frequency and transient response beyond typical dynamics.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-SPL handling\u003c\/strong\u003e — The element captures guitar amps, drums, brass, and percussion cleanly.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow-profile body\u003c\/strong\u003e — A rugged, compact design fits tight placements around kits, amps, and sections.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable low-pass filter\u003c\/strong\u003e — A filter cuts harsh high-frequency content to tailor the sound to the source.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNo phantom power needed\u003c\/strong\u003e — As a dynamic microphone, it operates without phantom power on any mixer input.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eDynamic (double-dome diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eLow-pass filter\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eNone required (dynamic)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eArtist Elite live-sound microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410358796524,"sku":"AE2300","price":289.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-ae2300-cardioid-dynamic-instrument-microphone-creation-networks-91574.png?v=1757903218"},{"product_id":"audio-technica-ae2500-cardioid-condenser-and-dynamic-dual-element-instrument-microphone","title":"Audio-Technica AE2500 Cardioid condenser and dynamic dual-element instrument microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AE2500 is a dual-element instrument microphone that places a cardioid condenser and a dynamic capsule in a single housing, giving engineers two coordinated outputs from one mic position. It is widely used on kick drum and other low-frequency sources where the dynamic element captures attack and the condenser captures body and shell tone. For broadcast studios, auditoriums, and houses of worship that reinforce live instruments, the AE2500 simplifies miking by removing phase issues between two separate microphones.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eBecause both elements share one capsule axis, the two signals stay time-aligned, so blending the dynamic and condenser at the console is straightforward. The dynamic element delivers the aggressive attack of the beater, while the condenser captures the rounder tonalities of the shell.\u003c\/p\u003e\u003cdiv style=\"display:flex;gap:8px;overflow-x:auto;scroll-snap-type:x mandatory;-webkit-overflow-scrolling:touch;padding-bottom:8px;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-ae2500-cardioid-condenser-and-dynamic-dual-element-instrument-microphone-creation-networks-73488.png?v=1757903220\" alt=\"Audio-Technica AE2500 dual-element cardioid instrument microphone\" style=\"flex:0 0 auto;max-width:85%;height:auto;scroll-snap-align:start;border-radius:6px;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-ae2500-cardioid-condenser-and-dynamic-dual-element-instrument-microphone-creation-networks-53376.png?v=1757903221\" alt=\"AE2500 showing dual XLR outputs and pad switch\" style=\"flex:0 0 auto;max-width:85%;height:auto;scroll-snap-align:start;border-radius:6px;\"\u003e\n\u003c\/div\u003e\u003cp\u003eThe condenser side includes a switchable 10 dB pad and a switch for flat response or an 80 Hz low-frequency roll-off, which helps tailor low end in reinforced rooms. The 5 m shielded cable terminates in a 5-pin XLRF input and breaks out to two standard 3-pin XLRM outputs, so each element routes to its own console channel.\u003c\/p\u003e\u003cp\u003eIn commercial AV and live production, the AE2500 is a practical choice for kick drum, percussion, and other dynamic low-frequency instruments where a single, repeatable mic position is preferred. The condenser handles high SPL up to 148 dB, supporting close placement on loud sources.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual condenser and dynamic elements\u003c\/strong\u003e — Two coordinated capsules in one housing let engineers blend attack and body without phase problems between separate microphones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTime-aligned outputs\u003c\/strong\u003e — A shared capsule axis keeps the dynamic and condenser signals aligned, making console blending predictable and fast.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 10 dB pad\u003c\/strong\u003e — The condenser element's pad allows close placement on high-SPL sources without overloading the input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelectable low-frequency roll-off\u003c\/strong\u003e — An 80 Hz roll-off on the condenser helps control excess low end in reinforced rooms.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual-output cable\u003c\/strong\u003e — The 5 m cable breaks out from a 5-pin XLRF to two 3-pin XLRM connectors so each element feeds its own channel.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eElements\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCondenser and dynamic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid (both elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eFrequency response (condenser)\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e20–17,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eFrequency response (dynamic)\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e30–10,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eLow-frequency roll-off\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e80 Hz, 12 dB\/octave (condenser)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity (condenser)\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e–51 dB (2.8 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity (dynamic)\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e–54 dB (1.9 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eImpedance (condenser)\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e100 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eImpedance (dynamic)\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e600 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMaximum input SPL (condenser)\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e148 dB SPL, 1 kHz at 1% T.H.D.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePad\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 10 dB (condenser)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eDimensions\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e165.0 mm (6.50″) long, 55.0 mm (2.17″) max diameter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eWeight\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e390 g (13.8 oz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOutput cable\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e5 m (16.5'), 5-pin XLRF input to two 3-pin XLRM outputs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhy does the AE2500 have two outputs?\u003c\/h3\u003e\u003cp\u003eIt contains separate condenser and dynamic elements, each routed to its own XLR output so you can blend them at the console. The condenser appears on pins 2\/3 and the dynamic on pins 4\/5 of the 5-pin input.\u003c\/p\u003e\u003ch3\u003eDoes the condenser element need phantom power?\u003c\/h3\u003e\u003cp\u003eYes. The condenser element requires phantom power from your console or interface. The dynamic element does not, but phantom power on a combined input does not harm it on balanced lines.\u003c\/p\u003e\u003ch3\u003eIs the AE2500 only for kick drum?\u003c\/h3\u003e\u003cp\u003eKick drum is its most common use, but it suits any loud low-frequency source where one repeatable position and a condenser\/dynamic blend are useful, including percussion and cabinets.\u003c\/p\u003e\u003ch3\u003eCan I use just one element?\u003c\/h3\u003e\u003cp\u003eYes. You can patch and use either the dynamic or condenser output alone, or blend both. Each output is an independent balanced channel.\u003c\/p\u003e\u003ch3\u003eHow is it integrated in a live or broadcast system?\u003c\/h3\u003e\u003cp\u003eBoth XLR outputs route to separate input channels on your mixer or DSP. The 10 dB pad and 80 Hz roll-off let you condition the condenser channel for high-SPL, reinforced environments.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty on the AE2500; refer to their current warranty terms for coverage. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410358829292,"sku":"AE2500","price":619.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-ae2500-cardioid-condenser-and-dynamic-dual-element-instrument-microphone-creation-networks-73488.png?v=1757903220"},{"product_id":"audio-technica-ae3000-large-diaphragm-side-address-cardioid-condenser-instrument-microphone","title":"Audio-Technica AE3000 Large-Diaphragm Cardioid Instrument Microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AE3000 is a large-diaphragm cardioid condenser instrument microphone built for high-SPL sources such as guitar cabinets, toms, snare, timpani, horns, and overheads. Its large-diaphragm capsule and open headcase architecture deliver accurate, open sound, while a low-profile side-address design allows optimal positioning. An integrated low-cut filter helps tailor the low end in reinforced rooms.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AE3000 is part of Audio-Technica's Artist Elite live-sound range, designed to capture loud instruments cleanly with a natural, open character. Its tapered grille and low-profile body make it easy to position close to drums, cabinets, and brass.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-ae3000-large-diaphragm-cardioid-instrument-microphone-creation-networks-53457.png?v=1757903222\" alt=\"Audio-Technica AE3000 large-diaphragm cardioid condenser instrument microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eAn integrated low-cut filter switches from flat response to attenuate bass, which helps control proximity buildup and stage rumble. The microphone requires 48V phantom power and connects on standard XLR.\u003c\/p\u003e\u003cp\u003eFor an end-address instrument condenser in the same family, see the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-ae5100-large-diaphragm-end-address-cardioid-condenser-instrument-microphone\"\u003eAE5100\u003c\/a\u003e; for a dual-element kick option, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-ae2500-cardioid-condenser-and-dynamic-dual-element-instrument-microphone\"\u003eAE2500\u003c\/a\u003e pairs condenser and dynamic capsules.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLarge-diaphragm instrument capsule\u003c\/strong\u003e — A large diaphragm and open headcase deliver accurate, open sound on loud instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-SPL handling\u003c\/strong\u003e — The design captures guitar cabinets, toms, snare, timpani, and horns cleanly.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow-profile side-address body\u003c\/strong\u003e — A tapered grille and compact body allow optimal close positioning.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated low-cut filter\u003c\/strong\u003e — A switchable filter attenuates bass to control proximity buildup and rumble.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V phantom operation\u003c\/strong\u003e — Standard phantom powering integrates with professional consoles, interfaces, and DSP inputs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eExternally polarized (DC bias) condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eForm\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eLarge-diaphragm, side-address\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eHigh-pass filter\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable low-cut\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eArtist Elite live-sound microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat is the AE3000 best used for?\u003c\/h3\u003e\u003cp\u003eHigh-SPL instruments such as guitar cabinets, toms, snare, timpani, horns, and overheads in live sound and recording.\u003c\/p\u003e\u003ch3\u003eDoes it require phantom power?\u003c\/h3\u003e\u003cp\u003eYes. It requires 48V phantom power from your console, interface, or DSP.\u003c\/p\u003e\u003ch3\u003eWhy a large-diaphragm condenser on loud instruments?\u003c\/h3\u003e\u003cp\u003eThe large diaphragm and open headcase deliver an accurate, open sound while handling high sound pressure levels.\u003c\/p\u003e\u003ch3\u003eDoes it have a low-cut filter?\u003c\/h3\u003e\u003cp\u003eYes. An integrated low-cut filter switches from flat response to attenuate bass and control proximity buildup.\u003c\/p\u003e\u003ch3\u003eHow does it integrate into our system?\u003c\/h3\u003e\u003cp\u003eIt connects on standard 3-pin XLR to a phantom-powered channel on your mixer or DSP.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410358862060,"sku":"AE3000","price":329.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-ae3000-large-diaphragm-cardioid-instrument-microphone-creation-networks-53457.png?v=1757903222"},{"product_id":"audio-technica-ae3300-cardioid-condenser-handheld-microphone","title":"Audio-Technica AE3300 Cardioid condenser handheld microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AE3300 is a cardioid condenser handheld microphone designed for close-up vocal use in live sound and studio applications. It uses the condenser element from the legendary AT4033, bringing studio detail to a road-ready handheld. As a true condenser vocal microphone with a cardioid pattern, it suits houses of worship, auditoriums, and multi-purpose rooms.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AE3300 delivers detailed, present vocal reproduction with the AT4033-derived element, and its cardioid pattern rejects off-axis sound to control feedback in reinforced rooms. The handheld body and grille are built for live performance.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-ae3300-cardioid-condenser-handheld-microphone-creation-networks-27395.png?v=1757903224\" alt=\"Audio-Technica AE3300 cardioid condenser handheld microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eA switchable 10 dB pad and a switch for flat response or an 80 Hz high-pass filter let an engineer condition the microphone for the room. Output impedance is 150 ohms, and maximum SPL is 147 dB (157 dB with the pad). The microphone requires 48V phantom power.\u003c\/p\u003e\u003cp\u003eFor an instrument condenser companion, see the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-ae5100-large-diaphragm-end-address-cardioid-condenser-instrument-microphone\"\u003eAE5100\u003c\/a\u003e; for a large-diaphragm handheld in a higher tier, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-ae5400-large-diaphragm-cardioid-true-condenser-handheld-microphone\"\u003eAE5400\u003c\/a\u003e is a step-up option.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAT4033-derived condenser element\u003c\/strong\u003e — Studio-grade detail and presence in a road-ready handheld vocal microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid pattern\u003c\/strong\u003e — Focused pickup rejects off-axis sound to improve gain-before-feedback in reinforced rooms.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 10 dB pad\u003c\/strong\u003e — The pad extends headroom for loud vocalists without overloading the input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 80 Hz high-pass filter\u003c\/strong\u003e — A switch selects flat response or a low-end roll-off to control proximity and rumble.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh maximum SPL\u003c\/strong\u003e — Handling up to 147 dB (157 dB with the pad) supports loud, dynamic vocal performance.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAll-hands room\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eExternally polarized (DC bias) condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eElement\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eAT4033-derived\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eImpedance\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e150 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMaximum input SPL\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e147 dB SPL, 1 kHz at 1% T.H.D. (157 dB with 10 dB pad)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePad\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 10 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eHigh-pass filter\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 80 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eArtist Elite live-sound microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eDoes the AE3300 need phantom power?\u003c\/h3\u003e\u003cp\u003eYes. As a true condenser handheld, the AE3300 requires 48V phantom power from your mixer, interface, or DSP.\u003c\/p\u003e\u003ch3\u003eWhy a condenser handheld for vocals?\u003c\/h3\u003e\u003cp\u003eThe AT4033-derived condenser element captures more detail and presence than typical dynamic handhelds, while the cardioid pattern maintains feedback control.\u003c\/p\u003e\u003ch3\u003eHow do the switches help in a live room?\u003c\/h3\u003e\u003cp\u003eThe 80 Hz high-pass filter controls proximity and rumble, and the 10 dB pad adds headroom for loud vocalists.\u003c\/p\u003e\u003ch3\u003eHow does it integrate into our system?\u003c\/h3\u003e\u003cp\u003eIt connects on standard 3-pin XLR to a phantom-powered channel on your mixer or DSP.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410358894828,"sku":"AE3300","price":329.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-ae3300-cardioid-condenser-handheld-microphone-creation-networks-27395.png?v=1757903224"},{"product_id":"audio-technica-ae4100-cardioid-dynamic-handheld-microphone","title":"Audio-Technica AE4100 Cardioid dynamic handheld microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AE4100 is a cardioid dynamic handheld microphone built for clear, articulate live vocals. Its cardioid pattern rejects off-axis sound to control feedback, and its rugged build suits demanding stage use in houses of worship, auditoriums, and multi-purpose rooms. It is a dependable Artist Elite vocal microphone for everyday reinforcement.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AE4100 delivers crisp, intelligible vocal reproduction with a tailored response that helps a voice cut through a mix. Its cardioid pattern improves gain-before-feedback in reinforced rooms, and the road-ready body handles regular handling.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-ae4100-cardioid-dynamic-handheld-microphone-creation-networks-58349.png?v=1757903226\" alt=\"Audio-Technica AE4100 cardioid dynamic handheld microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eFrequency response runs 90–18,000 Hz with an open circuit sensitivity of –55 dB (1.7 mV) and a 250 ohm impedance, terminating in an integral 3-pin XLRM connector. As a dynamic microphone, it needs no phantom power.\u003c\/p\u003e\u003cp\u003eFor a tighter pattern with more side rejection, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-ae6100-hypercardioid-dynamic-handheld-microphone\"\u003eAE6100 hypercardioid handheld\u003c\/a\u003e is a companion option.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid dynamic element\u003c\/strong\u003e — A focused cardioid pattern rejects off-axis sound to improve gain-before-feedback in reinforced rooms.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClear, articulate vocals\u003c\/strong\u003e — A tailored response helps a voice cut through a live mix.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRugged stage build\u003c\/strong\u003e — The road-ready body handles regular handling and demanding stage use.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNo phantom power needed\u003c\/strong\u003e — As a dynamic microphone, it operates without phantom power on any mixer input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandard XLR output\u003c\/strong\u003e — An integral 3-pin XLRM connector integrates with any professional mixer or DSP.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eDynamic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e90–18,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e–55 dB (1.7 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eImpedance\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e250 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOutput connector\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eIntegral 3-pin XLRM-type\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eArtist Elite live-sound microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410358927596,"sku":"AE4100","price":209.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-ae4100-cardioid-dynamic-handheld-microphone-creation-networks-58349.png?v=1757903226"},{"product_id":"audio-technica-ae5100-large-diaphragm-end-address-cardioid-condenser-instrument-microphone","title":"Audio-Technica AE5100 Large-Diaphragm Cardioid Instrument Microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AE5100 is a large-diaphragm cardioid condenser instrument microphone that provides uncompromising sound quality for overheads, percussion, acoustic guitar, strings, and other acoustic instruments. Its large-diaphragm capsule delivers accurate, natural response, and its low-profile design permits flexible placement. It is an Artist Elite instrument condenser for broadcast studios, auditoriums, and houses of worship.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AE5100 captures detail and natural tone on demanding acoustic sources, with a large-diaphragm capsule that balances accuracy and warmth. The low-profile body makes it easy to position on overheads and around an ensemble.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-ae5100-large-diaphragm-cardioid-instrument-microphone-creation-networks-21945.png?v=1757903227\" alt=\"Audio-Technica AE5100 large-diaphragm cardioid condenser instrument microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eThe microphone operates on 11V to 52V phantom power and connects on standard XLR. Its design targets professional live-sound and recording use where consistent, natural instrument capture matters.\u003c\/p\u003e\u003cp\u003eFor a side-address instrument condenser in the same family, see the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-ae3000-large-diaphragm-side-address-cardioid-condenser-instrument-microphone\"\u003eAE3000\u003c\/a\u003e; for a dual-element kick option, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-ae2500-cardioid-condenser-and-dynamic-dual-element-instrument-microphone\"\u003eAE2500\u003c\/a\u003e pairs condenser and dynamic capsules.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLarge-diaphragm instrument capsule\u003c\/strong\u003e — A large diaphragm delivers accurate, natural response on overheads, percussion, and acoustic instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow-profile design\u003c\/strong\u003e — The compact body permits flexible, close placement around an ensemble.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWide phantom range\u003c\/strong\u003e — Operation on 11V to 52V phantom power suits a broad range of consoles and interfaces.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtist Elite quality\u003c\/strong\u003e — The Artist Elite design targets uncompromising live-sound and recording results.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNatural, detailed sound\u003c\/strong\u003e — Accurate reproduction supports demanding acoustic sources in studio and live use.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eExternally polarized (DC bias) condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eForm\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eLarge-diaphragm, end-address\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePhantom power\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e11V to 52V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eArtist Elite live-sound microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat is the AE5100 best used for?\u003c\/h3\u003e\u003cp\u003eOverheads, percussion, acoustic guitar, strings, and other acoustic instruments where accurate, natural capture is needed.\u003c\/p\u003e\u003ch3\u003eWhat power does it require?\u003c\/h3\u003e\u003cp\u003eThe AE5100 operates on 11V to 52V phantom power from your console, interface, or DSP.\u003c\/p\u003e\u003ch3\u003eHow is it different from the AE3000?\u003c\/h3\u003e\u003cp\u003eBoth are large-diaphragm cardioid instrument condensers; the AE5100 is end-address while the AE3000 is a low-profile side-address design.\u003c\/p\u003e\u003ch3\u003eHow does it integrate into our system?\u003c\/h3\u003e\u003cp\u003eIt connects on standard 3-pin XLR to a phantom-powered channel on your mixer or DSP.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410358960364,"sku":"AE5100","price":329.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-ae5100-large-diaphragm-cardioid-instrument-microphone-creation-networks-21945.png?v=1757903227"},{"product_id":"audio-technica-ae5400-large-diaphragm-cardioid-true-condenser-handheld-microphone","title":"Audio-Technica AE5400 Large-diaphragm cardioid true condenser handheld microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AE5400 is a large-diaphragm cardioid condenser handheld microphone built for lead vocals in live sound and installed reinforcement. It uses the same large diaphragm element found in Audio-Technica's AT4047 studio microphone, bringing studio-grade vocal detail to handheld use in houses of worship, auditoriums, and multi-purpose rooms. As a true condenser handheld microphone with a cardioid pattern, it offers clear, present vocal reproduction with strong gain-before-feedback for stage and podium use.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe cardioid pattern focuses on the vocalist and rejects off-axis sound, which helps control feedback in reinforced rooms. The large-diaphragm true condenser element captures detail and presence that smaller dynamic handhelds cannot, making it a strong choice for featured vocals and worship leaders.\u003c\/p\u003e\u003cdiv style=\"display:flex;gap:8px;overflow-x:auto;scroll-snap-type:x mandatory;-webkit-overflow-scrolling:touch;padding-bottom:8px;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-ae5400-large-diaphragm-cardioid-true-condenser-handheld-microphone-creation-networks-91647.png?v=1757903229\" alt=\"Audio-Technica AE5400 large-diaphragm cardioid condenser handheld microphone\" style=\"flex:0 0 auto;max-width:85%;height:auto;scroll-snap-align:start;border-radius:6px;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-ae5400-large-diaphragm-cardioid-true-condenser-handheld-microphone-creation-networks-21992.png?v=1757903230\" alt=\"AE5400 handheld microphone showing switches and grille\" style=\"flex:0 0 auto;max-width:85%;height:auto;scroll-snap-align:start;border-radius:6px;\"\u003e\n\u003c\/div\u003e\u003cp\u003eTwo switches let an engineer condition the microphone for the room: a switchable 80 Hz high-pass filter (12 dB\/octave) controls proximity buildup and stage rumble, and a 10 dB pad extends headroom for loud sources. With a maximum SPL of 147 dB (157 dB with the pad) and a 133 dB dynamic range, the AE5400 handles high-energy vocal performance.\u003c\/p\u003e\u003cp\u003eFor AV system integration, the AE5400 connects via standard 3-pin XLR and requires phantom power from your mixer, interface, or DSP. In facilities that also need an instrument condenser, the dual-element \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-ae2500-cardioid-condenser-and-dynamic-dual-element-instrument-microphone\"\u003eAE2500\u003c\/a\u003e complements the AE5400 within the same Artist Elite family.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLarge-diaphragm true condenser element\u003c\/strong\u003e — The AT4047-derived element delivers studio-grade vocal detail and presence in a handheld form for live use.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid polar pattern\u003c\/strong\u003e — Focused pickup rejects off-axis sound to improve gain-before-feedback in reinforced rooms.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 80 Hz high-pass filter\u003c\/strong\u003e — A 12 dB\/octave roll-off controls proximity buildup and stage rumble for clean vocal reproduction.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 10 dB pad\u003c\/strong\u003e — The pad extends headroom to handle high-SPL vocalists without overloading the input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh maximum SPL\u003c\/strong\u003e — Handling up to 147 dB (157 dB with the pad) supports loud, dynamic vocal performance.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAll-hands room\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eExternally polarized (DC bias) true condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e20–20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eLow-frequency roll-off\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e80 Hz, 12 dB\/octave (switchable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e–40 dB (10.0 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eImpedance\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e150 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMaximum input SPL\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e147 dB SPL (157 dB with 10 dB pad)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eDynamic range\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e133 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePad\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 10 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOutput connector\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e3-pin XLRM-type\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eDoes the AE5400 need phantom power?\u003c\/h3\u003e\u003cp\u003eYes. As a true condenser microphone, the AE5400 requires phantom power (typically 48V) from your mixer, interface, or DSP input.\u003c\/p\u003e\u003ch3\u003eWhy use a condenser handheld instead of a dynamic?\u003c\/h3\u003e\u003cp\u003eA large-diaphragm condenser like the AE5400 captures more detail and presence than typical dynamic handhelds, which benefits featured vocals and worship leaders, while the cardioid pattern maintains feedback control.\u003c\/p\u003e\u003ch3\u003eHow do the switches help in a live room?\u003c\/h3\u003e\u003cp\u003eThe 80 Hz high-pass filter controls proximity buildup and stage rumble, and the 10 dB pad adds headroom for loud vocalists. Both let you condition the microphone for the specific room.\u003c\/p\u003e\u003ch3\u003eCan it be used on a wireless system?\u003c\/h3\u003e\u003cp\u003eThe AE5400 is a wired handheld microphone. For Audio-Technica wireless handheld capsules, a different model is required; contact Creation Networks for compatible wireless options.\u003c\/p\u003e\u003ch3\u003eHow does it integrate into our AV system?\u003c\/h3\u003e\u003cp\u003eIt connects on standard 3-pin XLR to a phantom-powered channel on your mixer or DSP, like any professional condenser microphone.\u003c\/p\u003e\u003ch3\u003eWhat warranty and support apply?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms for coverage. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410358993132,"sku":"AE5400","price":439.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-ae5400-large-diaphragm-cardioid-true-condenser-handheld-microphone-creation-networks-91647.png?v=1757903229"},{"product_id":"audio-technica-ae6100-hypercardioid-dynamic-handheld-microphone","title":"Audio-Technica AE6100 Hypercardioid dynamic handheld microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AE6100 is a hypercardioid dynamic handheld microphone built for cutting, articulate live vocals with strong feedback rejection. Its tight hypercardioid pattern isolates the vocalist on loud stages, making it a dependable Artist Elite vocal microphone for houses of worship, auditoriums, and multi-purpose rooms. The rugged body handles demanding stage use.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AE6100 delivers a fast, present vocal sound that cuts through a dense mix, and its hypercardioid pattern provides more side rejection than a cardioid for high gain-before-feedback on loud stages. The road-ready build handles regular handling.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-ae6100-hypercardioid-dynamic-handheld-microphone-creation-networks-86030.png?v=1757903231\" alt=\"Audio-Technica AE6100 hypercardioid dynamic handheld microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eFrequency response runs 60–15,000 Hz with an open circuit sensitivity of –55 dB (1.7 mV) and a 250 ohm impedance, terminating in an integral 3-pin XLRM connector. As a dynamic microphone, it needs no phantom power.\u003c\/p\u003e\u003cp\u003eFor a cardioid pattern that is more forgiving of placement, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-ae4100-cardioid-dynamic-handheld-microphone\"\u003eAE4100 cardioid handheld\u003c\/a\u003e is a companion option.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHypercardioid dynamic element\u003c\/strong\u003e — A tight pattern provides strong side rejection for high gain-before-feedback on loud stages.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCutting vocal presence\u003c\/strong\u003e — A fast, present response helps a voice cut through a dense live mix.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRugged stage build\u003c\/strong\u003e — The road-ready body handles regular handling and demanding stage use.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNo phantom power needed\u003c\/strong\u003e — As a dynamic microphone, it operates without phantom power on any mixer input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandard XLR output\u003c\/strong\u003e — An integral 3-pin XLRM connector integrates with any professional mixer or DSP.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eDynamic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eHypercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e60–15,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e–55 dB (1.7 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eImpedance\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e250 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOutput connector\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eIntegral 3-pin XLRM-type\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eArtist Elite live-sound microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359025900,"sku":"AE6100","price":209.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-ae6100-hypercardioid-dynamic-handheld-microphone-creation-networks-86030.png?v=1757903231"},{"product_id":"audio-technica-at2005usb-dynamic-handheld-microphone-with-digitalusb-and-analog-xlr-outputs-windows-and-mac-compatible","title":"Audio-Technica AT2005USB Dynamic handheld microphone with digital(USB) and analog (XLR) outputs. Windows and Mac compatible. (Discontinued)","description":"\u003cdiv\u003e\n\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cp\u003e\u003cstrong\u003eThe following product has been discontinued.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you need one mic to handle anything from lead vocals on the stage to podcast recording directly to computers, the \u003cb\u003eAudio-Technica AT2005USB\u003c\/b\u003e will come in handy, while providing almost all the accessories you need. This is a handheld dynamic microphone that can connect to preamps, mixers, interfaces, and house PA systems over XLR—and computers over USB.\u003cbr\u003e \u003cbr\u003e You probably see the potential: if you want to travel to the gig with your own microphone, the AT2005USB can be your live vocal mic. If you want to take the mic to a buddy’s house for a conversational podcast, the AT2005USB will be your panel mic. And finally, whenever you want to record or stream your own solo content, you can sit the mic atop its included desktop stand, route the included USB cable from the mic to the computer, and get started right away.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eFits Your Needs\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe AT2005USB features both XLR and USB outputs that enable flexible digital recording to any Mac- or Windows-based computer workstation, while simultaneously connected to any analog mixer, preamplifier, or PA system.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eHandheld Form Factor\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThis solidly constructed mic is designed to be held in your hand, though it can also be mounted on a stand—such as the one included with the mic. Because of its design, the mic lends itself to comedy shows and comedy podcasts, though it'll work for just about any vocal-centric purpose.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eCardioid Polar Pattern for Stage \u0026amp; Home Use\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe microphone makes use of a directional cardioid polar pattern to minimize off-axis sound. This polar pattern naturally, yet effectively tamps down room tone and focuses the audio capture on what's directly in front of the mic. That's why it's equally effective on the stage and in the home-studio.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eBuilt-In 3.5mm Headphone Jack\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe mic offers a headphone jack for monitoring, and a recessed dial for adjusting volume. Just plug a pair of headphones into the AT2005USB's 3.5mm jack, and you'll be able to listen to your broadcast-quality audio in all its glory.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eEasy-to-Use Controls, Minimal Powering Required\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe mic offers a simple on\/off switch for the XLR output. This acts as a mute, which can come in handy when live. This switch has absolutely no bearing on powering the mic—in fact, as this is a dynamic microphone, it requires no power to run when used in the analog domain. When you're plugged into a digital device, such as a computer, the mic will draw power from the computer to operate the digital interface.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eBroadcast-Quality Audio Capture\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe mic records audio at 16-bit \/ 48 kHz, giving you the broadcast standard for media playback. It's also worth noting that it can simultaneously record digital audio over USB and route analog audio over its XLR connection, so you can effectively mirror its output if you so choose.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eIncluded Hardware\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eIn addition to the mic, the AT2005USB includes a foldable desktop tripod stand, a mic clip, a foam windscreen, a USB cable, and an XLR mic cable, giving you almost everything you need to get started.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359058668,"sku":"AT2005USB","price":79.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at2005usb-dynamic-handheld-microphone-with-digital-usb-and-analog-xlr-outputs-windows-and-mac-compatible-discontinued-creation-networks-20627.jpg?v=1757903233"},{"product_id":"audio-technica-at2005usbpk-streaming-podcasting-pack-includes-one-at2005usb-cardioid-dynamic-microphone-one-pair-of-ath-m20x-headphones-mount-boom-arm-with-threaded-mini-usb-cable","title":"Audio-Technica AT2005USBPK Streaming\/Podcasting Pack (Discontinued)","description":"\u003cp\u003e\u003cstrong\u003eThe following product has been discontinued.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eServing the needs of people who record podcasts or perform at live shows, this \u003cb data-mce-fragment=\"1\"\u003eAudio-Technica AT2005USB Microphone Pack\u003c\/b\u003e offers almost everything you need to get up a good sound out of the box, all while monitoring comfortably, and enjoying pro-studio accessories to boot. The kit includes the AT2005USB, a handheld dynamic mic with a USB output for digital recording, and an XLR output for use with mixers, preamps, interfaces, and house PA systems. Also included are a pair of ATH-20x monitoring headphones for listening to your audio as well as a boom arm that affixes to your desk, just like it would in a professional broadcasting environment. This boom has its own USB cable, in addition to the one provided with the AT2005USB.\u003c\/p\u003e\n\u003cdiv class=\"title_OMS5rN7R1Z\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle4_TAw0W35QK_ weightBold_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"sellingPointsTitle\"\u003eKey Features\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eIncludes AT2005USB Microphone\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eUSB Mic for Podcasting, VoIP \u0026amp; More\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eIncludes ATH-M20x Monitor Headphones\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eIncludes Boom and USB Cable\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359091436,"sku":"AT2005USBPK","price":129.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at2005usbpk-streamingpodcasting-pack-discontinued-creation-networks-70593.jpg?v=1757903235"},{"product_id":"audio-technica-at2010-handheld-cardioid-condenser-microphone","title":"Audio-Technica AT2010 Handheld cardioid condenser microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT2010 is a handheld cardioid condenser microphone that brings studio-quality sound to live vocal performance. Designed for close-up vocals, its cardioid pattern with a uniform 120-degree angle of acceptance rejects off-axis sound to control feedback in houses of worship, auditoriums, and multi-purpose rooms.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT2010 pairs a condenser element with a road-ready handheld body, delivering more detail and presence than typical dynamic handhelds while staying durable for stage use. Its cardioid pattern improves gain-before-feedback in reinforced rooms.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at2010-handheld-cardioid-condenser-microphone-creation-networks-98875.jpg?v=1757903236\" alt=\"Audio-Technica AT2010 handheld cardioid condenser microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eFrequency response runs 40–20,000 Hz with a 120-degree angle of acceptance, an open circuit sensitivity of 3.9 mV, a 100 ohm impedance, a 136 dB maximum SPL, and a 113 dB dynamic range. As a condenser, it requires 48V phantom power.\u003c\/p\u003e\u003cp\u003eFor a side-address studio condenser, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at2020-side-address-cardioid-condenser-microphone\"\u003eAT2020\u003c\/a\u003e is a companion; for a dynamic handheld, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-ae4100-cardioid-dynamic-handheld-microphone\"\u003eAE4100\u003c\/a\u003e is an alternative.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHandheld condenser element\u003c\/strong\u003e — Studio-quality detail and presence in a road-ready handheld vocal microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid pattern\u003c\/strong\u003e — A uniform 120-degree angle of acceptance rejects off-axis sound to control feedback.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDurable stage build\u003c\/strong\u003e — A road-ready body handles regular handling and live performance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRequires phantom power\u003c\/strong\u003e — As a condenser, it runs on 48V phantom power from your mixer or DSP.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandard XLR output\u003c\/strong\u003e — Connects to any professional mixer, interface, or DSP input.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eExternally polarized (DC bias) condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid (120° acceptance)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40–20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e3.9 mV at 1V, 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eImpedance\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e100 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMaximum input SPL\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e136 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eDynamic range\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e113 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e20 Series studio\/live microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359124204,"sku":"AT2010","price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at2010-handheld-cardioid-condenser-microphone-creation-networks-98875.jpg?v=1757903236"},{"product_id":"audio-technica-at2020-side-address-cardioid-condenser-microphone","title":"Audio-Technica AT2020 Side-address cardioid condenser microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT2020 is a side-address cardioid condenser microphone widely regarded as a price\/performance standard for project studios and content creation. It delivers clear, natural sound for vocals, voiceover, podcasting, and instruments in broadcast studios and multi-purpose rooms. Its cardioid pattern rejects off-axis sound for focused capture.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT2020 brings studio-grade condenser capture to an accessible price, with a detailed cardioid response that suits home studios, podcasting, and project recording. Its rugged construction handles everyday use.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at2020-side-address-cardioid-condenser-microphone-creation-networks-12048.jpg?v=1757903238\" alt=\"Audio-Technica AT2020 side-address cardioid condenser microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eFrequency response runs 20–20,000 Hz with an open circuit sensitivity of –37 dB (14.1 mV), a 100 ohm impedance, a 144 dB maximum SPL, and a 124 dB dynamic range. The microphone requires 48V phantom power.\u003c\/p\u003e\u003cp\u003eFor a pad, high-pass filter, and shockmount, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at2035-side-address-cardioid-condenser-microphone\"\u003eAT2035\u003c\/a\u003e is a step-up cardioid; for a USB version with monitoring, see the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at2020usb-x-side-address-cardioid-condenser-microphone-with-usb-digital-output-silent-mute-switch-built-in-headphone-jack-headphone-volume-control-and-mix-control-windows-and-mac-compatible-includes-desk-stand\"\u003eAT2020USB-X\u003c\/a\u003e.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSide-address cardioid condenser\u003c\/strong\u003e — A detailed cardioid response suits vocals, voiceover, podcasting, and project recording.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrice\/performance standard\u003c\/strong\u003e — Studio-grade condenser capture at an accessible price for home and project studios.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWide dynamic range\u003c\/strong\u003e — A 124 dB dynamic range captures quiet detail and louder sources cleanly.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRugged construction\u003c\/strong\u003e — A durable body handles everyday studio and content-creation use.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandard XLR output\u003c\/strong\u003e — Connects to any phantom-powered mixer, interface, or DSP input.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eExternally polarized (DC bias) condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e20–20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e–37 dB (14.1 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eImpedance\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e100 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMaximum input SPL\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e144 dB SPL, 1 kHz at 1% T.H.D.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eDynamic range\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e124 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e20 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359156972,"sku":"AT2020","price":119.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at2020-side-address-cardioid-condenser-microphone-creation-networks-12048.jpg?v=1757903238"},{"product_id":"audio-technica-at2020pk-streaming-podcasting-pack-includes-one-at2020-cardioid-condenser-microphone-one-pair-of-ath-m20x-headphones-mount-boom-arm-with-threaded-xlr-cable","title":"Audio-Technica AT2020PK Podcasting Microphone Pack with ATH-M20x Headphones, Boom \u0026 XLR Cable (Discontinued)","description":"\u003cp\u003eBundled together for podcasters, live streamers, and show hosts on a budget, the \u003cb\u003eAudio-Technica AT2020PK\u003c\/b\u003e Streaming\/Podcasting Pack includes: one AT2020 cardioid condenser microphone, one pair of ATH-M20x headphones, mount, boom arm with threaded XLR cable\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359222508,"sku":"AT2020PK","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at2020pk-podcasting-microphone-pack-with-ath-m20x-headphones-boom-and-xlr-cable-discontinued-creation-networks-10606.jpg?v=1757903240"},{"product_id":"audio-technica-at2020usb-side-address-cardioid-condenser-microphone-with-usb-digital-output-built-in-headphone-jack-headphone-volume-control-and-mix-control-windows-and-mac-compatible","title":"Audio-Technica AT2020USB+ Side-address cardioid condenser microphone (Discontinued)","description":"\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"productDescription_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cp\u003e\u003cstrong\u003eThe following product has been discontinued.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStyled here in a dark-gray finish, the \u003cb\u003eAudio-Technica AT2020USB+\u003c\/b\u003e is a workhorse USB mic designed to give you a good sound and a solid performance, whether you're streaming audio, conferencing over VoIP, or even recording melodies whenever the inspiration hits. Whether you're recording content or a computer or a tablet, this USB microphone will help you record or broadcast a clear and present sound.\u003c\/p\u003e\n\u003cp\u003eAudio-Technica has taken the design of their AT series—microphones venerated in studios around the world—and built it into a USB mic that gets the job done with no fuss, allowing anyone to record a quality sound at home. Recording straight to computer, the mic allows you to forego the complications of an audio interface, a mixer, or even speakers: you can monitor your audio as you record over the mic's built-in 3.5mm headphone jack. A tripod desk stand, pivoting stand mount, 10' USB cable, and a soft protective pouch are included.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eDesigned for Multiple Uses\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThis mic is designed for your voice, whether you use it to stream game-play over Twitch, participate in VoIP conference calls, or to sing over productions you've created in your laptop.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eFor Computers or Mobile Devices\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe mic will operate with both Mac and Windows computers as well as tablets, so long as you have the compatible adapter for mobile devices (available separately). No preamp, interface, converter, or mixer are necessary for recording your voice.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eCardioid Polar Pattern for the Untreated Room\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe microphone makes use of a directional cardioid polar pattern to minimize off-axis sound. This polar pattern naturally, yet effectively tamps down room tone and focuses the audio capture on what's directly in front of the mic, so everyone can clearly hear your voice.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"title_OMS5rN7R1Z\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-selenium=\"sellingPointsTitle\" class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle4_TAw0W35QK_ weightBold_TAw0W35QK_ primary_i3MsQsqoe0\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch5 data-selenium=\"sellingPointsTitle\" class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle4_TAw0W35QK_ weightBold_TAw0W35QK_ primary_i3MsQsqoe0\" data-mce-fragment=\"1\"\u003eFeatures\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cul class=\"list_OMS5rN7R1Z\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\" data-mce-fragment=\"1\"\u003eFor Streaming, VoIP, Music \u0026amp; More\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\" data-mce-fragment=\"1\"\u003eWorks on Computers and Tablets\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\" data-mce-fragment=\"1\"\u003eCardioid Polar Pattern\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\" data-mce-fragment=\"1\"\u003eIncludes Tripod Desk Stand\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\" data-mce-fragment=\"1\"\u003e3.5mm Jack with Low-Latency Monitoring\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\" data-mce-fragment=\"1\"\u003eHeadphone Volume Control\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\" data-mce-fragment=\"1\"\u003eBroadcast-Quality 48 kHz\/16-Bit Capture\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\" data-mce-fragment=\"1\"\u003eBus-Powered from Computer or Tablet\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\" data-mce-fragment=\"1\"\u003eIncludes USB Cable \u0026amp; Pouch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359255276,"sku":"AT2020USB+","price":129.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at2020usb-side-address-cardioid-condenser-microphone-discontinued-creation-networks-58986.jpg?v=1757903241"},{"product_id":"audio-technica-at2020usb-pk-streaming-podcasting-pack-includes-one-at2020usb-cardioid-condenser-microphone-one-pair-of-ath-m20x-headphones-mount-boom-arm-with-threaded-usb-cable","title":"Audio-Technica AT2020USB+PK Streaming\/Podcasting Pack (Discontinued)","description":"\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cp\u003e\u003cstrong\u003eThe following product has been discontinued.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor podcasters, game streamers, or people who need a reliable VoIP setup, this \u003cb\u003eAudio-Technica AT2020USB+ Microphone Pack\u003c\/b\u003e offers almost everything you need to get up a good sound out of the box, all while monitoring comfortably, and enjoying pro-studio accessories to boot. The kit includes the AT2020USB+, a workhorse USB condenser microphone with a rugged construction and great sound for the spoken word. Also included are a pair of ATH-20x monitoring headphones for listening to your audio and a boom arm that affixes to your desk, just like it would in a professional broadcasting environment.\u003c\/p\u003e\n\u003cdiv class=\"title_OMS5rN7R1Z\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle4_TAw0W35QK_ weightBold_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"sellingPointsTitle\"\u003eKey Features\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eIncludes AT2020USB+ Microphone\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eUSB Mic for Podcasting, VoIP \u0026amp; More\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eIncludes ATH-M20x Monitor Headphones\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eIncludes Boom and USB Cable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359288044,"sku":"AT2020USB+PK","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at2020usb-pk-streamingpodcasting-pack-discontinued-creation-networks-24108.jpg?v=1757903242"},{"product_id":"audio-technica-at2020usb-x-side-address-cardioid-condenser-microphone-with-usb-digital-output-silent-mute-switch-built-in-headphone-jack-headphone-volume-control-and-mix-control-windows-and-mac-compatible-includes-desk-stand","title":"Audio-Technica AT2020USB-X Cardioid Condenser USB Microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT2020USB-X is a cardioid condenser USB microphone for streaming, podcasting, and content creation, delivering clear, natural sound through a high-resolution 24-bit\/96 kHz converter. A built-in headphone jack with volume control allows zero-latency monitoring, and a mix control blends microphone and computer audio. A touch-sensitive mute button keeps operation quiet and simple.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT2020USB-X connects directly to a computer over USB, making it a plug-and-play option for creators who need studio-quality capture without an audio interface. Its cardioid pattern focuses on the talker and rejects off-axis sound.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at2020usb-x-cardioid-condenser-usb-microphone-creation-networks-37339.jpg?v=1757903242\" alt=\"Audio-Technica AT2020USB-X cardioid condenser USB microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eThe high-resolution converter (up to 24-bit\/96 kHz) ensures clear, natural reproduction, while the headphone jack and mix control support real-time monitoring and simple blending of mic and playback audio. A silent, touch-sensitive mute button avoids handling noise.\u003c\/p\u003e\u003cp\u003eIt ships with a custom Audio-Technica desk stand, a 3\/8″-16 to 5\/8″-27 threaded adapter, and a 2 m USB-C to USB-A cable with a USB-A to USB-C adapter, so it is ready to use out of the box on Windows and Mac.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid USB condenser\u003c\/strong\u003e — A cardioid pattern and condenser element deliver clear, focused capture for streaming and podcasting.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24-bit\/96 kHz converter\u003c\/strong\u003e — A high-resolution analog-to-digital converter ensures clear, natural sound over USB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadphone monitoring\u003c\/strong\u003e — A built-in headphone jack with volume control allows zero-latency monitoring.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMix control\u003c\/strong\u003e — An on-board mix blends microphone and computer audio for easy real-time setup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTouch-sensitive mute\u003c\/strong\u003e — A silent mute button avoids handling noise during recording and streaming.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid condenser (USB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eConverter\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eUp to 24-bit \/ 96 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eConnection\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eUSB-C (USB-C to USB-A cable included)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMonitoring\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eHeadphone jack with volume and mix control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eControls\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eTouch-sensitive mute\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eIncluded\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eDesk stand, 3\/8″-16 to 5\/8″-27 adapter, 2 m USB cable + adapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eCompatibility\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eWindows and Mac\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359320812,"sku":"AT2020USB-X","price":169.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at2020usb-x-cardioid-condenser-usb-microphone-creation-networks-37339.jpg?v=1757903242"},{"product_id":"audio-technica-at2021-end-address-cardioid-condenser-microphone","title":"Audio-Technica AT2021 End-address cardioid condenser microphone (Discontinued)","description":"\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"productDescription_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cp\u003eThe \u003cb\u003eAT2021 Cardioid Condenser Microphone\u003c\/b\u003e from \u003cb\u003eAudio-Technica\u003c\/b\u003e is designed for general instrument capturing, vocals, amplifier cabinets, and similar applications. The microphone's small diaphragm condenser element yields a cardioid polar pattern for minimal noise at the off-axis sections of the capsule. There is an extended frequency response, providing versatility both in the studio and on stage. High SPL handling suppresses distortion when capturing transient sources such as drums, percussion, electric guitars, bass, and piano. The package includes a microphone stand clamp and a soft protective pouch.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eSuitable for acoustic guitar, overheads, piano, and group vocal scenarios\u003c\/li\u003e\n\u003cli\u003eCondenser design for studio-quality vocal and instrument applications\u003c\/li\u003e\n\u003cli\u003eCan be used in high-SPL applications\u003c\/li\u003e\n\u003cli\u003eExtended response for smooth, natural sonic characteristics\u003c\/li\u003e\n\u003cli\u003eLow-mass element for maximum transient response\u003c\/li\u003e\n\u003cli\u003eCorrosion-resistant contacts from gold-plated XLRM-type connector\u003c\/li\u003e\n\u003cli\u003eCardioid polar pattern reduces sound pickup from the sides and rear, improving isolation of a desired sound source\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359353580,"sku":"AT2021","price":89.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at2021-end-address-cardioid-condenser-microphone-discontinued-creation-networks-72205.jpg?v=1757903244"},{"product_id":"audio-technica-at2035-side-address-cardioid-condenser-microphone","title":"Audio-Technica AT2035 Side-address cardioid condenser microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT2035 is a large-diaphragm side-address cardioid condenser microphone offering smooth, natural sound and low noise at an accessible price. It suits vocals, voiceover, podcasting, and acoustic instruments in broadcast studios, multi-purpose rooms, and houses of worship. A switchable 10 dB pad and 80 Hz high-pass filter adapt it to loud sources and control rumble.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT2035 delivers a detailed, natural cardioid sound with a large diaphragm and low self-noise, which makes it a dependable studio and content-creation microphone. Its cardioid pattern rejects off-axis sound to improve isolation.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at2035-side-address-cardioid-condenser-microphone-creation-networks-51387.jpg?v=1757903252\" alt=\"Audio-Technica AT2035 side-address cardioid condenser microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eFrequency response runs 20–20,000 Hz with an open circuit sensitivity of –33 dB (22.4 mV), a 120 ohm impedance, and a 148 dB maximum SPL (158 dB with the 10 dB pad). A switchable 80 Hz, 12 dB\/octave high-pass filter controls rumble. The microphone requires 48V phantom power and ships with a shockmount.\u003c\/p\u003e\u003cp\u003eFor switchable multiple patterns, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at2050-side-address-multi-pattern-condenser-microphone\"\u003eAT2050\u003c\/a\u003e adds omnidirectional and figure-of-eight; for a higher 40 Series tier, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4040-side-address-cardioid-condenser-microphone\"\u003eAT4040\u003c\/a\u003e is a step-up cardioid.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLarge-diaphragm cardioid element\u003c\/strong\u003e — A detailed, natural cardioid sound suits vocals, voiceover, and acoustic instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow self-noise\u003c\/strong\u003e — A quiet noise floor supports clean capture of detailed sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 80 Hz high-pass filter\u003c\/strong\u003e — A 12 dB\/octave roll-off controls rumble and proximity buildup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 10 dB pad\u003c\/strong\u003e — The pad raises maximum SPL capability to 158 dB for loud sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncludes shockmount\u003c\/strong\u003e — A shockmount isolates the microphone from stand vibration in the studio.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eExternally polarized (DC bias) condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e20–20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e–33 dB (22.4 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eImpedance\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e120 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMaximum input SPL\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e148 dB SPL (158 dB with 10 dB pad)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePad\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 10 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eHigh-pass filter\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 80 Hz, 12 dB\/octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eIncluded\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eShockmount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e20 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359386348,"sku":"AT2035","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at2035-side-address-cardioid-condenser-microphone-creation-networks-51387.jpg?v=1757903252"},{"product_id":"audio-technica-at2035pk-streaming-podcasting-pack-includes-one-at2035-cardioid-condenser-microphone-one-pair-of-ath-m20x-headphones-shock-mount-boom-arm-with-threaded-xlr-cable","title":"Audio-Technica AT2035PK Studio Condenser Microphone Pack with ATH-M20x Headphones and Cabled Boom Arm (Discontinued)","description":"\u003cp\u003eThe AT2035PK vocal microphone pack is designed for streamers, podcasters, and other content creators who need a versatile, easy-to-install, easy-to-adjust boom microphone setup. The pack includes an AT2035 cardioid condenser microphone, a pair of ATH-M20x professional monitor headphones and a studio boom arm threaded with a XLR cable.\u003c\/p\u003e\n\u003cp\u003eThe adjustable studio boom arm clamps securely to desks, tables and other flat surfaces up to 55 mm (2.2\") thick. The boom is threaded internally with an XLR cable for a clean appearance and unhindered operation. Offering full 360° rotation and adjustable, spring-stabilized joints, the boom arm repositions quickly for optimal mic placement. \u003cbr\u003e\u003cbr\u003eThe rugged AT2035 side-address studio condenser microphone delivers exceptional detail and low noise. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the AT2035 handles high sound pressure levels with ease. The mic comes with an AT8458 shock mount to attenuate any noise, shock or vibration that’s transmitted through boom. Its analog XLR output connects easily to a digital converter or mixer.\u003cbr\u003e\u003cbr\u003eRounding out the pack are the ATH-M20x pro headphones, part of Audio-Technica’s critically acclaimed M-Series line. With 40 mm drivers tuned for enhanced low-frequency performance and comfortable, sound-isolating earpads, the M20x headphones are perfect for long monitoring sessions.\u003c\/p\u003e\n\u003cdiv class=\"title_OMS5rN7R1Z\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle4_TAw0W35QK_ weightBold_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"sellingPointsTitle\"\u003eKey Features\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eAT2035 Large-Diaphragm Condenser Mic\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eATH-M20x Monitor Headphones\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eDesktop Boom Arm with XLR Cable\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eCardioid Pattern Lessens Room Noise\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eSwitchable -10 dB Pad Hinders Distortion\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eLow-Cut Filter Limits Bass Buildup\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eShockmount Inhibits Vibration Noise\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eHandles Immense Sound Pressure Levels\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eXLR Output for Hookup to Mic Preamp\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eOperates on 48V Phantom Power\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359419116,"sku":"AT2035PK","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at2035pk-studio-condenser-microphone-pack-with-ath-m20x-headphones-and-cabled-boom-arm-discontinued-creation-networks-34262.jpg?v=1757903254"},{"product_id":"audio-technica-at2040-dynamic-podcast-microphone-with-xlr-output-designed-to-enhance-close-up-vocal-pickup-such-as-podcast-voiceover-and-content-creation-applications-includes-stand-clamp-and-pouch","title":"Audio-Technica AT2040 Hypercardioid Dynamic Podcast Microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT2040 is a hypercardioid dynamic XLR podcast microphone built for clear, focused voice capture in podcasting, streaming, and voiceover. Its highly directional hypercardioid pattern keeps the recording on the talker and rejects room noise, and an integrated shock mount and multistage windscreen control vibration and plosives. It suits broadcast studios, all-hands rooms, and content-creation spaces.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT2040 delivers warm, broadcast-style vocal reproduction with a hypercardioid pattern that isolates the voice from background noise, which is ideal for untreated rooms. The dynamic element needs no phantom power.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at2040-hypercardioid-dynamic-podcast-microphone-creation-networks-41140.png?v=1757903255\" alt=\"Audio-Technica AT2040 hypercardioid dynamic podcast microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eA multistage windscreen with a nonwoven filter and high-quality foam mesh provides strong pop and hiss filtration, while the integrated shock mount prevents noise and vibration transmitted through tripods and boom arms. The microphone includes a stand clamp and pouch.\u003c\/p\u003e\u003cp\u003eFor a USB-equipped condenser alternative, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at2020usb-x-side-address-cardioid-condenser-microphone-with-usb-digital-output-silent-mute-switch-built-in-headphone-jack-headphone-volume-control-and-mix-control-windows-and-mac-compatible-includes-desk-stand\"\u003eAT2020USB-X\u003c\/a\u003e is a plug-and-play option.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHypercardioid dynamic element\u003c\/strong\u003e — A highly directional pattern keeps the recording on the voice and rejects room noise.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated shock mount\u003c\/strong\u003e — Built-in shock mounting prevents noise and vibration from tripods and boom arms.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMultistage windscreen\u003c\/strong\u003e — A nonwoven filter and foam mesh provide strong pop and hiss filtration.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNo phantom power needed\u003c\/strong\u003e — As a dynamic microphone, it operates without phantom power on any XLR input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReady to deploy\u003c\/strong\u003e — Includes a stand clamp and pouch for immediate use.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eDynamic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eHypercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOutput\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eXLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eWindscreen\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eIntegral multistage (nonwoven filter + foam mesh)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMounting\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eIntegrated shock mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eNone required (dynamic)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eIncluded\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eStand clamp, pouch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359451884,"sku":"AT2040","price":109.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at2040-hypercardioid-dynamic-podcast-microphone-creation-networks-41140.png?v=1757903255"},{"product_id":"audio-technica-at2041sp-20-series-studio-pack-at2020-at2021-cardioid-condenser-microphones-with-stand-mount-stand-clamp-and-protective-pouches","title":"Audio-Technica AT2041SP Cardioid Condenser Studio Microphone Package (Discontinued)","description":"\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"productDescription_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cp\u003eThe \u003cb\u003eAudio-Technica AT2041SP\u003c\/b\u003e is a recording microphone package configured to suite any recording budget. The package consists of the AT2020 cardioid condenser microphone and AT2021 small-diaphragm condenser recording microphone.\u003c\/p\u003e\n\u003cp\u003eThe combination of the two microphones provide the flexibility to accurately record vocals and instruments in project and home recording studios. The microphones exhibit a wide frequency response and cardioid polar patterns for accurate detail and minimal residual noise.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eAT2020 Studio Condenser\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe AT2020 is a side address large diaphragm condenser that's well suited for vocal capturing.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eAT2021 Small-Diaphragm Condenser\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe AT2021 small diaphragm condenser microphone captures instruments in rich detail and minimal noise.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eProfessional Mounting\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe AT2020 includes a pivoting, threaded stand mount while the AT2021 includes a professional stand clamp.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359484652,"sku":"AT2041SP","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at2041sp-cardioid-condenser-studio-microphone-package-discontinued-creation-networks-87849.jpg?v=1757903256"},{"product_id":"audio-technica-at2050-side-address-multi-pattern-condenser-microphone","title":"Audio-Technica AT2050 Side-address multi-pattern condenser microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT2050 is a side-address multi-pattern condenser microphone with switchable cardioid, omnidirectional, and figure-of-eight patterns. Its large diaphragm and low self-noise make it a flexible studio condenser microphone for vocals, instruments, and room capture in broadcast studios, auditoriums, and houses of worship. A switchable 10 dB pad and 80 Hz roll-off adapt it to loud sources.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT2050 covers focused cardioid pickup, natural omnidirectional capture, and figure-of-eight stereo techniques from a single microphone, which makes it a cost-effective workhorse for project studios and install racks. Its large-diaphragm element delivers a smooth, natural sound.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at2050-side-address-multi-pattern-condenser-microphone-creation-networks-48676.jpg?v=1757903258\" alt=\"Audio-Technica AT2050 side-address multi-pattern condenser microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eFrequency response runs 20–20,000 Hz with an open circuit sensitivity of –42 dB (7.9 mV), a 120 ohm impedance, and a low 17 dB SPL noise floor. It handles up to 149 dB SPL (159 dB with the 10 dB pad), and an 80 Hz roll-off controls rumble. The microphone requires 11–52V phantom power.\u003c\/p\u003e\u003cp\u003eFor a fixed-cardioid studio condenser, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4040-side-address-cardioid-condenser-microphone\"\u003eAT4040\u003c\/a\u003e is a step-up option, and the multi-pattern \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4050-side-address-multi-pattern-condenser-microphone\"\u003eAT4050\u003c\/a\u003e sits in the higher 40 Series tier.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree switchable patterns\u003c\/strong\u003e — Cardioid, omnidirectional, and figure-of-eight patterns let one microphone cover focused, natural, and stereo-technique capture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLarge-diaphragm, low noise\u003c\/strong\u003e — A large diaphragm and 17 dB SPL noise floor deliver smooth, natural sound on quiet and loud sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 10 dB pad\u003c\/strong\u003e — The pad raises maximum SPL capability to 159 dB for close placement on loud sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 80 Hz high-pass filter\u003c\/strong\u003e — An integral roll-off controls rumble and proximity buildup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWide phantom range\u003c\/strong\u003e — Operation on 11–52V phantom power suits a broad range of consoles and interfaces.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eExternally polarized (DC bias) condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar patterns\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid, omnidirectional, figure-of-eight (switchable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e20–20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e–42 dB (7.9 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eImpedance\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e120 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMaximum input SPL\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e149 dB SPL (159 dB with 10 dB pad)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eNoise\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e17 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eDynamic range\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e132 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePad\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 10 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eHigh-pass filter\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 80 Hz, 12 dB\/octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e11–52V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e20 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359517420,"sku":"AT2050","price":269.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at2050-side-address-multi-pattern-condenser-microphone-creation-networks-48676.jpg?v=1757903258"},{"product_id":"audio-technica-at4021-end-address-cardioid-condenser-microphone","title":"Audio-Technica AT4021 End-address cardioid condenser microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT4021 is an end-address cardioid condenser microphone in a compact pencil form, built for detailed capture of acoustic instruments, overheads, and ensembles. Its cardioid pattern and fast transient response make it a precise cardioid condenser microphone for broadcast studios, auditoriums, and houses of worship. A switchable 10 dB pad extends its high-SPL capability.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT4021 delivers accurate, transparent reproduction with a focused cardioid pattern that rejects off-axis sound, which suits acoustic guitar, piano, strings, and drum overheads. The pencil body mounts easily on stands and overhead arrays.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4021-end-address-cardioid-condenser-microphone-creation-networks-18745.jpg?v=1757903259\" alt=\"Audio-Technica AT4021 end-address cardioid condenser microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eFrequency response runs 20–20,000 Hz with a 19.9 mV output sensitivity, and a switchable 10 dB pad raises the maximum SPL capability to 156 dB for loud sources. The microphone requires 48V phantom power.\u003c\/p\u003e\u003cp\u003eFor an omnidirectional pencil in the same family, see the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4022-end-address-omnidirectional-condenser-microphone\"\u003eAT4022\u003c\/a\u003e; for a matched stereo pair, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4041sp-40-series-studio-pack-includes-two-at4041-cardioid-condenser-microphones-two-at8405a-stand-clamps-two-at8159-windscreens\"\u003eAT4041SP studio pack\u003c\/a\u003e is a complete option.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid pencil condenser\u003c\/strong\u003e — A focused cardioid pattern with fast transient response captures detailed acoustic instruments and overheads.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 10 dB pad\u003c\/strong\u003e — The pad raises the maximum SPL capability to 156 dB for close placement on loud sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAccurate, transparent sound\u003c\/strong\u003e — The 40 Series element delivers detailed, natural reproduction for studio and broadcast.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStand- and array-friendly\u003c\/strong\u003e — The compact end-address body mounts easily on stands and overhead arrays.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V phantom operation\u003c\/strong\u003e — Standard phantom powering integrates with professional consoles, interfaces, and DSP inputs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eFixed-charge back plate, permanently polarized condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e20–20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e19.9 mV at 1V, 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMaximum input SPL\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e146 dB SPL (156 dB with 10 dB pad)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePad\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 10 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat is the AT4021 best used for?\u003c\/h3\u003e\u003cp\u003eAcoustic guitar, piano, strings, drum overheads, and ensemble capture where a detailed cardioid pencil condenser is preferred.\u003c\/p\u003e\u003ch3\u003eDoes it require phantom power?\u003c\/h3\u003e\u003cp\u003eYes. It requires 48V phantom power from your console, interface, or DSP.\u003c\/p\u003e\u003ch3\u003eWhen should I use the 10 dB pad?\u003c\/h3\u003e\u003cp\u003eEngage the pad for high-SPL sources; it raises the maximum sound level capability to 156 dB SPL.\u003c\/p\u003e\u003ch3\u003eHow is it different from the AT4022?\u003c\/h3\u003e\u003cp\u003eThe AT4021 is cardioid (directional), while the AT4022 is omnidirectional for natural, open room capture.\u003c\/p\u003e\u003ch3\u003eHow does it integrate into our system?\u003c\/h3\u003e\u003cp\u003eIt connects on standard 3-pin XLR to a phantom-powered channel on your mixer or DSP.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359550188,"sku":"AT4021","price":379.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4021-end-address-cardioid-condenser-microphone-creation-networks-18745.jpg?v=1757903259"},{"product_id":"audio-technica-at4022-end-address-omnidirectional-condenser-microphone","title":"Audio-Technica AT4022 End-address omnidirectional condenser microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT4022 is an end-address omnidirectional condenser microphone from the 40 Series, built for natural, accurate capture of acoustic instruments, ensembles, and room ambience. Its extended, flat response and omnidirectional pattern make it a dependable omnidirectional condenser microphone for broadcast studios, auditoriums, and houses of worship. A switchable 80 Hz high-pass filter and 10 dB pad let engineers adapt it to a wide range of sources and levels.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT4022 is designed for transparent reproduction, which suits acoustic guitar, piano, strings, overheads, and ambient room miking in recording and reinforcement. As an omnidirectional condenser microphone, it captures a natural, open sound with consistent off-axis response.\u003c\/p\u003e\u003cdiv style=\"display:flex;gap:8px;overflow-x:auto;scroll-snap-type:x mandatory;-webkit-overflow-scrolling:touch;padding-bottom:8px;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4022-end-address-omnidirectional-condenser-microphone-creation-networks-39463.jpg?v=1757903261\" alt=\"Audio-Technica AT4022 end-address omnidirectional condenser microphone\" style=\"flex:0 0 auto;max-width:85%;height:auto;scroll-snap-align:start;border-radius:6px;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4022-end-address-omnidirectional-condenser-microphone-creation-networks-83859.jpg?v=1757903262\" alt=\"AT4022 showing pad and roll-off switches\" style=\"flex:0 0 auto;max-width:85%;height:auto;scroll-snap-align:start;border-radius:6px;\"\u003e\n\u003c\/div\u003e\u003cp\u003eA switchable 10 dB pad lowers sensitivity for high-SPL sources, raising the microphone's maximum sound level capability, while the integral 80 Hz high-pass filter switches from flat response to a low-end roll-off to control rumble and proximity buildup. The pencil form factor mounts easily on stands and overhead arrays.\u003c\/p\u003e\u003cp\u003eFor facilities that pair instrument and vocal capture, the dual-element \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-ae2500-cardioid-condenser-and-dynamic-dual-element-instrument-microphone\"\u003eAE2500 instrument microphone\u003c\/a\u003e and the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-ae5400-large-diaphragm-cardioid-true-condenser-handheld-microphone\"\u003eAE5400 handheld condenser\u003c\/a\u003e complement the AT4022 for commercial AV recording and broadcast use. The AT4022 requires phantom power from your mixer, interface, or DSP.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnd-address omnidirectional pattern\u003c\/strong\u003e — The omnidirectional capsule captures natural, open sound with consistent off-axis response for instruments and room ambience.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 80 Hz high-pass filter\u003c\/strong\u003e — An integral filter switches from flat response to a low-end roll-off to control rumble and proximity buildup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 10 dB pad\u003c\/strong\u003e — The pad lowers sensitivity for high-SPL sources, extending the microphone's maximum sound level capability.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e40 Series transparency\u003c\/strong\u003e — The 40 Series design delivers detailed, accurate reproduction suited to professional recording and broadcast.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStand- and array-friendly form\u003c\/strong\u003e — The end-address pencil body mounts easily on stands and overhead arrays in studios and install settings.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eFixed-charge back plate, permanently polarized condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eOmnidirectional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e–34 dB (19.9 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eImpedance\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e250 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMaximum input SPL\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e146 dB SPL, 1 kHz at 1% T.H.D. (156 dB with 10 dB pad)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eHigh-pass filter\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 80 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePad\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 10 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003ePhantom power (48V)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat is the AT4022 best used for?\u003c\/h3\u003e\u003cp\u003eIt excels at natural capture of acoustic instruments, ensembles, overheads, and room ambience, where an accurate omnidirectional response is preferred over a directional pattern.\u003c\/p\u003e\u003ch3\u003eDoes it require phantom power?\u003c\/h3\u003e\u003cp\u003eYes. As a condenser microphone, the AT4022 needs phantom power (48V) from your mixer, audio interface, or DSP input.\u003c\/p\u003e\u003ch3\u003eWhen should I use the 10 dB pad?\u003c\/h3\u003e\u003cp\u003eEngage the pad for high-SPL sources to avoid overloading the input; it raises the maximum sound level the microphone can handle to 156 dB SPL.\u003c\/p\u003e\u003ch3\u003eWhy choose omnidirectional instead of cardioid?\u003c\/h3\u003e\u003cp\u003eOmnidirectional microphones offer a natural, open sound and consistent off-axis response, ideal for room and ensemble capture; cardioids are better when you need to reject off-axis sound and control feedback.\u003c\/p\u003e\u003ch3\u003eHow does it integrate into our AV system?\u003c\/h3\u003e\u003cp\u003eIt connects on standard 3-pin XLR to a phantom-powered channel on your mixer or DSP, like any professional condenser microphone.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms for coverage. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359582956,"sku":"AT4022","price":379.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4022-end-address-omnidirectional-condenser-microphone-creation-networks-39463.jpg?v=1757903261"},{"product_id":"audio-technica-at4033a-cardioid-studio-condenser-microphone","title":"Audio-Technica AT4033A Cardioid studio condenser microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT4033A is a large-diaphragm cardioid studio condenser microphone known for low self-noise and a natural, detailed sound. It is a dependable cardioid condenser microphone for vocals, voiceover, and acoustic instruments in broadcast studios, auditoriums, and houses of worship. A switchable 10 dB pad and 80 Hz roll-off adapt it to loud sources and control rumble.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT4033A delivers a smooth, natural response with a low 17 dB SPL noise floor, which makes it well suited to detailed vocal and voiceover work as well as acoustic instruments. Its cardioid pattern rejects off-axis sound to improve isolation in reinforced rooms.\u003c\/p\u003e\u003cdiv style=\"display:flex;gap:8px;overflow-x:auto;scroll-snap-type:x mandatory;-webkit-overflow-scrolling:touch;padding-bottom:8px;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4033a-cardioid-studio-condenser-microphone-creation-networks-36563.jpg?v=1757903263\" alt=\"Audio-Technica AT4033A cardioid studio condenser microphone\" style=\"flex:0 0 auto;max-width:85%;height:auto;scroll-snap-align:start;border-radius:6px;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4033a-cardioid-studio-condenser-microphone-creation-networks-70366.jpg?v=1757903264\" alt=\"AT4033A with shockmount\" style=\"flex:0 0 auto;max-width:85%;height:auto;scroll-snap-align:start;border-radius:6px;\"\u003e\n\u003c\/div\u003e\u003cp\u003eFrequency response runs 30–20,000 Hz with an open circuit sensitivity of –32 dB (25.1 mV) and a maximum SPL of 145 dB (155 dB with the 10 dB pad). The microphone requires 48V phantom power and ships with a shockmount.\u003c\/p\u003e\u003cp\u003eFor a multi-pattern alternative, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4050-side-address-multi-pattern-condenser-microphone\"\u003eAT4050\u003c\/a\u003e adds omnidirectional and figure-of-eight patterns, while the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4047-sv-side-address-cardioid-condenser-microphone\"\u003eAT4047\/SV\u003c\/a\u003e offers a warmer, transformer-coupled cardioid voicing.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLarge-diaphragm cardioid element\u003c\/strong\u003e — A natural, detailed cardioid sound suits vocals, voiceover, and acoustic instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow self-noise\u003c\/strong\u003e — A 17 dB SPL noise floor supports quiet, detailed sources without added hiss.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh SPL handling\u003c\/strong\u003e — Handling up to 145 dB SPL (155 dB with the pad) supports close placement on loud sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable pad and filter\u003c\/strong\u003e — A 10 dB pad and 80 Hz high-pass filter adapt the microphone to loud sources and control rumble.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStudio-ready package\u003c\/strong\u003e — The microphone ships with a shockmount for isolated mounting in the studio.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eExternally polarized (DC bias) condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e30–20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e–32 dB (25.1 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMaximum input SPL\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e145 dB SPL, 1 kHz at 1% T.H.D. (155 dB with 10 dB pad)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eNoise\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e17 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePad\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 10 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eHigh-pass filter\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 80 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eIncluded\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eShockmount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat is the AT4033A best used for?\u003c\/h3\u003e\u003cp\u003eDetailed vocal and voiceover work plus acoustic instruments, where a natural, low-noise cardioid condenser is preferred.\u003c\/p\u003e\u003ch3\u003eDoes it require phantom power?\u003c\/h3\u003e\u003cp\u003eYes. It requires 48V phantom power from your console, interface, or DSP.\u003c\/p\u003e\u003ch3\u003eHow quiet is it?\u003c\/h3\u003e\u003cp\u003eIts self-noise is 17 dB SPL, which supports quiet, detailed sources without adding audible hiss.\u003c\/p\u003e\u003ch3\u003eWhen should I use the pad and filter?\u003c\/h3\u003e\u003cp\u003eEngage the 10 dB pad for loud sources, and the 80 Hz high-pass filter to control rumble and proximity buildup.\u003c\/p\u003e\u003ch3\u003eIs a shockmount included?\u003c\/h3\u003e\u003cp\u003eYes. A shockmount is supplied to isolate the microphone from stand and floor vibration.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359615724,"sku":"AT4033A","price":439.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4033a-cardioid-studio-condenser-microphone-creation-networks-36563.jpg?v=1757903263"},{"product_id":"audio-technica-at4040-side-address-cardioid-condenser-microphone","title":"Audio-Technica AT4040 Side-address cardioid condenser microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT4040 is a large-diaphragm side-address cardioid condenser microphone known for low noise, wide dynamic range, and high-SPL capability. It is a versatile cardioid condenser microphone for vocals, voiceover, and acoustic instruments in broadcast studios, auditoriums, and houses of worship. A switchable 10 dB pad and 80 Hz high-pass filter adapt it to loud sources and control rumble.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT4040 delivers a smooth, natural sound with high output sensitivity (25.1 mV) and exceptionally low self-noise, which makes it a dependable choice for detailed vocal and voiceover work. Its cardioid pattern rejects off-axis sound to improve isolation in reinforced rooms.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4040-side-address-cardioid-condenser-microphone-creation-networks-22973.jpg?v=1757903265\" alt=\"Audio-Technica AT4040 side-address cardioid condenser microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eAn integral 80 Hz high-pass filter switches from flat response to a low-end roll-off to control rumble and proximity buildup, while a switchable 10 dB pad raises maximum SPL capability for loud sources. The microphone requires 48V phantom power.\u003c\/p\u003e\u003cp\u003eFor multi-pattern flexibility, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4050-side-address-multi-pattern-condenser-microphone\"\u003eAT4050\u003c\/a\u003e adds omnidirectional and figure-of-eight patterns, and the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4033a-cardioid-studio-condenser-microphone\"\u003eAT4033A\u003c\/a\u003e offers another cardioid studio option.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLarge-diaphragm side-address element\u003c\/strong\u003e — A natural, detailed cardioid sound suits vocals, voiceover, and acoustic instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow noise, wide dynamic range\u003c\/strong\u003e — Exceptionally low self-noise supports quiet, detailed sources with clean results.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 80 Hz high-pass filter\u003c\/strong\u003e — An integral filter switches from flat response to a low-end roll-off to control rumble.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 10 dB pad\u003c\/strong\u003e — The pad raises maximum SPL capability for close placement on loud sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V phantom operation\u003c\/strong\u003e — Standard phantom powering integrates with professional consoles, interfaces, and DSP inputs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eExternally polarized (DC bias) condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e20–20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e–32 dB (25.1 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eImpedance\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e100 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMaximum input SPL\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e145 dB SPL, 1 kHz at 1% T.H.D. (155 dB with 10 dB pad)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePad\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 10 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eHigh-pass filter\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 80 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat is the AT4040 best used for?\u003c\/h3\u003e\u003cp\u003eVocals, voiceover, and acoustic instruments where a natural, low-noise large-diaphragm cardioid condenser is preferred.\u003c\/p\u003e\u003ch3\u003eDoes it require phantom power?\u003c\/h3\u003e\u003cp\u003eYes. It requires 48V phantom power from your console, interface, or DSP.\u003c\/p\u003e\u003ch3\u003eWhen should I use the pad and filter?\u003c\/h3\u003e\u003cp\u003eEngage the 10 dB pad for loud sources, and the 80 Hz high-pass filter to control rumble and proximity buildup.\u003c\/p\u003e\u003ch3\u003eWhy choose the AT4040 over the AT4050?\u003c\/h3\u003e\u003cp\u003eThe AT4040 is a fixed-cardioid studio standard; the AT4050 adds omnidirectional and figure-of-eight patterns for more flexibility.\u003c\/p\u003e\u003ch3\u003eHow does it integrate into our system?\u003c\/h3\u003e\u003cp\u003eIt connects on standard 3-pin XLR to a phantom-powered channel on your mixer or DSP.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359648492,"sku":"AT4040","price":329.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4040-side-address-cardioid-condenser-microphone-creation-networks-22973.jpg?v=1757903265"},{"product_id":"audio-technica-at4041-end-address-cardioid-condenser-microphone","title":"Audio-Technica AT4041 End-address cardioid condenser microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT4041 is an end-address cardioid condenser microphone built for detailed, accurate capture of acoustic instruments, overheads, and ensembles. Its small-diaphragm design and cardioid pattern make it a precise cardioid condenser microphone for broadcast studios, auditoriums, and houses of worship. A switchable 80 Hz high-pass filter controls rumble in live rooms.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT4041 delivers fast transient response and a focused cardioid pattern, which suits acoustic guitar, piano, strings, and drum overheads. The pencil body mounts easily on stands and overhead arrays for studio and install use.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4041-end-address-cardioid-condenser-microphone-creation-networks-75449.jpg?v=1757903266\" alt=\"Audio-Technica AT4041 end-address cardioid condenser microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eFrequency response runs 20–20,000 Hz with an open circuit sensitivity of –36 dB (15.8 mV), a 100 ohm output impedance, and a 145 dB maximum SPL. A switchable 80 Hz, 12 dB\/octave high-pass filter controls rumble. The microphone requires 48V phantom power.\u003c\/p\u003e\u003cp\u003eFor a complete matched stereo pair, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4041sp-40-series-studio-pack-includes-two-at4041-cardioid-condenser-microphones-two-at8405a-stand-clamps-two-at8159-windscreens\"\u003eAT4041SP studio pack\u003c\/a\u003e includes two AT4041 microphones with clamps and windscreens.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid pencil condenser\u003c\/strong\u003e — A focused cardioid pattern with fast transient response captures detailed acoustic instruments and overheads.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 80 Hz high-pass filter\u003c\/strong\u003e — A 12 dB\/octave roll-off controls stage rumble and proximity buildup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh SPL handling\u003c\/strong\u003e — A 145 dB maximum SPL supports close placement on loud sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStand- and array-friendly\u003c\/strong\u003e — The compact end-address body mounts easily on stands and overhead arrays.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V phantom operation\u003c\/strong\u003e — Standard phantom powering integrates with professional consoles, interfaces, and DSP inputs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eExternally polarized (DC bias) condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e20–20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e–36 dB (15.8 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eImpedance\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e100 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMaximum input SPL\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e145 dB SPL, 1 kHz at 1% T.H.D.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eHigh-pass filter\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 80 Hz, 12 dB\/octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat is the AT4041 best used for?\u003c\/h3\u003e\u003cp\u003eAcoustic guitar, piano, strings, drum overheads, and ensemble capture where a detailed cardioid pencil condenser is preferred.\u003c\/p\u003e\u003ch3\u003eDoes it require phantom power?\u003c\/h3\u003e\u003cp\u003eYes. It requires 48V phantom power from your console, interface, or DSP.\u003c\/p\u003e\u003ch3\u003eIs there a stereo pack available?\u003c\/h3\u003e\u003cp\u003eYes. The AT4041SP studio pack includes two AT4041 microphones with stand clamps and windscreens for matched stereo and overhead use.\u003c\/p\u003e\u003ch3\u003eWhen should I use the high-pass filter?\u003c\/h3\u003e\u003cp\u003eEngage the 80 Hz high-pass filter to reduce stage rumble and proximity buildup for cleaner reproduction.\u003c\/p\u003e\u003ch3\u003eHow does it integrate into our system?\u003c\/h3\u003e\u003cp\u003eIt connects on standard 3-pin XLR to a phantom-powered channel on your mixer or DSP.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359714028,"sku":"AT4041","price":329.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4041-end-address-cardioid-condenser-microphone-creation-networks-75449.jpg?v=1757903266"},{"product_id":"audio-technica-at4041sp-40-series-studio-pack-includes-two-at4041-cardioid-condenser-microphones-two-at8405a-stand-clamps-two-at8159-windscreens","title":"Audio-Technica AT4041SP Studio Microphone Pack","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT4041SP is a studio microphone pack containing two AT4041 cardioid condenser microphones with stand clamps and windscreens, ideal for stereo and overhead capture. The pair suits drum overheads, acoustic instruments, and ensembles in broadcast studios, auditoriums, and houses of worship. Each AT4041 offers detailed cardioid pickup with a switchable high-pass filter.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT4041SP equips a facility for stereo recording out of the box, pairing two AT4041 cardioid condensers for matched left\/right or overhead capture. The pack includes two AT8405a stand clamps and two AT8159 windscreens.\u003c\/p\u003e\u003cdiv style=\"display:flex;gap:8px;overflow-x:auto;scroll-snap-type:x mandatory;-webkit-overflow-scrolling:touch;padding-bottom:8px;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4041sp-studio-microphone-pack-creation-networks-15546.png?v=1757903267\" alt=\"Audio-Technica AT4041SP studio microphone pack with two AT4041 condensers\" style=\"flex:0 0 auto;max-width:85%;height:auto;scroll-snap-align:start;border-radius:6px;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4041sp-studio-microphone-pack-creation-networks-77518.png?v=1757903268\" alt=\"AT4041SP pack contents including stand clamps and windscreens\" style=\"flex:0 0 auto;max-width:85%;height:auto;scroll-snap-align:start;border-radius:6px;\"\u003e\n\u003c\/div\u003e\u003cp\u003eEach AT4041 delivers a 20–20,000 Hz response, an open circuit sensitivity of –36 dB (15.8 mV), a 100 ohm output impedance, and a 145 dB maximum SPL, with a switchable 80 Hz high-pass filter to control rumble. Both require 48V phantom power.\u003c\/p\u003e\u003cp\u003eFor a single end-address cardioid in the same family, see the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4051b-end-address-cardioid-condenser-microphone\"\u003eAT4051B\u003c\/a\u003e. For larger-diaphragm room capture, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4050-side-address-multi-pattern-condenser-microphone\"\u003eAT4050\u003c\/a\u003e is a multi-pattern option.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatched pair of AT4041 condensers\u003c\/strong\u003e — Two cardioid condensers support stereo and overhead capture out of the box.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDetailed cardioid pickup\u003c\/strong\u003e — Each AT4041 delivers fast, accurate response for drum overheads and acoustic instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 80 Hz high-pass filter\u003c\/strong\u003e — Each microphone controls rumble and proximity buildup with an integral filter.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComplete pack\u003c\/strong\u003e — Includes two AT8405a stand clamps and two AT8159 windscreens for immediate deployment.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V phantom operation\u003c\/strong\u003e — Standard phantom powering integrates with professional consoles, interfaces, and DSP inputs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePack contents\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eTwo AT4041 microphones, two AT8405a stand clamps, two AT8159 windscreens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eElement (each)\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eExternally polarized (DC bias) condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e20–20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e–36 dB (15.8 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eImpedance\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e100 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMaximum input SPL\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e145 dB SPL, 1 kHz at 1% T.H.D.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eHigh-pass filter\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 80 Hz, 12 dB\/octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat comes in the AT4041SP pack?\u003c\/h3\u003e\u003cp\u003eTwo AT4041 cardioid condenser microphones, two AT8405a stand clamps, and two AT8159 windscreens.\u003c\/p\u003e\u003ch3\u003eWhat is it best used for?\u003c\/h3\u003e\u003cp\u003eStereo and overhead capture of drums, acoustic instruments, and ensembles where a matched cardioid pair is needed.\u003c\/p\u003e\u003ch3\u003eDo the microphones require phantom power?\u003c\/h3\u003e\u003cp\u003eYes. Each AT4041 requires 48V phantom power from your console, interface, or DSP.\u003c\/p\u003e\u003ch3\u003eAre the two microphones matched?\u003c\/h3\u003e\u003cp\u003eThey are supplied together as a stereo pack for left\/right and overhead use; consult Audio-Technica for matched-pair tolerance details.\u003c\/p\u003e\u003ch3\u003eHow do they integrate into our system?\u003c\/h3\u003e\u003cp\u003eEach connects on standard 3-pin XLR to a phantom-powered channel on your mixer or DSP.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359746796,"sku":"AT4041SP","price":609.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4041sp-studio-microphone-pack-creation-networks-15546.png?v=1757903267"},{"product_id":"audio-technica-at4047-sv-side-address-cardioid-condenser-microphone","title":"Audio-Technica AT4047\/SV Side-address cardioid condenser microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT4047\/SV is a large-diaphragm cardioid condenser microphone with a transformer-coupled output and a warm, vintage-voiced character. Modeled on classic FET studio condensers, it is a refined cardioid condenser microphone for vocals, acoustic instruments, and broadcast voice in studios and auditoriums. High SPL handling supports close placement on loud sources.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT4047\/SV pairs a tuned large-diaphragm element with a transformer-coupled output to deliver a smooth, full sound reminiscent of vintage FET condensers. Its cardioid pattern focuses on the source and rejects off-axis sound, which helps in reinforced rooms.\u003c\/p\u003e\u003cdiv style=\"display:flex;gap:8px;overflow-x:auto;scroll-snap-type:x mandatory;-webkit-overflow-scrolling:touch;padding-bottom:8px;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4047sv-side-address-cardioid-condenser-microphone-creation-networks-24718.jpg?v=1757903269\" alt=\"Audio-Technica AT4047\/SV cardioid condenser microphone\" style=\"flex:0 0 auto;max-width:85%;height:auto;scroll-snap-align:start;border-radius:6px;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4047sv-side-address-cardioid-condenser-microphone-creation-networks-82262.png?v=1757903270\" alt=\"AT4047\/SV with shockmount\" style=\"flex:0 0 auto;max-width:85%;height:auto;scroll-snap-align:start;border-radius:6px;\"\u003e\n\u003c\/div\u003e\u003cp\u003eFrequency response runs 20–18,000 Hz with an open circuit sensitivity of –35 dB (17.7 mV), and the microphone handles up to 149 dB SPL (159 dB with the 10 dB pad). This suits lead vocals, voiceover, acoustic guitar, and other detailed sources.\u003c\/p\u003e\u003cp\u003eFor switchable multiple patterns, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4047mp-side-address-multi-pattern-condenser-microphone\"\u003eAT4047MP multi-pattern condenser\u003c\/a\u003e shares the voicing. The AT4047\/SV requires 48V phantom power and ships with a shockmount.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVintage-voiced cardioid\u003c\/strong\u003e — A tuned large-diaphragm element and transformer-coupled output deliver a warm, full sound on vocals and instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransformer-coupled output\u003c\/strong\u003e — The output transformer contributes the smooth character associated with classic FET studio condensers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh SPL handling\u003c\/strong\u003e — Handling up to 149 dB SPL (159 dB with the pad) supports close placement on loud sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocused cardioid pattern\u003c\/strong\u003e — The directional pattern rejects off-axis sound to improve isolation in reinforced rooms.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStudio-ready package\u003c\/strong\u003e — The microphone ships with a shockmount for isolated mounting in the studio.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eExternally polarized (DC bias) condenser, transformer-coupled\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e20–18,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e–35 dB (17.7 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMaximum input SPL\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e149 dB SPL, 1 kHz at 1% T.H.D. (159 dB with 10 dB pad)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePad\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 10 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eIncluded\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eShockmount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat is the AT4047\/SV known for?\u003c\/h3\u003e\u003cp\u003eA warm, vintage-voiced cardioid sound modeled on classic FET studio condensers, favored for vocals, voiceover, and acoustic instruments.\u003c\/p\u003e\u003ch3\u003eDoes it require phantom power?\u003c\/h3\u003e\u003cp\u003eYes. It requires 48V phantom power from your console, interface, or DSP.\u003c\/p\u003e\u003ch3\u003eWhen should I use the 10 dB pad?\u003c\/h3\u003e\u003cp\u003eEngage the pad for high-SPL sources; it raises the maximum sound level to 159 dB SPL to avoid input overload.\u003c\/p\u003e\u003ch3\u003eIs a shockmount included?\u003c\/h3\u003e\u003cp\u003eYes. A shockmount is supplied to isolate the microphone from stand and floor vibration.\u003c\/p\u003e\u003ch3\u003eHow does it integrate into our system?\u003c\/h3\u003e\u003cp\u003eIt connects on standard 3-pin XLR to a phantom-powered channel on your mixer or DSP.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359779564,"sku":"AT4047\/SV","price":819.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4047sv-side-address-cardioid-condenser-microphone-creation-networks-24718.jpg?v=1757903269"},{"product_id":"audio-technica-at4047mp-side-address-multi-pattern-condenser-microphone","title":"Audio-Technica AT4047MP Side-address multi-pattern condenser microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT4047MP is a multi-pattern studio condenser microphone with a transformer-coupled output and a vintage-voiced character. Three switchable polar patterns — cardioid, omnidirectional, and figure-of-eight — make it a flexible large-diaphragm condenser for vocals, instruments, and room capture in broadcast studios and auditoriums. High SPL handling supports close placement on loud sources.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT4047MP extends the warm, vintage-leaning sound of the AT4047 with three switchable patterns, so a single microphone covers focused cardioid pickup, natural omnidirectional capture, and figure-of-eight techniques. The transformer-coupled output contributes to its smooth, full character.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4047mp-side-address-multi-pattern-condenser-microphone-creation-networks-85713.jpg?v=1757903272\" alt=\"Audio-Technica AT4047MP side-address multi-pattern condenser microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eIt handles up to 155 dB SPL (165 dB with the 10 dB pad) with a 141 dB dynamic range, so it performs on quiet sources and loud instruments alike. This versatility suits vocals, acoustic instruments, overheads, and room miking.\u003c\/p\u003e\u003cp\u003eFor a fixed-cardioid version, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4047-sv-side-address-cardioid-condenser-microphone\"\u003eAT4047\/SV cardioid condenser\u003c\/a\u003e shares the voicing, while the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4050-side-address-multi-pattern-condenser-microphone\"\u003eAT4050\u003c\/a\u003e offers a more neutral multi-pattern alternative. The AT4047MP requires 48V phantom power.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree switchable patterns\u003c\/strong\u003e — Cardioid, omnidirectional, and figure-of-eight patterns let one microphone cover focused, natural, and stereo-technique capture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVintage-voiced character\u003c\/strong\u003e — A transformer-coupled output contributes a warm, full sound favored on vocals and instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh SPL handling\u003c\/strong\u003e — Handling up to 155 dB SPL (165 dB with the pad) supports close placement on loud sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWide dynamic range\u003c\/strong\u003e — A 141 dB dynamic range captures quiet detail and loud transients cleanly.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLarge-diaphragm studio design\u003c\/strong\u003e — The 40 Series large-diaphragm element delivers detailed, professional reproduction.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eExternally polarized (DC bias) condenser, transformer-coupled\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar patterns\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid, omnidirectional, figure-of-eight (switchable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e7.9 mV at 1V, 1 Pa (nominal)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMaximum input SPL\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e155 dB SPL (165 dB with 10 dB pad)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eDynamic range\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e141 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePad\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 10 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat are the three polar patterns for?\u003c\/h3\u003e\u003cp\u003eCardioid focuses on the source and rejects off-axis sound; omnidirectional captures natural, open sound; figure-of-eight rejects the sides and supports stereo techniques like blumlein and mid-side.\u003c\/p\u003e\u003ch3\u003eWhat makes the AT4047MP sound 'vintage'?\u003c\/h3\u003e\u003cp\u003eIts transformer-coupled output and tuned element give a warm, full character often associated with classic studio condensers.\u003c\/p\u003e\u003ch3\u003eDoes it require phantom power?\u003c\/h3\u003e\u003cp\u003eYes. It requires 48V phantom power from your console, interface, or DSP.\u003c\/p\u003e\u003ch3\u003eCan it handle loud instruments?\u003c\/h3\u003e\u003cp\u003eYes. It handles up to 155 dB SPL, or 165 dB with the 10 dB pad engaged.\u003c\/p\u003e\u003ch3\u003eHow does it integrate into our system?\u003c\/h3\u003e\u003cp\u003eIt connects on standard 3-pin XLR to a phantom-powered channel on your mixer or DSP.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359812332,"sku":"AT4047MP","price":979.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4047mp-side-address-multi-pattern-condenser-microphone-creation-networks-85713.jpg?v=1757903272"},{"product_id":"audio-technica-at4049b-end-address-omnidirectional-condenser-microphone","title":"Audio-Technica AT4049B End-address omnidirectional condenser microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT4049B is an end-address omnidirectional condenser microphone from the 40 Series, built for natural, accurate capture of acoustic instruments, ensembles, and room ambience. Its true omnidirectional pattern and low self-noise make it a precise omnidirectional condenser microphone for broadcast studios, auditoriums, and houses of worship. It operates on 48V phantom power.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT4049B captures an open, natural sound with consistent off-axis response, which suits room miking, orchestral and ensemble capture, and acoustic instruments where an accurate omnidirectional pattern is preferred. Low self-noise of 16 dB SPL supports quiet, detailed sources.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4049b-end-address-omnidirectional-condenser-microphone-creation-networks-86629.jpg?v=1757903272\" alt=\"Audio-Technica AT4049B end-address omnidirectional condenser microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eFrequency response runs 20–20,000 Hz with an open circuit sensitivity of –34 dB (19.9 mV) and a 50 ohm impedance. The microphone handles up to 145 dB SPL (155 dB with the 10 dB pad) for louder sources.\u003c\/p\u003e\u003cp\u003eFor cardioid and hypercardioid coverage in the same family, the modular \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4900b-48-microphone-body-subassembly-for-at4049b-at4051b-and-at4053b\"\u003eAT4900b-48 body\u003c\/a\u003e accepts interchangeable head capsules. The AT4049B requires 48V phantom power.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue omnidirectional capture\u003c\/strong\u003e — An accurate omnidirectional pattern delivers open, natural sound with consistent off-axis response.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow self-noise\u003c\/strong\u003e — A 16 dB SPL noise floor supports quiet, detailed sources such as room ambience and acoustic instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh SPL handling\u003c\/strong\u003e — Handling up to 145 dB SPL (155 dB with the pad) extends use to louder sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e40 Series precision\u003c\/strong\u003e — The 40 Series design delivers detailed, accurate studio reproduction.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V phantom operation\u003c\/strong\u003e — Standard phantom powering integrates with professional consoles, interfaces, and DSP inputs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eExternally polarized (DC bias) condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eOmnidirectional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e20–20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e–34 dB (19.9 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eImpedance\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e50 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMaximum input SPL\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e145 dB SPL, 1 kHz at 1% T.H.D. (155 dB with 10 dB pad)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eNoise\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e16 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat is the AT4049B best used for?\u003c\/h3\u003e\u003cp\u003eNatural capture of room ambience, ensembles, orchestras, and acoustic instruments where an accurate omnidirectional pattern is preferred over a directional one.\u003c\/p\u003e\u003ch3\u003eDoes it require phantom power?\u003c\/h3\u003e\u003cp\u003eYes. It requires 48V phantom power from your console, interface, or DSP.\u003c\/p\u003e\u003ch3\u003eHow quiet is it?\u003c\/h3\u003e\u003cp\u003eIts self-noise is 16 dB SPL, which supports quiet, detailed sources without adding audible hiss.\u003c\/p\u003e\u003ch3\u003eCan it handle loud sources?\u003c\/h3\u003e\u003cp\u003eYes. It handles up to 145 dB SPL, or 155 dB with the 10 dB pad engaged.\u003c\/p\u003e\u003ch3\u003eHow does it integrate into our system?\u003c\/h3\u003e\u003cp\u003eIt connects on standard 3-pin XLR to a phantom-powered channel on your mixer or DSP.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359845100,"sku":"AT4049B","price":769.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4049b-end-address-omnidirectional-condenser-microphone-creation-networks-86629.jpg?v=1757903272"},{"product_id":"audio-technica-at4049b-el-omnidirectional-element-only","title":"Audio-Technica AT4049B-EL Omnidirectional element only","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT4049b-EL is a omnidirectional head capsule (element only) for the AT4900b-48 modular microphone body. It lets an integrator add or change the omnidirectional polar pattern on a 40 Series modular microphone without replacing the body. It is a precise option for studios and installs in broadcast studios, auditoriums, and houses of worship.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThis is the omnidirectional head capsule only; it threads onto the AT4900b-48 modular microphone body (sold separately) to form a complete microphone. Buying capsules separately lets a facility stock multiple polar patterns against a smaller inventory of bodies.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4049b-el-omnidirectional-element-only-creation-networks-46286.jpg?v=1757903274\" alt=\"Audio-Technica AT4049b-EL omnidirectional head capsule\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eThe omnidirectional pattern determines the microphone's pickup, so an engineer can re-tune an installed modular microphone to the room or source by swapping the capsule. The assembled microphone operates on 48V phantom power.\u003c\/p\u003e\u003cp\u003eThe complete fixed versions are also available: see the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4900b-48-microphone-body-subassembly-for-at4049b-at4051b-and-at4053b\"\u003eAT4900b-48 body\u003c\/a\u003e that this capsule requires.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOmnidirectional head capsule\u003c\/strong\u003e — Adds a omnidirectional polar pattern to a 40 Series modular microphone without replacing the body.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eModular by design\u003c\/strong\u003e — Threads onto the AT4900b-48 body so a facility can stock multiple patterns efficiently.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRe-tunable installations\u003c\/strong\u003e — Swapping capsules lets an installed modular microphone be matched to the room or source.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e40 Series precision\u003c\/strong\u003e — The element delivers accurate, professional studio reproduction when paired with the body.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhantom-powered when assembled\u003c\/strong\u003e — The completed microphone operates on 48V phantom power.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCondenser head capsule (element only)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eOmnidirectional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eRequires\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eAT4900b-48 modular microphone body (sold separately)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower (assembled)\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eDoes this capsule work on its own?\u003c\/h3\u003e\u003cp\u003eNo. It is the head capsule only and must be threaded onto the AT4900b-48 modular microphone body (sold separately) to function.\u003c\/p\u003e\u003ch3\u003eWhy buy a capsule separately?\u003c\/h3\u003e\u003cp\u003eA modular system lets you change polar pattern by swapping the capsule, which is cost-effective for studios and installs that need several patterns from one inventory of bodies.\u003c\/p\u003e\u003ch3\u003eWhat pattern does it provide?\u003c\/h3\u003e\u003cp\u003eThis capsule provides a omnidirectional polar pattern when assembled on the AT4900b-48 body.\u003c\/p\u003e\u003ch3\u003eWhat power does the assembled microphone need?\u003c\/h3\u003e\u003cp\u003eThe completed microphone requires 48V phantom power from your console, interface, or DSP.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359877868,"sku":"AT4049B-EL","price":329.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4049b-el-omnidirectional-element-only-creation-networks-46286.jpg?v=1757903274"},{"product_id":"audio-technica-at4050-side-address-multi-pattern-condenser-microphone","title":"Audio-Technica AT4050 Side-address multi-pattern condenser microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT4050 is a large-diaphragm, multi-pattern studio condenser microphone and a longtime studio standard. Three switchable polar patterns — cardioid, omnidirectional, and figure-of-eight — make it a versatile multi-pattern condenser microphone for vocals, instruments, and room capture in broadcast studios and auditoriums. High SPL handling supports close placement on loud sources.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT4050 combines two large diaphragms to deliver cardioid, omnidirectional, and figure-of-eight patterns from one microphone, covering focused, natural, and stereo-technique capture. Its neutral, detailed voicing has made it a dependable choice across vocals, acoustic instruments, overheads, and room miking.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4050-side-address-multi-pattern-condenser-microphone-creation-networks-72873.jpg?v=1757903274\" alt=\"Audio-Technica AT4050 side-address multi-pattern condenser microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eFrequency response runs 20–20,000 Hz with an open circuit sensitivity of –36 dB (15.8 mV), and the microphone handles up to 149 dB SPL (159 dB with the 10 dB pad). Switchable 10 dB pad and 80 Hz high-pass filter adapt it to loud sources and control rumble.\u003c\/p\u003e\u003cp\u003eFor single-point stereo, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4050st-side-address-stereo-condenser-microphone\"\u003eAT4050ST\u003c\/a\u003e uses the same capsule family, while the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4047mp-side-address-multi-pattern-condenser-microphone\"\u003eAT4047MP\u003c\/a\u003e offers a warmer, vintage-voiced alternative. The AT4050 requires 48V phantom power.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree switchable patterns\u003c\/strong\u003e — Cardioid, omnidirectional, and figure-of-eight patterns let one microphone cover focused, natural, and stereo-technique capture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNeutral, detailed voicing\u003c\/strong\u003e — A balanced large-diaphragm sound makes the AT4050 a dependable studio standard across many sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh SPL handling\u003c\/strong\u003e — Handling up to 149 dB SPL (159 dB with the pad) supports close placement on loud sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable pad and filter\u003c\/strong\u003e — A 10 dB pad and 80 Hz high-pass filter adapt the microphone to loud sources and control rumble.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual large diaphragms\u003c\/strong\u003e — Two large diaphragms generate the multiple polar patterns with consistent quality.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eExternally polarized (DC bias) condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar patterns\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid, omnidirectional, figure-of-eight (switchable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e20–20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e–36 dB (15.8 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMaximum input SPL\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e149 dB SPL, 1 kHz at 1% T.H.D. (159 dB with 10 dB pad)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePad\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 10 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eHigh-pass filter\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 80 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat are the three polar patterns for?\u003c\/h3\u003e\u003cp\u003eCardioid focuses on the source; omnidirectional captures natural, open sound; figure-of-eight rejects the sides and supports stereo techniques like blumlein and mid-side.\u003c\/p\u003e\u003ch3\u003eWhy is the AT4050 so widely used?\u003c\/h3\u003e\u003cp\u003eIts neutral, detailed voicing and pattern flexibility make it a dependable studio standard across vocals, instruments, overheads, and rooms.\u003c\/p\u003e\u003ch3\u003eDoes it require phantom power?\u003c\/h3\u003e\u003cp\u003eYes. It requires 48V phantom power from your console, interface, or DSP.\u003c\/p\u003e\u003ch3\u003eCan it handle loud instruments?\u003c\/h3\u003e\u003cp\u003eYes. It handles up to 149 dB SPL, or 159 dB with the 10 dB pad engaged.\u003c\/p\u003e\u003ch3\u003eHow does it integrate into our system?\u003c\/h3\u003e\u003cp\u003eIt connects on standard 3-pin XLR to a phantom-powered channel on your mixer or DSP.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359910636,"sku":"AT4050","price":769.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4050-side-address-multi-pattern-condenser-microphone-creation-networks-72873.jpg?v=1757903274"},{"product_id":"audio-technica-at4050st-side-address-stereo-condenser-microphone","title":"Audio-Technica AT4050ST Side-address stereo condenser microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT4050ST is a single-point stereo condenser microphone that captures wide, mono-compatible stereo from one position. It combines an independent cardioid element and a figure-of-eight element in a mid-side arrangement with switch-selectable internal matrixing, making it a versatile stereo condenser microphone for broadcast studios, auditoriums, and houses of worship. A shockmount is included for isolated mounting.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT4050ST builds on the acclaimed AT4050 capsule, placing a cardioid (mid) and a figure-of-eight (side) element on a single axis so the stereo image is phase-coherent and collapses cleanly to mono. Internal matrixing lets an engineer output discrete mid-side or a switch-selected stereo width without an external matrix box.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4050st-side-address-stereo-condenser-microphone-creation-networks-72300.jpg?v=1757903275\" alt=\"Audio-Technica AT4050ST side-address stereo condenser microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eSwitchable 10 dB pad and 80 Hz high-pass filter let the microphone adapt to loud sources and control low-frequency rumble. It is well suited to room and ambience capture, ensembles, and overheads where a single-point stereo image is preferred.\u003c\/p\u003e\u003cp\u003eFor mono multi-pattern work, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4050-side-address-multi-pattern-condenser-microphone\"\u003eAT4050 multi-pattern condenser\u003c\/a\u003e shares the same element family, and the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4047mp-side-address-multi-pattern-condenser-microphone\"\u003eAT4047MP\u003c\/a\u003e offers a vintage-voiced multi-pattern alternative. The AT4050ST requires 48V phantom power.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSingle-point mid-side stereo\u003c\/strong\u003e — Cardioid and figure-of-eight elements on one axis capture a phase-coherent, mono-compatible stereo image from a single position.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitch-selectable internal matrixing\u003c\/strong\u003e — Built-in matrixing outputs discrete mid-side or selectable stereo width without an external matrix box.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 10 dB pad\u003c\/strong\u003e — The pad extends headroom for loud sources without overloading the input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 80 Hz high-pass filter\u003c\/strong\u003e — An integral filter controls low-frequency rumble and proximity buildup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded shockmount\u003c\/strong\u003e — A shockmount isolates the microphone from stand-borne vibration in the studio.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eExternally polarized (DC bias) condenser, stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eElements\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eIndependent cardioid (mid) and figure-of-eight (side)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eConfiguration\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eMid-side with switch-selectable internal matrixing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePad\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 10 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eHigh-pass filter\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 80 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eIncluded\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eShockmount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat is mid-side stereo and why use it?\u003c\/h3\u003e\u003cp\u003eMid-side places a forward cardioid (mid) and a sideways figure-of-eight (side) on one axis; matrixing the two yields a stereo image whose width can be adjusted and that collapses cleanly to mono, which is ideal for broadcast.\u003c\/p\u003e\u003ch3\u003eDo I need an external matrix box?\u003c\/h3\u003e\u003cp\u003eNo. The AT4050ST includes switch-selectable internal matrixing, so it can output a ready stereo signal or discrete mid-side for matrixing at the console.\u003c\/p\u003e\u003ch3\u003eDoes it require phantom power?\u003c\/h3\u003e\u003cp\u003eYes. It requires 48V phantom power from your console, interface, or DSP.\u003c\/p\u003e\u003ch3\u003eWhat is it best used for?\u003c\/h3\u003e\u003cp\u003eSingle-point stereo capture of rooms, ensembles, overheads, and ambience where a coherent, mono-compatible stereo image is needed.\u003c\/p\u003e\u003ch3\u003eIs a shockmount included?\u003c\/h3\u003e\u003cp\u003eYes. A shockmount is supplied to isolate the microphone from stand and floor vibration.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359943404,"sku":"AT4050ST","price":1529.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4050st-side-address-stereo-condenser-microphone-creation-networks-72300.jpg?v=1757903275"},{"product_id":"audio-technica-at4051b-end-address-cardioid-condenser-microphone","title":"Audio-Technica AT4051B End-address cardioid condenser microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT4051B is an end-address cardioid condenser microphone built for accurate, detailed capture of acoustic instruments, overheads, and ensembles. Its small-diaphragm design and cardioid pattern make it a precise instrument condenser microphone for broadcast studios, auditoriums, and houses of worship. A switchable 10 dB pad and 80 Hz roll-off adapt it to loud sources and control rumble.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT4051B delivers fast transient response and a focused cardioid pattern, which suits acoustic guitar, piano, strings, drum overheads, and ensemble capture where detail and off-axis rejection matter. It is part of Audio-Technica's 40 Series of precision studio microphones.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4051b-end-address-cardioid-condenser-microphone-creation-networks-35413.jpg?v=1757903276\" alt=\"Audio-Technica AT4051B end-address cardioid condenser microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eA switchable 80 Hz high-pass filter (12 dB\/octave) controls stage rumble and proximity buildup, while a switchable 10 dB pad extends headroom for high-SPL sources. The microphone requires 48V phantom power.\u003c\/p\u003e\u003cp\u003eFor omnidirectional and hypercardioid coverage in the same family, see the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4049b-end-address-omnidirectional-condenser-microphone\"\u003eAT4049B omnidirectional\u003c\/a\u003e and \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4053b-end-address-hypercardioid-condenser-microphone\"\u003eAT4053B hypercardioid\u003c\/a\u003e condenser microphones.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid small-diaphragm element\u003c\/strong\u003e — A focused cardioid pattern with fast transient response captures detailed acoustic instruments and overheads.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 80 Hz high-pass filter\u003c\/strong\u003e — A 12 dB\/octave roll-off controls stage rumble and proximity buildup for clean reproduction.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 10 dB pad\u003c\/strong\u003e — The pad extends headroom for high-SPL sources without overloading the input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e40 Series precision\u003c\/strong\u003e — The 40 Series design delivers accurate, professional studio reproduction.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V phantom operation\u003c\/strong\u003e — Standard phantom powering integrates with professional consoles, interfaces, and DSP inputs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eExternally polarized (DC bias) condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e20–20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eLow-frequency roll-off\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e80 Hz, 12 dB\/octave (switchable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePad\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 10 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat is the AT4051B best used for?\u003c\/h3\u003e\u003cp\u003eAcoustic guitar, piano, strings, drum overheads, and ensemble capture, where a detailed cardioid small-diaphragm condenser is preferred.\u003c\/p\u003e\u003ch3\u003eDoes it require phantom power?\u003c\/h3\u003e\u003cp\u003eYes. It requires 48V phantom power from your console, interface, or DSP.\u003c\/p\u003e\u003ch3\u003eWhen should I use the pad and filter?\u003c\/h3\u003e\u003cp\u003eEngage the 10 dB pad for loud sources to add headroom, and the 80 Hz high-pass filter to reduce rumble and proximity buildup.\u003c\/p\u003e\u003ch3\u003eHow is it different from the AT4053B?\u003c\/h3\u003e\u003cp\u003eThe AT4051B is cardioid; the AT4053B is hypercardioid, offering tighter directionality and more side rejection for louder rooms.\u003c\/p\u003e\u003ch3\u003eHow does it integrate into our system?\u003c\/h3\u003e\u003cp\u003eIt connects on standard 3-pin XLR to a phantom-powered channel on your mixer or DSP.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410359976172,"sku":"AT4051B","price":769.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4051b-end-address-cardioid-condenser-microphone-creation-networks-35413.jpg?v=1757903276"},{"product_id":"audio-technica-at4051b-el-cardioid-element-only","title":"Audio-Technica AT4051B-EL Cardioid element only","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT4051b-EL is a cardioid head capsule (element only) for the AT4900b-48 modular microphone body. It lets an integrator add or change the cardioid polar pattern on a 40 Series modular microphone without replacing the body. It is a precise option for studios and installs in broadcast studios, auditoriums, and houses of worship.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThis is the cardioid head capsule only; it threads onto the AT4900b-48 modular microphone body (sold separately) to form a complete microphone. Buying capsules separately lets a facility stock multiple polar patterns against a smaller inventory of bodies.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4051b-el-cardioid-element-only-creation-networks-85421.jpg?v=1757903277\" alt=\"Audio-Technica AT4051b-EL cardioid head capsule\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eThe cardioid pattern determines the microphone's pickup, so an engineer can re-tune an installed modular microphone to the room or source by swapping the capsule. The assembled microphone operates on 48V phantom power.\u003c\/p\u003e\u003cp\u003eThe complete fixed versions are also available: see the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4900b-48-microphone-body-subassembly-for-at4049b-at4051b-and-at4053b\"\u003eAT4900b-48 body\u003c\/a\u003e that this capsule requires.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid head capsule\u003c\/strong\u003e — Adds a cardioid polar pattern to a 40 Series modular microphone without replacing the body.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eModular by design\u003c\/strong\u003e — Threads onto the AT4900b-48 body so a facility can stock multiple patterns efficiently.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRe-tunable installations\u003c\/strong\u003e — Swapping capsules lets an installed modular microphone be matched to the room or source.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e40 Series precision\u003c\/strong\u003e — The element delivers accurate, professional studio reproduction when paired with the body.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhantom-powered when assembled\u003c\/strong\u003e — The completed microphone operates on 48V phantom power.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCondenser head capsule (element only)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eRequires\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eAT4900b-48 modular microphone body (sold separately)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower (assembled)\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eDoes this capsule work on its own?\u003c\/h3\u003e\u003cp\u003eNo. It is the head capsule only and must be threaded onto the AT4900b-48 modular microphone body (sold separately) to function.\u003c\/p\u003e\u003ch3\u003eWhy buy a capsule separately?\u003c\/h3\u003e\u003cp\u003eA modular system lets you change polar pattern by swapping the capsule, which is cost-effective for studios and installs that need several patterns from one inventory of bodies.\u003c\/p\u003e\u003ch3\u003eWhat pattern does it provide?\u003c\/h3\u003e\u003cp\u003eThis capsule provides a cardioid polar pattern when assembled on the AT4900b-48 body.\u003c\/p\u003e\u003ch3\u003eWhat power does the assembled microphone need?\u003c\/h3\u003e\u003cp\u003eThe completed microphone requires 48V phantom power from your console, interface, or DSP.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410360008940,"sku":"AT4051B-EL","price":329.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4051b-el-cardioid-element-only-creation-networks-85421.jpg?v=1757903277"},{"product_id":"audio-technica-at4053b-end-address-hypercardioid-condenser-microphone","title":"Audio-Technica AT4053B End-address hypercardioid condenser microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT4053B is an end-address hypercardioid condenser microphone built for focused, high-isolation capture in louder rooms and on individual instruments. Its tight hypercardioid pattern rejects off-axis sound more aggressively than a cardioid, making it a precise instrument condenser microphone for broadcast studios, auditoriums, and houses of worship. A switchable 10 dB pad and 80 Hz roll-off adapt it to demanding sources.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT4053B's hypercardioid pattern narrows pickup and increases side rejection, which is useful for isolating instruments in louder ensembles and improving gain-before-feedback in reinforced rooms. Fast transient response captures detail on drum overheads, percussion, and acoustic instruments.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4053b-end-address-hypercardioid-condenser-microphone-creation-networks-55071.jpg?v=1757903285\" alt=\"Audio-Technica AT4053B end-address hypercardioid condenser microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eOpen circuit sensitivity is –34 dB (19.9 mV) with a 20–20,000 Hz response and an 80 Hz, 12 dB\/octave switchable roll-off. A switchable 10 dB pad extends headroom for high-SPL sources. The microphone requires 48V phantom power.\u003c\/p\u003e\u003cp\u003eFor cardioid and omnidirectional coverage in the same family, see the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4051b-end-address-cardioid-condenser-microphone\"\u003eAT4051B cardioid\u003c\/a\u003e and \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4049b-end-address-omnidirectional-condenser-microphone\"\u003eAT4049B omnidirectional\u003c\/a\u003e condenser microphones.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHypercardioid element\u003c\/strong\u003e — A tight pattern rejects off-axis sound for high isolation in louder rooms and dense ensembles.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDetailed transient response\u003c\/strong\u003e — Fast response captures detail on drum overheads, percussion, and acoustic instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 80 Hz high-pass filter\u003c\/strong\u003e — A 12 dB\/octave roll-off controls stage rumble and proximity buildup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 10 dB pad\u003c\/strong\u003e — The pad extends headroom for high-SPL sources without overloading the input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V phantom operation\u003c\/strong\u003e — Standard phantom powering integrates with professional consoles, interfaces, and DSP inputs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eExternally polarized (DC bias) condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eHypercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e20–20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e–34 dB (19.9 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eLow-frequency roll-off\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e80 Hz, 12 dB\/octave (switchable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePad\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eSwitchable 10 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhen should I choose hypercardioid over cardioid?\u003c\/h3\u003e\u003cp\u003eChoose hypercardioid for tighter pickup and more side rejection in louder rooms or to isolate one instrument in a dense ensemble; cardioid is more forgiving of placement.\u003c\/p\u003e\u003ch3\u003eDoes it require phantom power?\u003c\/h3\u003e\u003cp\u003eYes. It requires 48V phantom power from your console, interface, or DSP.\u003c\/p\u003e\u003ch3\u003eWhat is it best used for?\u003c\/h3\u003e\u003cp\u003eDrum overheads, percussion, and acoustic instruments where high isolation and detail are needed.\u003c\/p\u003e\u003ch3\u003eWhen should I use the pad and filter?\u003c\/h3\u003e\u003cp\u003eEngage the 10 dB pad for loud sources, and the 80 Hz high-pass filter to control rumble and proximity buildup.\u003c\/p\u003e\u003ch3\u003eHow does it integrate into our system?\u003c\/h3\u003e\u003cp\u003eIt connects on standard 3-pin XLR to a phantom-powered channel on your mixer or DSP.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410360041708,"sku":"AT4053B","price":769.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4053b-end-address-hypercardioid-condenser-microphone-creation-networks-55071.jpg?v=1757903285"},{"product_id":"audio-technica-at4053b-el-hypercardioid-element-only","title":"Audio-Technica AT4053B-EL Hypercardioid element only","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT4053b-EL is a hypercardioid head capsule (element only) for the AT4900b-48 modular microphone body. It lets an integrator add or change the hypercardioid polar pattern on a 40 Series modular microphone without replacing the body. It is a precise option for studios and installs in broadcast studios, auditoriums, and houses of worship.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThis is the hypercardioid head capsule only; it threads onto the AT4900b-48 modular microphone body (sold separately) to form a complete microphone. Buying capsules separately lets a facility stock multiple polar patterns against a smaller inventory of bodies.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4053b-el-hypercardioid-element-only-creation-networks-65807.jpg?v=1757903286\" alt=\"Audio-Technica AT4053b-EL hypercardioid head capsule\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eThe hypercardioid pattern determines the microphone's pickup, so an engineer can re-tune an installed modular microphone to the room or source by swapping the capsule. The assembled microphone operates on 48V phantom power.\u003c\/p\u003e\u003cp\u003eThe complete fixed versions are also available: see the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4900b-48-microphone-body-subassembly-for-at4049b-at4051b-and-at4053b\"\u003eAT4900b-48 body\u003c\/a\u003e that this capsule requires.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHypercardioid head capsule\u003c\/strong\u003e — Adds a hypercardioid polar pattern to a 40 Series modular microphone without replacing the body.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eModular by design\u003c\/strong\u003e — Threads onto the AT4900b-48 body so a facility can stock multiple patterns efficiently.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRe-tunable installations\u003c\/strong\u003e — Swapping capsules lets an installed modular microphone be matched to the room or source.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e40 Series precision\u003c\/strong\u003e — The element delivers accurate, professional studio reproduction when paired with the body.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhantom-powered when assembled\u003c\/strong\u003e — The completed microphone operates on 48V phantom power.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eCondenser head capsule (element only)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eHypercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eRequires\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eAT4900b-48 modular microphone body (sold separately)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower (assembled)\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eDoes this capsule work on its own?\u003c\/h3\u003e\u003cp\u003eNo. It is the head capsule only and must be threaded onto the AT4900b-48 modular microphone body (sold separately) to function.\u003c\/p\u003e\u003ch3\u003eWhy buy a capsule separately?\u003c\/h3\u003e\u003cp\u003eA modular system lets you change polar pattern by swapping the capsule, which is cost-effective for studios and installs that need several patterns from one inventory of bodies.\u003c\/p\u003e\u003ch3\u003eWhat pattern does it provide?\u003c\/h3\u003e\u003cp\u003eThis capsule provides a hypercardioid polar pattern when assembled on the AT4900b-48 body.\u003c\/p\u003e\u003ch3\u003eWhat power does the assembled microphone need?\u003c\/h3\u003e\u003cp\u003eThe completed microphone requires 48V phantom power from your console, interface, or DSP.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410360074476,"sku":"AT4053B-EL","price":329.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4053b-el-hypercardioid-element-only-creation-networks-65807.jpg?v=1757903286"},{"product_id":"audio-technica-at4060a-condenser-tube-microphone-with-cardioid-polar-pattern","title":"Audio-Technica AT4060A Condenser tube microphone with cardioid polar pattern","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe Audio-Technica AT4060A is a large-diaphragm cardioid vacuum tube condenser microphone built for demanding recording studio applications where vintage tube character and technical precision are both required. Its hand-selected, individually tested tubes deliver the warmth associated with classic valve microphone design while maintaining the wide dynamic range and low self-noise expected in professional broadcast studio and studio recording environments. The AT4060A is part of Audio-Technica's 40 Series premium condenser line and carries a five-year limited end-user warranty, making it a practical choice for commercial studio installations and broadcast facilities.\u003c\/p\u003e\n\n\u003ch2\u003eProduct Description\u003c\/h2\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4060a-condenser-tube-microphone-with-cardioid-polar-pattern-creation-networks-92996.jpg\" alt=\"Audio-Technica AT4060A Cardioid Condenser Tube Microphone\" style=\"max-width:100%;height:auto;\"\u003e\n\u003cp\u003eThe AT4060A uses a dual-diaphragm capsule with 2-micron-thick, vapor-deposited gold diaphragms that undergo a five-step aging process during manufacturing. This process stabilizes the capsule's characteristics so that sensitivity and polar pattern definition remain consistent over years of use. The capsule is externally polarized (DC bias condenser) and housed in a precision-machined, nickel-plated brass acoustic element baffle that enhances element stability and optimizes sensitivity.\u003c\/p\u003e\n\u003cp\u003eThe microphone's heater current circuit is regulated and heavily filtered, preventing contamination of the audio signal chain from power supply noise — a critical consideration in large-diaphragm tube condenser design where heater-induced noise is a known engineering challenge. A large coupling transformer provides superior low-frequency linearity, contributing to the AT4060A's published 20-20,000 Hz frequency response and 75 dB signal-to-noise ratio. Dynamic range measures 131 dB at 1 kHz at maximum SPL, which significantly exceeds the specification of many other tube microphones at this price point.\u003c\/p\u003e\n\u003cp\u003eThe AT4060A ships with the AT8560a tube microphone powering unit, which accepts 100-240V AC (120V AC for USA\/Canada) and connects to the microphone via a 7.6m (24.9') cable with 6-pin XLR-type connectors. The powering unit output is a standard 3-pin XLRM-type connector for connection to any standard microphone preamp. An AT8447 shock mount for 5\/8\"-27 threaded stands, rack-mount adapters for the powering unit, and a protective carrying case are also included. Every AT4060A is individually tested and inspected at the factory for 100% quality assurance before shipment.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVacuum Tube Design with Vintage Character\u003c\/strong\u003e — Hand-selected, individually tested and aged tubes deliver classic valve warmth without sacrificing measured performance specifications.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e131 dB Dynamic Range\u003c\/strong\u003e — Exceeds the dynamic range of many competing tube microphones, making it suitable for both delicate acoustic sources and high-SPL instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e150 dB Maximum SPL Capability\u003c\/strong\u003e — Handles 150 dB SPL at 1 kHz (1% T.H.D.), enabling use on loud sources such as guitar cabinets and brass instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19 dB Self-Noise\u003c\/strong\u003e — Low self-noise for a tube condenser, supporting use on quiet acoustic sources in recording studio environments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual-Diaphragm Capsule\u003c\/strong\u003e — Maintains precise cardioid polar pattern definition across the full 20-20,000 Hz frequency range of the microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFive-Step Diaphragm Aging Process\u003c\/strong\u003e — 2-micron vapor-deposited gold diaphragms are aged during manufacturing to stabilize long-term sensitivity and polar pattern consistency.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRegulated Heater Current Circuit\u003c\/strong\u003e — Heavy filtering on the heater power supply prevents audio signal chain contamination, a common failure point in lesser tube microphone designs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLarge Coupling Transformer\u003c\/strong\u003e — Provides superior low-frequency linearity and contributes to the microphone's smooth low-end response.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustom Shock Mount Included\u003c\/strong\u003e — The AT8447 shock mount provides superior mechanical isolation from stand vibration.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e100% Factory QA Inspection\u003c\/strong\u003e — Every unit is individually tested and inspected before shipment, providing consistency across production batches.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFive-Year Limited End-User Warranty\u003c\/strong\u003e — Audio-Technica's premium warranty coverage for studio and broadcast installations.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTypical Applications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eBroadcast studio (on-air vocal and voice-over recording)\u003c\/li\u003e\n\u003cli\u003eRecording studio (vocal tracking, acoustic instruments, overhead recording)\u003c\/li\u003e\n\u003cli\u003eHouse of worship (main vocal and speech recording applications)\u003c\/li\u003e\n\u003cli\u003eAuditorium (high-fidelity speech and performance capture)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003cdiv style=\"overflow-x:auto;\"\u003e\n\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\n\u003cthead\u003e\n\u003ctr style=\"background:#f5f5f5;\"\u003e\n\u003cth style=\"text-align:left;padding:8px 12px;border:1px solid #ddd;\"\u003eSpecification\u003c\/th\u003e\n\u003cth style=\"text-align:left;padding:8px 12px;border:1px solid #ddd;\"\u003eValue\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eElement\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eExternally polarized (DC bias) condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#fafafa;\"\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003ePolar Pattern\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eFrequency Response\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e20-20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#fafafa;\"\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eOpen Circuit Sensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e−34 dB (19.9 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eMaximum Input Sound Level\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e150 dB SPL, 1 kHz at 1% T.H.D.; 149 dB SPL, 1 kHz at 0.5% T.H.D.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#fafafa;\"\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eSelf-Noise\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e19 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eDynamic Range\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e131 dB, 1 kHz at Max SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#fafafa;\"\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eSignal-to-Noise Ratio\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e75 dB, 1 kHz at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003ePower Requirements\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eAT8560a tube microphone powering unit (100-240V AC; 120V AC for USA\/Canada)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#fafafa;\"\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eWeight (Microphone)\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e645 g (22.8 oz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eWeight (Power Supply)\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e1.3 kg (2.87 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#fafafa;\"\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eDimensions (Microphone)\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e215.0 mm (8.46\") long, 53.4 mm (2.10\") maximum body diameter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eDimensions (Power Supply)\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e212.0 mm (8.35\") W x 131.5 mm (5.18\") D x 46.0 mm (1.81\") H\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#fafafa;\"\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eCable\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e7.6 m (24.9') with 6-pin XLR-type connectors (mic to powering unit)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eOutput Connector\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e3-pin XLRM-type (on tube microphone powering unit)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#fafafa;\"\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eAccessories Included\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eAT8560a tube microphone powering unit; AT8447 shock mount for 5\/8\"-27 threaded stands; rack-mount adapters for powering unit; protective mic carrying case; AC power cable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the AT4060A require phantom power?\u003c\/strong\u003e\u003cbr\u003eNo. The AT4060A uses the included AT8560a tube microphone powering unit rather than phantom power from a preamp or console. The powering unit connects to the microphone via a dedicated 7.6m (24.9') cable with 6-pin XLR connectors and outputs a standard 3-pin XLRM connection to the preamp.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat power supply input does the AT8560a powering unit accept?\u003c\/strong\u003e\u003cbr\u003eThe AT8560a accepts 100-240V AC, making it compatible with international power standards. Units sold in the USA and Canada are configured for 120V AC operation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the AT4060A integrate into a standard recording or broadcast console chain?\u003c\/strong\u003e\u003cbr\u003eThe output of the AT8560a powering unit is a standard 3-pin XLRM connector, which connects directly to any standard microphone preamp input. No special adapters or signal conditioning are required beyond the included powering unit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat stand mount thread does the included shock mount use?\u003c\/strong\u003e\u003cbr\u003eThe AT8447 shock mount is designed for 5\/8\"-27 threaded stands, which is the standard thread for professional microphone stands used in recording studios and broadcast facilities.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan the AT4060A powering unit be rack-mounted?\u003c\/strong\u003e\u003cbr\u003eYes. Rack-mount adapters for the AT8560a powering unit are included in the box, enabling the powering unit to be installed in a standard equipment rack in broadcast studios or recording facilities.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat warranty does the AT4060A carry?\u003c\/strong\u003e\u003cbr\u003eAudio-Technica covers the AT4060A under its Five Year Limited End User Warranty when purchased through authorized dealers such as \u003ca href=\"https:\/\/creationnetworks.net\"\u003eCreation Networks\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does Audio-Technica ensure consistency between individual AT4060A units?\u003c\/strong\u003e\u003cbr\u003eEvery AT4060A is individually tested and inspected at the factory for 100% quality assurance. The tubes are hand-selected, individually tested, and aged prior to installation, and the diaphragms undergo a five-step aging process to stabilize long-term performance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIs the AT4060A suitable for high-SPL sources such as guitar cabinets?\u003c\/strong\u003e\u003cbr\u003eYes. The AT4060A is rated to 150 dB SPL at 1% T.H.D., which covers the output levels of virtually all guitar cabinets and loud acoustic instruments encountered in recording studio environments.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410360107244,"sku":"AT4060A","price":1859.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4060a-condenser-tube-microphone-with-cardioid-polar-pattern-creation-networks-92996.jpg?v=1757903287"},{"product_id":"audio-technica-at4080-bidirectional-ribbon-microphone","title":"Audio-Technica AT4080 Bidirectional ribbon microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT4080 is a bidirectional active ribbon microphone that delivers the warm, smooth character of a classic ribbon with the higher output of an active design. Its figure-of-eight pattern and natural high-frequency response suit horns, strings, guitar cabinets, and broadcast voice in studios and auditoriums. Active electronics bring the output up to near-condenser levels for easy preamp matching.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT4080 pairs a handcrafted ribbon element with active electronics, so it provides the smooth, natural sound ribbons are known for without the very low output that makes traditional ribbons hard to drive. This makes it a practical active ribbon microphone for a wide range of preamps.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4080-bidirectional-ribbon-microphone-creation-networks-81763.jpg?v=1757903287\" alt=\"Audio-Technica AT4080 bidirectional active ribbon microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eIts bidirectional (figure-of-eight) pattern captures equally from front and back while rejecting the sides, which is useful for blumlein and mid-side techniques and for taming room reflections on instruments. The microphone handles high SPL up to 150 dB at 1 kHz (1% THD) for close instrument work.\u003c\/p\u003e\u003cp\u003eThe AT4080 requires 48V phantom power for its active electronics. For a lower-profile stick-style ribbon, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4081-bidirectional-ribbon-microphone\"\u003eAT4081 active ribbon microphone\u003c\/a\u003e shares the same family.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eActive ribbon design\u003c\/strong\u003e — Active electronics raise the output to near-condenser levels, making the warm ribbon sound easy to match with any preamp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBidirectional pattern\u003c\/strong\u003e — The figure-of-eight pattern suits blumlein and mid-side techniques and helps control room reflections.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWarm, natural sound\u003c\/strong\u003e — The handcrafted ribbon element delivers smooth highs and a natural midrange for horns, strings, and voice.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh SPL handling\u003c\/strong\u003e — Handling up to 150 dB SPL at 1 kHz (1% THD) supports close placement on loud instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V phantom operation\u003c\/strong\u003e — Standard phantom powering integrates with professional consoles, interfaces, and DSP inputs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eActive ribbon\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eBidirectional (figure-of-eight)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMaximum input SPL\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e150 dB SPL, 1 kHz at 1% T.H.D.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom (required)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eHow is an active ribbon different from a passive ribbon?\u003c\/h3\u003e\u003cp\u003eActive ribbons add powered electronics that raise output to near-condenser levels, so they are far easier to drive with standard preamps than low-output passive ribbons.\u003c\/p\u003e\u003ch3\u003eDoes the AT4080 need phantom power?\u003c\/h3\u003e\u003cp\u003eYes. The AT4080 requires 48V phantom power to run its active electronics. Unlike passive ribbons, it should be powered to operate.\u003c\/p\u003e\u003ch3\u003eWhat is it good for?\u003c\/h3\u003e\u003cp\u003eHorns, strings, guitar cabinets, drum overheads, and broadcast voice, where a warm, smooth ribbon character and figure-of-eight pattern are desired.\u003c\/p\u003e\u003ch3\u003eCan it handle loud sources?\u003c\/h3\u003e\u003cp\u003eYes. It handles up to 150 dB SPL at 1 kHz (1% THD), supporting close placement on loud instruments.\u003c\/p\u003e\u003ch3\u003eHow does it integrate into our system?\u003c\/h3\u003e\u003cp\u003eIt connects on standard 3-pin XLR to a phantom-powered channel on your mixer, interface, or DSP.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410360172780,"sku":"AT4080","price":1149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4080-bidirectional-ribbon-microphone-creation-networks-81763.jpg?v=1757903287"},{"product_id":"audio-technica-at4081-bidirectional-ribbon-microphone","title":"Audio-Technica AT4081 Bidirectional ribbon microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT4081 is a low-profile, stick-style bidirectional active ribbon microphone that delivers the warm, natural sound of a classic ribbon in a compact body. Active electronics raise its output to near-condenser levels, making it an easy-to-use ribbon microphone for horns, strings, drum overheads, orchestras, and guitar cabinets. It requires 48V phantom power.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT4081's slim stick design fits easily into tight placements such as drum overheads and brass sections, while its handcrafted ribbon element provides smooth highs and a natural midrange. The figure-of-eight pattern rejects the sides for controlled, focused capture.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4081-bidirectional-ribbon-microphone-creation-networks-10993.jpg?v=1757903288\" alt=\"Audio-Technica AT4081 bidirectional active ribbon microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eActive electronics bring the output up to near-condenser level, so the AT4081 works comfortably with standard preamps rather than requiring the very high gain that passive ribbons demand. This makes it practical across a range of consoles and interfaces.\u003c\/p\u003e\u003cp\u003eFor a larger-body active ribbon with higher SPL handling, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at4080-bidirectional-ribbon-microphone\"\u003eAT4080\u003c\/a\u003e shares the same family. The AT4081 requires 48V phantom power.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow-profile stick design\u003c\/strong\u003e — The slim body fits tight placements like drum overheads and brass sections.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eActive ribbon electronics\u003c\/strong\u003e — Powered electronics raise the output to near-condenser levels for easy preamp matching.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWarm, natural sound\u003c\/strong\u003e — The handcrafted ribbon element delivers smooth highs and a natural midrange on instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBidirectional pattern\u003c\/strong\u003e — The figure-of-eight pattern rejects the sides for focused, controlled capture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V phantom operation\u003c\/strong\u003e — Standard phantom powering integrates with professional consoles, interfaces, and DSP inputs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eActive ribbon\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eBidirectional (figure-of-eight)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eForm factor\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eLow-profile stick\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom (required)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eHow is the AT4081 different from the AT4080?\u003c\/h3\u003e\u003cp\u003eBoth are active ribbons; the AT4081 uses a compact stick-style body that fits tight placements, while the AT4080 is a larger body with higher SPL handling.\u003c\/p\u003e\u003ch3\u003eDoes it need phantom power?\u003c\/h3\u003e\u003cp\u003eYes. The AT4081 requires 48V phantom power to run its active electronics.\u003c\/p\u003e\u003ch3\u003eWhat is it good for?\u003c\/h3\u003e\u003cp\u003eHorns, strings, drum overheads, orchestras, and guitar cabinets, where a warm ribbon character in a compact body is useful.\u003c\/p\u003e\u003ch3\u003eWhy choose a ribbon over a condenser?\u003c\/h3\u003e\u003cp\u003eRibbons offer a smooth, natural high-frequency response and a figure-of-eight pattern that many engineers prefer on bright or harsh sources.\u003c\/p\u003e\u003ch3\u003eHow does it integrate into our system?\u003c\/h3\u003e\u003cp\u003eIt connects on standard 3-pin XLR to a phantom-powered channel on your mixer, interface, or DSP.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410360205548,"sku":"AT4081","price":819.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4081-bidirectional-ribbon-microphone-creation-networks-10993.jpg?v=1757903288"},{"product_id":"audio-technica-at4900b-48-microphone-body-subassembly-for-at4049b-at4051b-and-at4053b","title":"Audio-Technica AT4900B-48 Condenser Microphone Body","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT4900b-48 is a modular microphone body that forms the powering and output stage for Audio-Technica's 40 Series interchangeable capsules. It pairs with AT4049b-EL (omnidirectional), AT4051b-EL (cardioid), and AT4053b-EL (hypercardioid) head capsules, which are sold separately, so a single body can serve multiple polar patterns. With direct-coupled, transformerless balanced output and 48V phantom operation, it suits broadcast studios, auditoriums, and houses of worship that need a flexible studio condenser platform.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eBuying the body and capsules separately lets a facility build exactly the microphones it needs and switch polar patterns by changing the head capsule rather than the whole microphone. This modular approach is efficient for studios and install racks that cover several applications.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4900b-48-condenser-microphone-body-creation-networks-63482.jpg?v=1757903289\" alt=\"Audio-Technica AT4900b-48 modular condenser microphone body\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eThe AT4900b-48 uses direct-coupled balanced outputs for clean signals in high-output conditions, free of the distortion associated with transformer-coupled designs. Its fast transient response supports open, transparent reproduction of difficult instruments and voices.\u003c\/p\u003e\u003cp\u003eNote that the head capsule is required for operation and is not included with the body. For acoustic instruments, overheads, and spoken-word capture in broadcast and worship environments, choose the capsule that matches the pattern your application needs. The body requires 48V phantom power from your console, interface, or DSP front end.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eModular 40 Series body\u003c\/strong\u003e — One body works with AT4049b-EL, AT4051b-EL, and AT4053b-EL head capsules, letting you change polar pattern without replacing the microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransformerless direct-coupled output\u003c\/strong\u003e — Direct-coupled balanced output delivers clean signals at high output without transformer-related distortion.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFast transient response\u003c\/strong\u003e — The body's response supports transparent reproduction of detailed acoustic sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V phantom operation\u003c\/strong\u003e — Standard 48V phantom powering integrates with professional consoles, interfaces, and DSP inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCapsules sold separately\u003c\/strong\u003e — Specify the omnidirectional, cardioid, or hypercardioid capsule that matches each application.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eHouse of worship\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eModular microphone body (electronics \/ body only)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eCompatible capsules\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eAT4049b-EL (omni), AT4051b-EL (cardioid), AT4053b-EL (hypercardioid) — sold separately\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOutput\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eDirect-coupled, transformerless balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e48V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSeries\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40 Series studio microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eDoes the AT4900b-48 work on its own?\u003c\/h3\u003e\u003cp\u003eNo. It is the body\/electronics only and requires one of the 40 Series interchangeable head capsules (AT4049b-EL, AT4051b-EL, or AT4053b-EL) to function. Capsules are sold separately.\u003c\/p\u003e\u003ch3\u003eWhy choose a modular body and capsules?\u003c\/h3\u003e\u003cp\u003eA modular system lets you change polar pattern by swapping the capsule, which is cost-effective for studios and installs that need several patterns from one inventory of bodies.\u003c\/p\u003e\u003ch3\u003eWhat phantom power does it need?\u003c\/h3\u003e\u003cp\u003eThe AT4900b-48 requires 48V phantom power, available from professional consoles, audio interfaces, and many DSP inputs.\u003c\/p\u003e\u003ch3\u003eWhat is the benefit of the transformerless output?\u003c\/h3\u003e\u003cp\u003eDirect-coupled balanced output avoids transformer-related distortion at high output levels, supporting clean, transparent signal capture.\u003c\/p\u003e\u003ch3\u003eWhich capsule should I select for our application?\u003c\/h3\u003e\u003cp\u003eChoose omnidirectional (AT4049b-EL) for natural room capture, cardioid (AT4051b-EL) for focused pickup with off-axis rejection, or hypercardioid (AT4053b-EL) for tighter directionality in louder rooms.\u003c\/p\u003e\u003ch3\u003eWhat warranty and support apply?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms for coverage. Creation Networks assists with warranty and capsule selection on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410360238316,"sku":"AT4900B-48","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at4900b-48-condenser-microphone-body-creation-networks-63482.jpg?v=1757903289"},{"product_id":"audio-technica-at5040-side-address-studio-cardioid-condenservocal-microphone","title":"Audio-Technica AT5040 Side-address studio cardioid condenservocal microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe Audio-Technica AT5040 is a side-address studio cardioid condenser microphone designed specifically as a first-choice vocal microphone for professional recording environments. Built around a unique quad rectangular diaphragm assembly, this large-diaphragm studio condenser vocal microphone delivers exceptionally low self-noise at 5 dB SPL, making it one of the quietest microphones available for critical studio vocal tracking. The AT5040 combines wide dynamic range with smooth, controlled high-frequency response — characteristics that make it equally well-suited to broadcast voiceover studios and high-end post-production facilities. Each unit is hand-assembled and individually inspected, placing it firmly in the category of reference-grade large-diaphragm condenser microphones for professional studio recording.\u003c\/p\u003e\n\n\u003ch2\u003eProduct Description\u003c\/h2\u003e\n\u003cp\u003eAt the core of the AT5040 is Audio-Technica's largest-ever capsule assembly: four ultra-thin 2-micron rectangular diaphragms wired together as a single element, providing a combined surface area approximately twice that of a standard one-inch circular diaphragm. This design approach delivers the transient speed and low noise of a small-diaphragm condenser while retaining the warmth and presence typically associated with large-diaphragm studio microphones. The transformer-coupled output contributes to a smooth, musical quality that engineers frequently describe as neutral without being clinical. With a maximum SPL rating of 142 dB and a dynamic range of 137 dB, the AT5040 handles both delicate whispered passages and full-voice performances without distortion or compression artifacts.\u003c\/p\u003e\n\n\u003cp\u003eThe microphone ships with Audio-Technica's AT8480 shock mount, which uses an advanced internal decoupling system to isolate the capsule from stand-transmitted vibration and low-frequency rumble — particularly useful in live tracking rooms where floor vibration is a concern. The housing is machined aluminum and brass with a matte gray finish that reduces reflectivity under studio lighting. All discrete components are individually selected for matched performance, and each AT5040 comes with a custom hard-shell carrying case. For AV integrators and studio designers specifying a fixed vocal recording chain, the AT5040 connects via a standard 3-pin XLR output and requires standard 48V phantom power, making it compatible with any professional audio interface or mic preamp.\u003c\/p\u003e\n\n\u003cdiv style=\"overflow-x:auto;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at5040-side-address-studio-cardioid-condenservocal-microphone-creation-networks-76058.jpg\" alt=\"Audio-Technica AT5040 Side-address Studio Cardioid Condenser Vocal Microphone\" style=\"max-width:100%;height:auto;\"\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQuad Rectangular Diaphragm Assembly\u003c\/strong\u003e — Four 2-micron ultra-thin diaphragms function as a single element with twice the surface area of a standard 1-inch capsule, yielding low noise and fast transient response.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5 dB SPL Self-Noise\u003c\/strong\u003e — Among the lowest noise floors of any microphone on the market, making it suitable for the most detail-sensitive vocal and acoustic recording applications.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e137 dB Dynamic Range\u003c\/strong\u003e — Handles whispered performances through full-projection vocals without requiring pad switching or gain adjustment mid-session.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e142 dB Maximum SPL\u003c\/strong\u003e — Accommodates high-output sources in proximity without capsule overload or transient clipping.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransformer-Coupled Output\u003c\/strong\u003e — Provides the smooth sonic character associated with classic large-diaphragm studio condensers while maintaining accurate frequency reproduction.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdvanced Internal Shock Mounting\u003c\/strong\u003e — Capsule assembly is mechanically decoupled from the microphone body, reducing stand-transmitted noise without relying solely on an external shock mount.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded AT8480 Shock Mount\u003c\/strong\u003e — Custom-designed suspension mount provides additional isolation and fits standard 5\/8-27 threaded stands.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHand-Assembled Construction\u003c\/strong\u003e — Every unit is individually inspected and verified before shipping, ensuring matched performance across units in multi-microphone installations.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAluminum and Brass Housing\u003c\/strong\u003e — Durable, low-reflectivity matte gray finish withstands long-term studio use and resists electromagnetic interference.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandard 48V Phantom Power\u003c\/strong\u003e — Integrates directly with any professional audio interface, mixing console, or standalone preamp without additional power supply.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTypical Applications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eBroadcast studio (radio, podcast, voiceover)\u003c\/li\u003e\n\u003cli\u003eProfessional recording studio vocal tracking\u003c\/li\u003e\n\u003cli\u003ePost-production and ADR recording\u003c\/li\u003e\n\u003cli\u003eHouse of worship spoken word and lead vocal reinforcement recording\u003c\/li\u003e\n\u003cli\u003eAuditorium and performing arts facility recording\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room and training room audio recording setups\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003cdiv style=\"overflow-x:auto;\"\u003e\n\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eSpecification\u003c\/th\u003e\n\u003cth\u003eValue\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eElement\u003c\/td\u003e\n\u003ctd\u003eFixed-charge back plate, permanently polarized condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePolar Pattern\u003c\/td\u003e\n\u003ctd\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e20 – 20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOpen Circuit Sensitivity\u003c\/td\u003e\n\u003ctd\u003e–25 dB (56.2 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Input Sound Level\u003c\/td\u003e\n\u003ctd\u003e142 dB SPL, 1 kHz at 1% T.H.D.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNoise\u003c\/td\u003e\n\u003ctd\u003e5 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDynamic Range\u003c\/td\u003e\n\u003ctd\u003e137 dB, 1 kHz at Max SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSignal-to-Noise Ratio\u003c\/td\u003e\n\u003ctd\u003e89 dB, 1 kHz at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhantom Power Requirements\u003c\/td\u003e\n\u003ctd\u003e48V DC, 3.8 mA typical\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Connector\u003c\/td\u003e\n\u003ctd\u003eIntegral 3-pin XLRM-type\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e582 g (20.5 oz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003e165.3 mm (6.51\") long, 57.0 mm (2.24\") maximum body diameter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAccessories Included\u003c\/td\u003e\n\u003ctd\u003eAT8480 shock mount (5\/8\"-27 thread); protective hard-shell carrying case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWarranty\u003c\/td\u003e\n\u003ctd\u003e5-Year Limited End User Warranty\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat phantom power does the AT5040 require?\u003c\/strong\u003e\u003cbr\u003eThe AT5040 requires standard 48V phantom power at 3.8 mA typical draw. It is compatible with any professional preamp, audio interface, or mixing console that provides 48V phantom power on a balanced XLR input.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eDoes the AT5040 include a shock mount?\u003c\/strong\u003e\u003cbr\u003eYes. The AT5040 ships with Audio-Technica's AT8480 custom shock mount, designed specifically for this microphone body. The mount accepts standard 5\/8\"-27 threaded stand adapters common in professional studio and live sound installations.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eIs the AT5040 suitable for applications beyond vocal recording?\u003c\/strong\u003e\u003cbr\u003eYes. While optimized for studio vocal tracking, the AT5040's wide dynamic range and low noise floor make it appropriate for acoustic instruments, voiceover booths, broadcast studios, and any application requiring a reference-grade large-diaphragm condenser.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eHow does the quad rectangular diaphragm differ from a standard large-diaphragm capsule?\u003c\/strong\u003e\u003cbr\u003eThe AT5040 uses four rectangular 2-micron diaphragms wired together as one element, achieving roughly twice the surface area of a conventional 1-inch circular diaphragm. This design lowers the noise floor while preserving fast transient response that a single large capsule can sometimes compromise.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWhat warranty does the AT5040 carry?\u003c\/strong\u003e\u003cbr\u003eAudio-Technica covers the AT5040 under their 5-Year Limited End User Warranty in the United States. Warranty service is handled through Audio-Technica's authorized service network.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eCan the AT5040 be integrated into a fixed studio installation?\u003c\/strong\u003e\u003cbr\u003eYes. The microphone uses a standard 3-pin XLR output and is compatible with any professional signal chain. For permanent installations, the included shock mount can be fitted to a fixed boom arm or studio mic stand. Contact \u003ca href=\"https:\/\/creationnetworks.net\"\u003eCreation Networks\u003c\/a\u003e for studio integration consultation.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWhat is the maximum SPL the AT5040 can handle?\u003c\/strong\u003e\u003cbr\u003eThe AT5040 is rated to 142 dB SPL at 1 kHz at 1% T.H.D., making it suitable for high-output sources placed in close proximity without the need for an external pad.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410360271084,"sku":"AT5040","price":3279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at5040-side-address-studio-cardioid-condenservocal-microphone-creation-networks-76058.jpg?v=1757903290"},{"product_id":"audio-technica-at5045-cardioid-studio-condenser-instrument-microphone-side-address-stick-type-with-xlrm-type-output","title":"Audio-Technica AT5045 Cardioid Condenser Instrument Microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe Audio-Technica AT5045 is the company's premier studio condenser instrument microphone, offering large-diaphragm performance in a side-address, stick-type body. Designed specifically for acoustic instrument recording in professional recording studio and broadcast studio environments, the AT5045 combines Audio-Technica's largest single diaphragm with a 141 dB dynamic range and 8 dB self-noise — specifications that place it among the highest-performing instrument microphones available. It is suitable for overheads, acoustic guitar, strings, piano, brass, woodwinds, and percussion in any commercial installation where critical instrument capture is required.\u003c\/p\u003e\n\n\u003ch2\u003eProduct Description\u003c\/h2\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at5045-cardioid-condenser-instrument-microphone-creation-networks-66744.jpg\" alt=\"Audio-Technica AT5045 Cardioid Condenser Instrument Microphone\" style=\"max-width:100%;height:auto;\"\u003e\n\u003cp\u003eDespite its stick-type form factor, the AT5045 incorporates Audio-Technica's largest single capsule diaphragm, enabling it to achieve the tonal characteristics and dynamic response typically associated with large-diaphragm side-address condensers. The capsule is a fixed-charge back-plate permanently polarized condenser design, meaning it does not require an external bias voltage and operates on standard 48V phantom power supplied by a microphone preamp or console.\u003c\/p\u003e\n\u003cp\u003eThe AT5045's internal circuitry uses discrete components selected for optimized performance, and the entire circuitry and capsule assembly is mounted as a single rigid block within an advanced internal shock mounting system. This decouples the capsule assembly from the microphone body, providing mechanical isolation from stand vibration, floor noise, and handling noise that would otherwise color the recorded signal. The microphone housing itself is constructed from aluminum and brass with a high-quality gray finish selected for both durability and low optical reflectivity — an important characteristic in live video recording and broadcast environments.\u003c\/p\u003e\n\u003cp\u003eThe AT5045 ships with the innovative AT8481 isolation clamp, which provides secure mounting on 5\/8\"-27 threaded stands, flexible positioning angles, and additional mechanical noise damping beyond the internal shock mount. An AT8165 windscreen and a custom hard-shell carrying case that accommodates either a single AT5045 or a matched stereo pair (AT5045P) are also included. Every AT5045 is hand-assembled and individually inspected for 100% quality control before leaving the factory. The AT5045 is available as a single microphone or as a factory-matched stereo pair (AT5045P) for stereo instrument recording applications.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e141 dB Dynamic Range\u003c\/strong\u003e — One of the widest dynamic ranges of any microphone on the market, capturing both the softest transient detail and the loudest instrument peaks without distortion.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8 dB Self-Noise\u003c\/strong\u003e — Exceptionally low self-noise for an instrument condenser, making the AT5045 suitable for quiet acoustic sources including unamplified strings and solo piano.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e149 dB Maximum SPL\u003c\/strong\u003e — Handles 149 dB SPL at 1% T.H.D., covering high-SPL sources such as brass instruments, drums, and percussion in close-placement configurations.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio-Technica's Largest Single Diaphragm in Stick Form Factor\u003c\/strong\u003e — Provides large-diaphragm tonal characteristics and sensitivity in a body sized for overhead, instrument, and tight-placement applications.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSide-Address Stick Design\u003c\/strong\u003e — Combines the placement versatility of a small-body stick microphone with the side-address capsule orientation preferred for instrument recording.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdvanced Internal Shock Mount\u003c\/strong\u003e — The capsule and circuit assembly are decoupled from the microphone body as a single block, isolating the capsule from mechanical vibration at the source.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransformer-Coupled Output\u003c\/strong\u003e — Provides smooth sonic character and balanced output impedance, compatible with all standard professional preamp inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiscrete Component Circuitry\u003c\/strong\u003e — Components selected individually for optimized performance rather than integrated circuit designs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAluminum and Brass Housing\u003c\/strong\u003e — Durable construction with low-reflectivity gray finish suitable for video and broadcast production environments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAT8481 Isolation Clamp Included\u003c\/strong\u003e — Provides versatile positioning and effective damping of stand-transmitted mechanical noise beyond what the internal shock mount provides alone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAvailable as Single or Stereo Pair\u003c\/strong\u003e — The AT5045P stereo pair is factory-matched for consistent sensitivity and polar pattern between channels for stereo recording applications.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e100% Hand-Assembled and Inspected\u003c\/strong\u003e — Each unit receives individual quality inspection before shipment.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTypical Applications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRecording studio (acoustic guitar, piano, strings, brass, woodwinds, percussion overheads)\u003c\/li\u003e\n\u003cli\u003eBroadcast studio (instrument recording for live performance broadcast)\u003c\/li\u003e\n\u003cli\u003eHouse of worship (acoustic instrument recording for live and broadcast worship services)\u003c\/li\u003e\n\u003cli\u003eAuditorium (orchestral and ensemble instrument recording)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003cdiv style=\"overflow-x:auto;\"\u003e\n\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\n\u003cthead\u003e\n\u003ctr style=\"background:#f5f5f5;\"\u003e\n\u003cth style=\"text-align:left;padding:8px 12px;border:1px solid #ddd;\"\u003eSpecification\u003c\/th\u003e\n\u003cth style=\"text-align:left;padding:8px 12px;border:1px solid #ddd;\"\u003eValue\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eElement\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eFixed-charge back plate, permanently polarized condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#fafafa;\"\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003ePolar Pattern\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eFrequency Response\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e20 – 20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#fafafa;\"\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eOpen Circuit Sensitivity\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e−35 dB (17.7 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eMaximum Input Sound Level\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e149 dB SPL, 1 kHz at 1% T.H.D.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#fafafa;\"\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eSelf-Noise\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e8 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eDynamic Range\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e141 dB, 1 kHz at Max SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#fafafa;\"\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eSignal-to-Noise Ratio\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e86 dB, 1 kHz at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003ePhantom Power Requirements\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e48V DC, 1.4 mA typical\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#fafafa;\"\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eWeight\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e197 g (7.0 oz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003e177.0 mm (6.97\") long, 25.0 mm (0.98\") maximum body diameter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#fafafa;\"\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eOutput Connector\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eIntegral 3-pin XLRM-type\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eAccessories Included\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eAT8481 isolation clamp for 5\/8\"-27 threaded stands; AT8165 windscreen; protective hard-shell carrying case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"background:#fafafa;\"\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eCase Style\u003c\/td\u003e\n\u003ctd style=\"padding:8px 12px;border:1px solid #ddd;\"\u003eR11 (accommodates single mic or stereo pair)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the AT5045 require phantom power?\u003c\/strong\u003e\u003cbr\u003eYes. The AT5045 requires 48V DC phantom power at 1.4 mA typical, which is supplied by the microphone preamp, mixing console, or audio interface to which it is connected. No external power supply is required.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is the difference between the AT5045 and the AT5045P?\u003c\/strong\u003e\u003cbr\u003eThe AT5045 is a single microphone. The AT5045P is a factory-matched stereo pair of AT5045 microphones, tested and selected for consistent sensitivity and polar pattern between both units. The AT5045P is recommended for stereo overhead, piano, and ensemble recording applications where channel matching is important.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat stand mount does the AT8481 isolation clamp accept?\u003c\/strong\u003e\u003cbr\u003eThe AT8481 accepts standard 5\/8\"-27 threaded microphone stands, which is the universal thread used by professional microphone stands in recording studios and broadcast facilities.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the AT5045's internal shock mount differ from the AT8481 isolation clamp?\u003c\/strong\u003e\u003cbr\u003eThe internal shock mount decouples the capsule and circuit assembly from the microphone body itself, isolating against vibration transmitted through the microphone housing. The AT8481 isolation clamp provides an additional layer of isolation between the microphone body and the stand. Both systems operate independently and in combination.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat AV system preamp requirements does the AT5045 have?\u003c\/strong\u003e\u003cbr\u003eThe AT5045 outputs a standard balanced XLR signal and requires a preamp with 48V phantom power capability. It draws 1.4 mA at 48V. Any professional recording console, standalone preamp, or audio interface with standard phantom power will drive the AT5045 correctly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIs the AT5045 suitable for live sound reinforcement as well as recording?\u003c\/strong\u003e\u003cbr\u003eThe AT5045 is designed and marketed as a studio instrument microphone. Its 8 dB self-noise and wide dynamic range make it technically capable for live applications, but its primary design intent is critical instrument recording in studio environments. For live reinforcement, consult \u003ca href=\"https:\/\/creationnetworks.net\"\u003eCreation Networks\u003c\/a\u003e for application-appropriate recommendations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat warranty does the AT5045 carry?\u003c\/strong\u003e\u003cbr\u003eThe AT5045 is covered by Audio-Technica's Five Year Limited End User Warranty when purchased through authorized dealers such as \u003ca href=\"https:\/\/creationnetworks.net\"\u003eCreation Networks\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the carrying case hold a stereo pair?\u003c\/strong\u003e\u003cbr\u003eYes. The included R11 hard-shell carrying case with die-cut foam compartments is designed to hold either a single AT5045 or a stereo pair of AT5045 microphones.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410360303852,"sku":"AT5045","price":1539.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at5045-cardioid-condenser-instrument-microphone-creation-networks-66744.jpg?v=1757903291"},{"product_id":"audio-technica-at5045p-cardioid-studio-condenser-instrument-microphone-side-address-with-xlrm-type-output","title":"Audio-Technica AT5045P Cardioid Condenser Instrument Microphone (Stereo Pair)","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe Audio-Technica AT5045P is a matched stereo pair of cardioid condenser instrument microphones from Audio-Technica's premier 50 Series, designed for professional studio recording of acoustic instruments. Each AT5045 in the pair features a side-address, stick-type body housing Audio-Technica's largest single diaphragm — a fixed-charge back-plate condenser with an open circuit sensitivity of –35 dB and a noise floor of just 8 dB SPL. The AT5045P stereo pair condenser microphone set is used for overhead drum recording, acoustic guitar, strings, piano, brass, and any instrument application where accurate stereo image capture and low-noise performance are critical. The transformer-coupled output and discrete component signal path deliver the smooth high-frequency character associated with large-diaphragm side-address designs, while the stick-type form factor simplifies precise stereo positioning in confined miking setups.\u003c\/p\u003e\n\n\u003ch2\u003eProduct Description\u003c\/h2\u003e\n\u003cp\u003eDespite the physical constraints of a stick-type microphone body, the AT5045 achieves a diaphragm surface area that exceeds most traditional large-diaphragm side-address designs. The capsule and circuit assembly are mounted as a single block within a floating internal shock mount, mechanically decoupling the capsule from the body and reducing the transmission of stand noise, floor vibration, and handling noise to the signal path. This internal isolation is supplemented by the included AT8481 isolation clamps, which provide a secondary decoupling layer between the microphone body and the stand thread — a practical advantage in live tracking situations or on stages where floor vibration is a concern.\u003c\/p\u003e\n\n\u003cp\u003eThe AT5045P stereo pair ships as a complete matched set: two AT5045 microphones, two AT8481 isolation clamps, two AT8165 windscreens, and a custom hard-shell carrying case with die-cut foam compartments sized for both microphones. The matched pair designation indicates that the two units have been tested and verified to perform within tight sensitivity tolerances, ensuring consistent stereo imaging when using coincident (X-Y), near-coincident (ORTF), or spaced pair configurations. Both microphones connect via integral 3-pin XLR output and require standard 48V phantom power at 1.4 mA typical draw per unit.\u003c\/p\u003e\n\n\u003cdiv style=\"overflow-x:auto;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at5045p-cardioid-condenser-instrument-microphone-stereo-pair-creation-networks-23738.jpg\" alt=\"Audio-Technica AT5045P Cardioid Condenser Instrument Microphone Stereo Pair\" style=\"max-width:100%;height:auto;\"\u003e\n\u003c\/div\u003e\n\n\u003cp\u003eWith a maximum SPL of 149 dB at 1% T.H.D. and a dynamic range of 141 dB — one of the widest of any microphone in its class — the AT5045 handles the full range of instrument output levels from pianissimo acoustic guitar passages to full-output brass and percussion without distortion. The 20–20,000 Hz frequency response is flat across the audible band with no intentional presence peak, making the AT5045P appropriate for natural, uncolored acoustic instrument reproduction where post-processing flexibility is required. For recording studios, broadcast facilities, and professional live sound installations specifying a reference-grade stereo instrument microphone pair, the AT5045P represents a single-purchase solution that includes all hardware necessary for immediate deployment.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatched Stereo Pair\u003c\/strong\u003e — Two AT5045 microphones factory-verified to tight sensitivity tolerances, ensuring consistent stereo imaging in X-Y, ORTF, or spaced pair configurations.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLargest Single Diaphragm in a Stick-Type Body\u003c\/strong\u003e — Audio-Technica's largest single capsule diaphragm, delivering large-diaphragm performance in a compact form factor suited for precise instrument miking.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8 dB SPL Self-Noise\u003c\/strong\u003e — Exceptionally low noise floor suitable for capturing quiet acoustic instruments, room ambience, and delicate string passages without audible hiss.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e149 dB Maximum SPL Capability\u003c\/strong\u003e — Handles high-output sources such as brass, percussion, and close-miked drums without capsule overload.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e141 dB Dynamic Range\u003c\/strong\u003e — One of the widest dynamic ranges of any microphone available, covering the full dynamic spectrum from whisper-quiet to high-SPL instrument sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransformer-Coupled Output\u003c\/strong\u003e — Provides smooth sonic character and natural high-frequency reproduction without harshness or artificial presence emphasis.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdvanced Internal Shock Mounting\u003c\/strong\u003e — Capsule and circuit assembly float within the microphone body to reduce stand-transmitted vibration and mechanical noise transmission.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded AT8481 Isolation Clamps\u003c\/strong\u003e — Innovative clamp design provides secure mounting on standard mic stands while adding a secondary mechanical isolation layer between the microphone and the stand.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHand-Assembled and Individually Inspected\u003c\/strong\u003e — Each AT5045 is built by hand with 100% quality control inspection before shipping, with matched sensitivity verified for each pair.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComplete Package\u003c\/strong\u003e — Includes two AT8481 isolation clamps, two AT8165 windscreens, and a custom dual-compartment hard-shell carrying case.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAvailable as Single or Pair\u003c\/strong\u003e — The AT5045 is also sold individually for single-microphone applications; the AT5045P is the factory-matched stereo pair.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTypical Applications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eProfessional recording studio instrument tracking (overhead drums, acoustic guitar, piano, strings)\u003c\/li\u003e\n\u003cli\u003eBroadcast studio acoustic instrument recording\u003c\/li\u003e\n\u003cli\u003eHouse of worship live instrument recording and reinforcement\u003c\/li\u003e\n\u003cli\u003eAuditorium and performing arts facility live recording\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room and training room acoustic instrument capture\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003cdiv style=\"overflow-x:auto;\"\u003e\n\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eSpecification\u003c\/th\u003e\n\u003cth\u003eValue\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eElement\u003c\/td\u003e\n\u003ctd\u003eFixed-charge back plate, permanently polarized condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePolar Pattern\u003c\/td\u003e\n\u003ctd\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e20 – 20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOpen Circuit Sensitivity\u003c\/td\u003e\n\u003ctd\u003e–35 dB (17.7 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Input Sound Level\u003c\/td\u003e\n\u003ctd\u003e149 dB SPL, 1 kHz at 1% T.H.D.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNoise\u003c\/td\u003e\n\u003ctd\u003e8 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDynamic Range\u003c\/td\u003e\n\u003ctd\u003e141 dB, 1 kHz at Max SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSignal-to-Noise Ratio\u003c\/td\u003e\n\u003ctd\u003e86 dB, 1 kHz at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhantom Power Requirements\u003c\/td\u003e\n\u003ctd\u003e48V DC, 1.4 mA typical (per microphone)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Connector\u003c\/td\u003e\n\u003ctd\u003eIntegral 3-pin XLRM-type\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e197 g (7.0 oz) per microphone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003e177.0 mm (6.97\") long, 25.0 mm (0.98\") maximum body diameter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAccessories Included\u003c\/td\u003e\n\u003ctd\u003eTwo AT8481 isolation clamps (5\/8\"-27 thread); two AT8165 windscreens; dual-compartment hard-shell carrying case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCase Style\u003c\/td\u003e\n\u003ctd\u003eR11\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWarranty\u003c\/td\u003e\n\u003ctd\u003e5-Year Limited End User Warranty\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included in the AT5045P stereo pair pack?\u003c\/strong\u003e\u003cbr\u003eThe AT5045P includes two AT5045 cardioid condenser instrument microphones, two AT8481 isolation clamps for 5\/8\"-27 threaded stands, two AT8165 windscreens, and a custom hard-shell carrying case with die-cut foam compartments for both microphones.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eAre the two microphones in the AT5045P factory-matched?\u003c\/strong\u003e\u003cbr\u003eYes. Audio-Technica tests and verifies each pair to ensure the two units perform within tight sensitivity tolerances. This makes the AT5045P suitable for stereo miking techniques where consistent capsule response is required, including X-Y coincident, ORTF near-coincident, and spaced pair configurations.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWhat phantom power is required for the AT5045P?\u003c\/strong\u003e\u003cbr\u003eEach AT5045 requires 48V phantom power at 1.4 mA typical draw. When using both microphones simultaneously, two phantom power-equipped preamp channels are required — one per microphone. Any standard professional audio interface, mic preamp, or mixing console with 48V phantom power is compatible.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eCan the AT5045P be used for live sound applications?\u003c\/strong\u003e\u003cbr\u003eYes. While primarily designed for studio recording, the AT5045P's internal shock mounting and included AT8481 isolation clamps make it practical for live instrument reinforcement in controlled environments such as house of worship recording, broadcast, and auditorium performances where mechanical noise isolation is important.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eHow does the AT5045P compare to the AT5040?\u003c\/strong\u003e\u003cbr\u003eThe AT5040 is Audio-Technica's premier vocal microphone, using a unique quad rectangular diaphragm assembly optimized for smooth vocal reproduction. The AT5045P uses a traditional (though exceptionally large) single circular diaphragm in a stick-type body, optimized for instrument recording. Both are from the same 50 Series and share low-noise, wide-dynamic-range design priorities.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWhat is the warranty coverage on the AT5045P?\u003c\/strong\u003e\u003cbr\u003eAudio-Technica covers the AT5045P under their 5-Year Limited End User Warranty in the United States. Both microphones in the pair are covered under the same warranty terms.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWhere can I purchase the AT5045P?\u003c\/strong\u003e\u003cbr\u003eThe AT5045P is available directly from \u003ca href=\"https:\/\/creationnetworks.net\"\u003eCreation Networks\u003c\/a\u003e at $2,739.00. Contact Creation Networks for volume pricing, installation consultation, or questions about integrating the AT5045P into a studio or facility recording system.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410360336620,"sku":"AT5045P","price":2739.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at5045p-cardioid-condenser-instrument-microphone-stereo-pair-creation-networks-23738.jpg?v=1757903292"},{"product_id":"audio-technica-at5047-cardioid-studio-condenser-microphone-with-transformer-coupled-output-side-address-xlrm-type-output","title":"Audio-Technica AT5047 Cardioid Studio Condenser Microphone","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\n\u003cp\u003eThe Audio-Technica AT5047 is a transformer-coupled cardioid condenser microphone built for premier studio recording of vocals and acoustic instruments. Its defining characteristic is a quad rectangular diaphragm assembly — four 2-micron ultra-thin diaphragms functioning as a single element — that provides a combined surface area twice that of a standard one-inch circular capsule, delivering exceptional low-noise performance and transient response. The transformer-coupled output maintains a constant load output impedance regardless of SPL level, ensuring a predictable and stable electrical interface with any microphone preamplifier or console input. With an industry-leading 142 dB dynamic range and a self-noise of just 6 dB SPL, the AT5047 cardioid studio condenser microphone captures sources across the full dynamic spectrum without compression or coloration artifacts.\u003c\/p\u003e\n\n\u003ch2\u003eProduct Description\u003c\/h2\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at5047-cardioid-studio-condenser-microphone-creation-networks-37254.jpg\" alt=\"Audio-Technica AT5047 Cardioid Studio Condenser Microphone\" style=\"max-width:100%;height:auto;\"\u003e\n\u003cp\u003eThe AT5047 occupies the top tier of the Audio-Technica microphone line, representing the combination of the company's highest-specification capsule design, transformer output stage, and hand-assembly quality control. The rectangular diaphragm format — derived from AT's experience with specialized capsule geometries — provides a larger effective capture area than round diaphragm designs of comparable size, contributing to both the extremely low self-noise (6 dB SPL) and the broad dynamic range (142 dB) that distinguish this microphone from conventional large-diaphragm condensers.\u003c\/p\u003e\n\u003cp\u003eThe transformer-coupled output is a deliberate design choice rather than a concession to vintage aesthetics. Transformers provide galvanic isolation between the capsule circuit and the output, buffer the capsule from varying load impedances presented by different preamps, and contribute to the smooth frequency response and transient character that engineers associate with classic studio microphones. Even at maximum SPL levels (148 dB SPL at 1% THD), the AT5047 maintains a stable output impedance relationship with the connected preamp or console input, preventing the dynamic impedance variation that transformer-less designs exhibit under high-level transients.\u003c\/p\u003e\n\u003cp\u003eEach AT5047 is hand-assembled by Audio-Technica technicians and individually inspected before shipment. The microphone includes the AT8480 custom shock mount, which uses an advanced internal decoupling design to isolate the capsule from mechanical vibration transmitted through the stand. The AT8480 accepts 5\/8\"-27 threaded stands and includes a 3\/8\" to 5\/8\" adapter. A custom hard-shell carrying case with die-cut foam compartments provides protection for the microphone body and accessories. Phantom power requirement is 48V DC at 2.7 mA typical. The AT5047 carries a five-year limited end-user warranty from Audio-Technica. Available from \u003ca href=\"https:\/\/creationnetworks.net\"\u003eCreation Networks\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQuad Rectangular Diaphragm Element\u003c\/strong\u003e — Four matched 2-micron ultra-thin diaphragms function together as Audio-Technica's largest-ever element, providing a combined surface area twice that of a standard 1-inch circular diaphragm.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransformer-Coupled Output\u003c\/strong\u003e — Maintains constant load output impedance even at extreme SPL, ensuring a stable and predictable electrical interface with any microphone preamplifier or mixing console input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e142 dB Dynamic Range\u003c\/strong\u003e — Audio-Technica's widest dynamic range across their entire microphone line, capturing sources from the quietest room ambience to loud instrument transients without limiting.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6 dB SPL Self-Noise\u003c\/strong\u003e — Exceptionally low noise floor enables high-gain recording applications including acoustic instruments, quiet vocals, and room microphone placement.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e148 dB Maximum SPL Handling\u003c\/strong\u003e — Accepts extremely loud sources at 1% THD, covering kick drum close-miking, guitar amplifiers, and high-output brass instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20–20,000 Hz Frequency Response\u003c\/strong\u003e — Full audio bandwidth with -29 dB open circuit sensitivity (35.5 mV) re 1V at 1 Pa.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdvanced Internal Shock Mounting\u003c\/strong\u003e — Decouples the capsule from the microphone body to reduce handling and stand-borne noise transmission.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded AT8480 Shock Mount\u003c\/strong\u003e — Custom-designed shock mount provides superior mechanical isolation; fits 5\/8\"-27 threaded stands with included 3\/8\" adapter.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHand-Assembled, Individually Inspected\u003c\/strong\u003e — 100% quality control with technician verification on every unit; aluminum and brass housing construction.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiscrete Component Design\u003c\/strong\u003e — Internal components are individually selected and optimized for compatibility with standalone preamps and console inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFive-Year Limited Warranty\u003c\/strong\u003e — Audio-Technica's five-year limited end-user warranty applies to all AT5047 microphones.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTypical Applications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eBroadcast studio — voice-over booth and on-camera talent recording\u003c\/li\u003e\n\u003cli\u003eAuditorium — orchestral recording and acoustic instrument capture\u003c\/li\u003e\n\u003cli\u003eCommercial meeting space — high-quality speech capture in boardroom recording environments\u003c\/li\u003e\n\u003cli\u003eHouse of worship — lead vocal and instrument recording for broadcast or archival production\u003c\/li\u003e\n\u003cli\u003eTraining room — lecture recording requiring high intelligibility and low background noise\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003cdiv style=\"overflow-x:auto;\"\u003e\n\u003ctable style=\"border-collapse:collapse;width:100%;min-width:400px;\"\u003e\n\u003cthead\u003e\u003ctr style=\"background:#f2f2f2;\"\u003e\n\u003cth style=\"border:1px solid #ccc;padding:8px;text-align:left;\"\u003eSpecification\u003c\/th\u003e\n\u003cth style=\"border:1px solid #ccc;padding:8px;text-align:left;\"\u003eValue\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003eElement Type\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003eFixed-charge back plate, permanently polarized condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003ePolar Pattern\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003eFrequency Response\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003e20–20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003eOpen Circuit Sensitivity\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003e-29 dB (35.5 mV) re 1V at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003eMaximum Input Sound Level\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003e148 dB SPL, 1 kHz at 1% T.H.D.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003eSelf-Noise\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003e6 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003eDynamic Range\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003e142 dB, 1 kHz at Max SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003eSignal-to-Noise Ratio\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003e88 dB, 1 kHz at 1 Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003ePhantom Power\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003e48V DC, 2.7 mA typical\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003eOutput Connector\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003eIntegral 3-pin XLRM-type\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003eWeight\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003e592 g (20.9 oz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003e165.3 mm (6.51”) long, 57.0 mm (2.24”) max body diameter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003eAccessories Included\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003eAT8480 shock mount (5\/8\"-27 threaded), 3\/8\"-to-5\/8\" stand adapter, hard-shell carrying case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003eWarranty\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #ccc;padding:8px;\"\u003eFive-year limited end-user warranty\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eWhat preamp gain is recommended for the AT5047?\u003c\/strong\u003e\u003cbr\u003eThe AT5047 has an open circuit sensitivity of -29 dB (35.5 mV). This is a relatively high-output condenser, so moderate preamp gain (40–55 dB) is typically sufficient for vocals and most instruments. The transformer-coupled output is stable across a wide range of preamp input impedances, making the AT5047 less sensitive to preamp matching than transformer-less designs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the AT5047 require a specific phantom power voltage?\u003c\/strong\u003e\u003cbr\u003eThe AT5047 requires standard 48V DC phantom power at 2.7 mA typical. Most professional mixing consoles, audio interfaces, and standalone microphone preamps provide 48V phantom power. Do not use reduced-voltage phantom (e.g., 12V or 24V) as this may result in degraded performance or prevent the microphone from operating correctly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is the AT5047's maximum SPL handling?\u003c\/strong\u003e\u003cbr\u003eThe AT5047 handles 148 dB SPL at 1 kHz and 1% THD. This is adequate for close-miking of kick drums, guitar amplifiers, and most acoustic instrument sources. No pad switch is included or required for typical studio applications.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat shock mount is included, and will third-party shock mounts fit?\u003c\/strong\u003e\u003cbr\u003eThe AT5047 includes the AT8480 shock mount, custom-designed for this microphone's body diameter (57.0 mm maximum). Third-party shock mounts designed for large-diaphragm condenser microphones may fit depending on their adjustment range, but the AT8480 is optimized for the AT5047 and provides the best mechanical isolation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIs the AT5047 side-address or end-address?\u003c\/strong\u003e\u003cbr\u003eThe AT5047 is a side-address microphone. The capsule faces perpendicular to the long axis of the body, in the same orientation as most large-diaphragm studio condensers. The front of the capsule (cardioid null at the rear) is indicated on the microphone body.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is included in the box with the AT5047?\u003c\/strong\u003e\u003cbr\u003eThe AT5047 ships with the AT8480 custom shock mount, a 3\/8\"-to-5\/8\" stand adapter for use with European-thread stands, and a custom hard-shell carrying case with die-cut foam inserts. The microphone and all accessories fit securely within the case for storage and transport.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat warranty coverage applies to the AT5047?\u003c\/strong\u003e\u003cbr\u003eAudio-Technica provides a five-year limited end-user warranty covering manufacturing defects under normal use. This warranty applies to the original purchaser. \u003ca href=\"https:\/\/creationnetworks.net\"\u003eCreation Networks\u003c\/a\u003e can assist with warranty claims and provides pre-sales technical support for AT5047 purchases.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does the AT5047 compare to the AT4047\/SV?\u003c\/strong\u003e\u003cbr\u003eBoth microphones use transformer-coupled outputs and fixed-charge condenser elements, but the AT5047 uses Audio-Technica's proprietary quad rectangular diaphragm assembly rather than a single round diaphragm. This results in lower self-noise (6 dB vs. 20 dB for the AT4047\/SV), wider dynamic range, and the broader surface area's effect on transient capture. The AT5047 is the higher-specification product intended for critical tracking applications.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410360369388,"sku":"AT5047","price":3849.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at5047-cardioid-studio-condenser-microphone-creation-networks-37254.jpg?v=1757903293"},{"product_id":"audio-technica-at690-3-speaker-cable-14-ga-1-4-1-4-phone-plug-3","title":"Audio-Technica AT690 Series 1\/4\" Male to 1\/4\" Male Speaker Cable (14-Gauge) - 3' (Discontinued)","description":"\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"productDescription_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cp\u003eThis\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAudio-Technica AT690 Series Speaker Cable\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis a heavy-duty 14-gauge cable that is designed for maximum signal transfer. From leading-edge connectors to copper conductors, every element is designed to provide extraordinarily detailed natural sound reproduction.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"descriptionAsTitle_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHeavy-duty 14-gauge cable for maximum power transfer and minimum loss\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"descriptionAsTitle_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eProfessional high-quality connectors ensure superior signal integrity and outstanding strain relief\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"descriptionAsTitle_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eDurable PVC jacket stands up to tough use\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"descriptionAsTitle_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eExtra flexibility for ease of use\/storage\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43412364591340,"sku":"AT690-3","price":13.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at690-series-14-male-to-14-male-speaker-cable-14-gauge-3-discontinued-creation-networks-48754.jpg?v=1757903294"},{"product_id":"audio-technica-at8010-omnidirectional-condenser-microphone","title":"Audio-Technica AT8010 Omnidirectional condenser microphone (Discontinued)","description":"\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"productDescription_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cp\u003eGet a great sound for your interviews with the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAudio-Technica AT8010\u003c\/b\u003e, a handheld or standmount condenser microphone tailored for speech. Use the on-board switchable high-pass filter to roll-off the low end and minimize sonic rumble.\u003c\/p\u003e\n\u003cp\u003eThe mic's omnidirectional polar pattern ensures an even response around the capsule and captures ambiance naturally, which is a boon for you-are-there radio pieces. The rugged housing, complete with a steel grille, is designed for use in demanded locals. Internal shockmounting minimizes handling and cable noise, so the host of a broadcast can share the mic with a guest.\u003c\/p\u003e\n\u003cp\u003eThe mic can operate on either phantom power supplied through the XLR connection, or by means of a single AA battery. A mic clip, threaded adapter, battery, and soft protective case are included, as is a windscreen.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"descriptionAsTitle_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eIdeal for group vocals, strings, cymbal overheads, acoustic guitar, and piano\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"descriptionAsTitle_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003esmooth, extended response both on- and off-axis\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"descriptionAsTitle_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eOmnidirectional pattern provides maximum ambient pickup\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"descriptionAsTitle_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eLow sensitivity to popping and overloads\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"descriptionAsTitle_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eOperates on battery or phantom power\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410360631532,"sku":"AT8010","price":169.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at8010-omnidirectional-condenser-microphone-discontinued-creation-networks-33494.jpg?v=1757903294"},{"product_id":"audio-technica-at8015-line-gradient-microphone-18-1-long","title":"Audio-Technica AT8015 Line + gradient microphone, 18.1\" long","description":"\u003ch2\u003eProduct Overview\u003c\/h2\u003e\u003cp\u003eThe Audio-Technica AT8015 is a line + gradient condenser shotgun microphone built for highly directional capture in film, broadcast, and video production. Its narrow acceptance angle rejects off-axis sound, making it a focused shotgun microphone for boom and camera use in broadcast studios, auditoriums, and multi-purpose rooms. It runs on either an AA battery or 11–52V phantom power.\u003c\/p\u003e\u003ch2\u003eProduct Description\u003c\/h2\u003e\u003cp\u003eThe AT8015 uses a line + gradient (shotgun) design to reach a subject at a distance while rejecting surrounding noise, which suits dialogue capture, field production, and event coverage. Its 460 mm length supports the long, narrow pickup pattern.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at8015-line-gradient-microphone-18-1-long-creation-networks-34589.jpg?v=1757903295\" alt=\"Audio-Technica AT8015 line + gradient condenser shotgun microphone\" style=\"max-width:100%;height:auto;\"\u003e\u003c\/p\u003e\u003cp\u003eFrequency response runs 40–20,000 Hz with an 80 Hz, 12 dB\/octave low-frequency roll-off to control wind and rumble, and the microphone handles up to 132 dB SPL on phantom power. Battery or phantom operation gives crews flexibility in the field and in installed systems.\u003c\/p\u003e\u003cp\u003eFor a shorter shotgun in the same family, the \u003ca href=\"https:\/\/creationnetworks.net\/products\/audio-technica-at8035-line-gradient-microphone-14-5-long\"\u003eAT8035\u003c\/a\u003e offers a 369 mm body with the same line + gradient design.\u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine + gradient shotgun design\u003c\/strong\u003e — A narrow acceptance angle rejects off-axis sound for highly directional capture at a distance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBattery or phantom power\u003c\/strong\u003e — Operation on an AA battery or 11–52V phantom power supports field and installed use.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e80 Hz low-frequency roll-off\u003c\/strong\u003e — A 12 dB\/octave roll-off controls wind and rumble for clean dialogue and field audio.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh SPL handling\u003c\/strong\u003e — Handling up to 132 dB SPL (phantom) supports loud field and event sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLong-reach body\u003c\/strong\u003e — The 460 mm length supports the long, narrow pickup pattern for boom and camera use.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTypical Applications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eBroadcast studio\u003c\/li\u003e\n\u003cli\u003eAuditorium\u003c\/li\u003e\n\u003cli\u003eMulti-purpose room\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003cdiv style=\"overflow-x:auto;\"\u003e\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eType\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eFixed-charge back plate, permanently polarized condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePolar pattern\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003eLine + gradient (shotgun)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e40–20,000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eLow-frequency roll-off\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e80 Hz, 12 dB\/octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eOpen circuit sensitivity\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e–38 dB (12.5 mV) phantom; –39 dB (11.2 mV) battery\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eImpedance\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e250 ohms (phantom)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eMaximum input SPL\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e132 dB SPL (phantom) \/ 120 dB SPL (battery)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eSignal-to-noise ratio\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e72 dB at 1 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003ePower\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e1.5V AA battery or 11–52V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth style=\"text-align:left;padding:6px 10px;border:1px solid #ddd;background:#f5f5f5;width:38%;\"\u003eLength\u003c\/th\u003e\n\u003ctd style=\"padding:6px 10px;border:1px solid #ddd;\"\u003e460.0 mm (18.11″)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat is a line + gradient shotgun microphone?\u003c\/h3\u003e\u003cp\u003eA shotgun microphone uses an interference (line) tube to narrow its pickup, rejecting off-axis sound so it can capture a subject at a distance, which suits film, broadcast, and video.\u003c\/p\u003e\u003ch3\u003eCan it run on battery?\u003c\/h3\u003e\u003cp\u003eYes. The AT8015 operates on a 1.5V AA battery or on 11–52V phantom power, so it works on a boom in the field and in installed systems.\u003c\/p\u003e\u003ch3\u003eWhat is it best used for?\u003c\/h3\u003e\u003cp\u003eDialogue capture, field production, and event coverage where a long-reach, highly directional microphone is needed.\u003c\/p\u003e\u003ch3\u003eHow is it different from the AT8035?\u003c\/h3\u003e\u003cp\u003eThe AT8015 is the longer 460 mm shotgun for greater reach; the AT8035 is a shorter 369 mm body with the same line + gradient design.\u003c\/p\u003e\u003ch3\u003eHow does it integrate into our system?\u003c\/h3\u003e\u003cp\u003eIt connects on standard 3-pin XLR to a phantom-powered channel on your mixer or DSP.\u003c\/p\u003e\u003ch3\u003eWhat warranty applies?\u003c\/h3\u003e\u003cp\u003eAudio-Technica provides a limited warranty; refer to their current terms. Creation Networks supports warranty and product questions on orders placed with us.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":43410360664300,"sku":"AT8015","price":329.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/7982\/4364\/products\/audio-technica-at8015-line-gradient-microphone-18-1-long-creation-networks-34589.jpg?v=1757903295"}],"url":"https:\/\/creationnetworks.net\/collections\/audio-technica-microphones.oembed?page=12","provider":"Creation Networks","version":"1.0","type":"link"}